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DTSTART;TZID=Europe/Vienna:20260619T150000
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DTSTAMP:20260713T154222
CREATED:20260305T113250Z
LAST-MODIFIED:20260617T142959Z
UID:18817-1781881200-1781886600@mdw.ac.at
SUMMARY:STUDIENKONZERT | Baroque on Stage!
DESCRIPTION:PROGRAMM: \n  \nGregor Kulla (*2000)**\n“dming” (2026) UA \nValentina Kosch & Theresa Weiß\, Blockflöten\nRui Cai\, Cembalo \n  \nWerkbeschreibung:\nDM: a private message sent on social media to a specific individual or group. \nIn my bed\, scrolling away on Instagram. The bliss. Everything is turned off except my thumb. I’m consuming. And chatting and reacