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DTSTART;TZID=Europe/Vienna:20260612T190000
DTEND;TZID=Europe/Vienna:20260612T203000
DTSTAMP:20260613T120250
CREATED:20260305T112512Z
LAST-MODIFIED:20260611T090740Z
UID:18807-1781290800-1781296200@mdw.ac.at
SUMMARY:STUDIENKONZERT | Gesang & Laute
DESCRIPTION:English Baroque Treasures\nStudierende der Gesangsklasse von Michael Schade & der Lautenklasse von André Ferreira \n  \nHenry Purcell (1659-1695)\nSonate No. 10 in D Major\, Z.811\nAdagio – Largo – Allegro \nLautenconsort:\nKamil Aniol\, Matej Berlot\, André Ferreira\, Amirah Pranzl\, Leon Ravnikar \n  \nJohn Dowland (1563-1626)\nCome\, Heavy Sleep\naus „The Firste Booke of Songes“ (1597) \nJohannes Czernin\, Tenor\nAndré Ferreira\, Erzlaute \n  \nJohn Dowland\nPiper’s Pavan\, P.8 \nMatej Berlot\, Renaissancelaute \n  \nJohn Dowland\nCan She Excuse My Wrongs\naus „The Firste Booke of Songes“ \nElisabeth Kirchner\, Mezzosopran\nMatej Berlot\, Renaissancelaute \n  \nRobert Johnson (1583-1633)\nHave you seen the bright lily grow? (1616) \nJohannes Czernin\, Tenor\nAndré Ferreira\, Erzlaute \n  \nJohn Dowland\nCome again\, Sweet Love Doth Now Invite\naus „The Firste Booke of Songes“ \nJohannes Czernin\, Tenor\nAmirah Pranzl\, Renaissancelaute \n  \nJohn Dowland\nMrs. Vaux Galliard\, P.32 \nKamil Aniol\, Renaissancelaute \n  \nJohn Dowland\nFine knacks for ladies\naus „The Second Booke of Songes“ (1600) \nJohannes Czernin\, Tenor\nKamil Aniol\, Renaissancelaute \n  \nJohn Dowland\nNow\, O Now\, I Needs Must Part\naus „The Firste Booke of Songes“ \nElisabeth Kirchner\, Mezzosopran\nAndré Ferreira\, Erzlaute \n  \nHenry Lawes (1595-1662)\nSweet stay a while \nGerwin Reder\, Tenor\nMatej Berlot\, Renaissancelaute \n  \nThomas Campion (1567-1620)\nFire\, Fire\naus „The Third Booke of Ayres“ (1617) \nGerwin Reder\, Tenor\nMatej Berlot\, Renaissancelaute \n  \nJohn Dowland\nFlow my tears\naus „The Second Booke of Songes“ \nTanja Elisa Glinsner\, Mezzosopran\nAndré Ferreira\, Erzlaute \n  \nHenry Purcell\nFairest Isle\naus „King Arthur“\, Z.628 \nMegumi Sakai\, Sopran\nKamil Aniol\, Erzlaute\nReinhard Führer\, Cembalo \n  \nRobert Johnson\nPavan in C minor \nLeon Ravnikar\, Renaissancelaute \n  \nHenry Purcell\nSweeter than Roses\naus „Pausanius“\, Z.585 \nMegumi Sakai\, Sopran\nReinhard Führer\, Cembalo \n  \nHenry Purcell\nFantazia\, Z.734 \nLautenconsort:\nKamil Aniol\, Matej Berlot\, André Ferreira\, Amirah Pranzl\, Leon Ravnikar \n  \nHenry Purcell\nWhen I am laid in Earth\naus „Dido and Aeneas“\, Z.626 \nElisabeth Kirchner\, Mezzosopran\nReinhard Führer\, Cembalo \n  \nGeorg Friedrich Händel (1685-1759)\nOmbra mai fu\naus „Serse“\, HWV 40 \nVictoria Lavrova\, Sopran\nKamil Aniol\, Erzlaute\nReinhard Führer\, Cembalo \n  \nHenry Purcell\nStrike the Viol\naus „Come\, Ye Sons of Art Away“\, Z.323 \nElisabeth Kirchner\, Mezzosopran\nJohannes Czernin\, Tenor\nReinhard Führer\, Cembalo \n  \nEintritt frei!
URL:https://mdw.ac.at/altemusik/event/studienkonzert-gesang-6/
LOCATION:Alter Konzert Saal am Rennweg\, Rennweg 8\, Wien\, 1030\, Austria
CATEGORIES:Gesang,Lauteninstrumente,Öffentlich,Studienkonzert
ATTACH;FMTTYPE=image/jpeg:https://mdw.ac.at/altemusik/blog2/wp-content/uploads/2025/10/Philippe_Mercier_-_The_Sense_of_Hearing_-_Google_Art_Project-43-845x321-1.jpg
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