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DTSTART;TZID=Europe/Vienna:20260619T100000
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DTSTAMP:20260619T014429
CREATED:20260603T102119Z
LAST-MODIFIED:20260603T102821Z
UID:19570-1781863200-1781874000@mdw.ac.at
SUMMARY:WORKSHOP | Historische Gestik
DESCRIPTION:
URL:https://mdw.ac.at/altemusik/event/workshop-historische-gestik/
LOCATION:Studio Alte Musik\, Seilerstätte 8\, Wien\, 1010\, Austria
CATEGORIES:historische gestik,Öffentlich
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SUMMARY:WORKSHOP | Historische Gestik
DESCRIPTION:
URL:https://mdw.ac.at/altemusik/event/workshop-historische-gestik-2/
LOCATION:Studio Alte Musik\, Seilerstätte 8\, Wien\, 1010\, Austria
CATEGORIES:historische gestik,Öffentlich
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DTSTART;TZID=Europe/Vienna:20260619T150000
DTEND;TZID=Europe/Vienna:20260619T163000
DTSTAMP:20260619T014429
CREATED:20260305T113250Z
LAST-MODIFIED:20260617T142959Z
UID:18817-1781881200-1781886600@mdw.ac.at
SUMMARY:STUDIENKONZERT | Baroque on Stage!
DESCRIPTION:PROGRAMM: \n  \nGregor Kulla (*2000)**\n“dming” (2026) UA \nValentina Kosch & Theresa Weiß\, Blockflöten\nRui Cai\, Cembalo \n  \nWerkbeschreibung:\nDM: a private message sent on social media to a specific individual or group. \nIn my bed\, scrolling away on Instagram. The bliss. Everything is turned off except my thumb. I’m consuming. And chatting and reacting. Fact-checking\, too\, I guess. Sharing posts about tech bros and how the Nordic countries will arrest Netanyahu if he enters the countries. Sent a Reel of Silvia Ilves to my friend. You have to look at her videos. She’s a classical cellist. In another group chat\, planning a rehearsal with this very piece. Difficult. Back to watching Reels. \nIs there more to social media than labelling it as addictive or as ‚brain rot‘? \nDuring the piece\, the audience is welcome to move around to see what the performers are doing and why. If you’re too shy or annoyed to look around\, see it as physical social media interaction. Maybe it helps. \n  \nDietrich Buxtehude (1637–1707)   \nPräludium in g-Moll\, BuxW 163 \nGoetz Bienert\, Cembalo \n  \nAntonio Vivaldi (1678–1741)\nConcerto per Violoncello in c-moll\, RV 401\nAllegro non molto – Adagio – Allegro non molto \nHannah Eberle\, Violoncello solo\nFerdinand Slezák\, Fiore Despina Streit\, Violinen\nJiaqi Xu\, Viola\nClemens Maria Fera\, Violoncello\nBenedikt Holter\, Cembalo \n  \nCarlo Ambrogio Lonati (um 1645–1715) \nSonata II in g-Moll für Violine und B.c.\naus “XII Sonate a violino solo e basso”\n(Mailand 1701)\nAdagio.Presto.Largo.Presto.Largo – Spiritoso – Sostenuto – Presto – Giga:Vivace \nAnna Pederielli\, Violine\nHannah Eberle\, Violoncello\nTade Theuretzbacher\, Cembalo \n  \nAntonio Vivaldi (1678–1741)\nConcerto in Re maggiore per liuto\, due violini e basso continuo\, RV 93 (arrangiert für 3 Lauten)\nAllegro giusto – Largo – Allegro \nKamil Anioł\, Leon Ravnikar\, Matej Berlot\, Laute/Theorbe \n  \nHeinrich Ignaz Franz Biber (1644–1704)\nSonata Nr. VII in C-Dur\naus “Sonatae tam aris quam aulis servientes” (1676) \nFiore Despina Streit\, Ulisse Mazzon\, Violinen\nNicholas Campbell\, Daniel Nemeth\, Naturtrompeten\nFilip Igrec\, Violoncello\nFrancesco Condello\, Cembalo \n  \nSoojin Jeon (*1994)**\n“Eine elegante Hölle” (2026) UA \nDaniel Wolf\, Traversflöte\nTade Theuretzbacher\, Cembalo \n  \nWerkbeschreibung:\nDieses Werk stellt einen prachtvollen Hof geprägt von glänzender Macht und großer Unterdrückung dar\, im Hintergrund herrscht tiefe Einsamkeit. \n  \nJoseph Bodin de Boismortier (1689–1755)\nAuszüge aus “Divertissemens de Campagne”\, Op. 49\nRigaudon – Sarabande – Tambourin  \nTheresa Weiß\, Oboe\nAmirah Pranzl\, Laute \n  \nJean-Baptiste Barrière (1707–1747) \nSonata I in h-Moll\naus “Sonates pour le Violoncelle\, avec la Basse Continüe\, Premiere Livre” (Paris 1733)\nAdagio – Allegro – Adagio.Andante – Allegro   \nJulika Hasler\, Violoncello solo\nHannah Eberle\, Violoncello\nJohannes Weiss\, Cembalo \n  \nGioachino Rossini (1792–1868)\nFantasia per clarinetto e pianoforte (Mailand 1829) \nDayeon Uhm\, Klarinette\nMegumi Inomata\, Hammerklavier \n  \nGuillaume Dufay (*um 1400–1474)\nVergene bella\, che di sol vestita\n(Text: Francesco Petrarca)\naus dem “Manuskript Q 15” (Bologna) \nJohannes Ciconia (um 1370/75–1412)\nUna Panthera\naus dem “Manuskript Mus. Ms. 3065” (Padua) \nTomas Duchoslav\, Chia-Yu Lin\, Theresa Weiß\, Blockflöten \n  \nFinley Connor Brown (*2005)**\n“Perpetual Agony” (2026) UA \nHannah Eberle\, Barockcello\nBenedikt Holter\, Cembalo \n  \nWerkbeschreibung:\n“And the night of my sadness came\, and the sun of my happiness set: there was no light left in my eyes\, no sense left in my brain.” – Miguel de Cervantes Saavedra \n  \n** Zeitgenössische Kammermusikwerke aus dem Projekt “CEMBALO PLUS”\, komponiert von Studierenden des Instituts für Kompositionsstudien\, Ton- und Musikproduktion. (Künstlerische Projektbetreuung: Prof. Julia Purgina & Sonja Leipold) \n  \nEintritt frei!
URL:https://mdw.ac.at/altemusik/event/studienkonzert-baroque-on-stage-26/
LOCATION:Festsaal Seilerstätte\, Seilerstätte 26\, Wien\, 1010\, Austria
CATEGORIES:Alte Musik,Öffentlich,Studienkonzert
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DTSTART;TZID=Europe/Vienna:20260619T190000
DTEND;TZID=Europe/Vienna:20260619T203000
DTSTAMP:20260619T014429
CREATED:20260305T113410Z
LAST-MODIFIED:20260618T191341Z
UID:18820-1781895600-1781901000@mdw.ac.at
SUMMARY:STUDIENKONZERT | Traversflöte
DESCRIPTION:PROGRAMM: \n  \nFrançois Couperin (1668–1733) \naus „Les Goûts-réunis\, ou Nouveaux Concerts“ (Paris 1724)\nSixième Concert\nPrélude – Allemande – Sarabande – Air de Diable  \nMarvin Moch\, Traverso\nFiore Despina Streit\, Violine\nElias Gabriel Huber\, Cembalo \n  \nJacques-Martin Hotteterre\n(1673–1763) \nTroisiéme Suite in G-Dur op. 2 (Paris 1708)\nAllemande. La Cascade de St. Cloud – Sarabande. La Guimon – Courante. L’indiferente – Rondeau. Le plaintif – Menuet. Le mignon – Gigue. L’Italienne \nDaniel Wolf\, Traverso\nEugène Michelangeli\, Cembalo \n  \nMarin Marais (1656–1728) \naus „Pièces en trio“ (Paris 1692)\nSuite Nr. 4\nPrelude – Sarabande (Grave) – Fantaisie Champestre \nAlba Moreno\, Traverso\nLisa Schwarzenauer\, Traverso\nMascha Kirillova\, Cembalo \n  \nJean-Marie Leclair (1697–1764) \naus “Second livre de sonates pour le violon et pour la flute avec la basse continue” (Paris 1728)\nSonate Nr. 1\nAdagio – Allegro ma poco – Sarabanda – Allegro  \nAvigea Delivicheva\, Traverso\nMio Hanssmann\, Cembalo \n  \nMichel Pignolet de Montéclair\n(1667–1737) \naus „Concerts à deux flutes traversières sans basses“ (Paris 1724)\nQuatriéme Concert\nDialogue – L’Italienne – La Francoise – La Picarde  \nMarvin Moch\, Traverso\nIvett Lajkó\, Traverso \n  \nFrançois-André Danican Philidor (1726–1795) \nCinquième Suite op. 1 (Paris 1717)\nTrès lentement – Allemande – Sarabande – Gigue  \nKathrin Waldner\, Traverso\nEugène Michelangeli\, Cembalo \n  \nJean-Philippe Rameau (1683–1764) \nPièces de clavecin en concert Nr.5 (Paris 1724)\nFugue la Forqueray – La Cupis – La Marais – Indiscrette \nRéka Bégány\, Traverso\nRéka Nagy\, Viola da Gamba\nArthur Jeszenszky\, Cembalo \n  \nLouis de Caix d’Hervelois\n(ca. 1670–1759) \naus „Deuxiéme recueil de pieces pour la flute traversiere avec la basse“ (Paris 1731)\nPremiere Suite\nPrelude – Sarabande – Menuet – La Marche du Czar \nIvett Lajkó\, Traverso\nTade Theuretzbacher\, Cembalo \n  \nFrançois Couperin (1668–1773) \naus „Les Nations“ (Paris 1726)\nLa Françoise\nAllemande – Premiere Courante – Gigue -Passacaille \nPia Majeric\, Traverso\nIvett Lajkó\, Traverso\nRéka Nagy\, Viola da gamba\nJuliana Zhao\, Cembalo \n  \nEintritt frei!
URL:https://mdw.ac.at/altemusik/event/studienkonzert-traversfloete-5/
LOCATION:Festsaal Seilerstätte\, Seilerstätte 26\, Wien\, 1010\, Austria
CATEGORIES:Öffentlich,Studienkonzert,Traversflöte
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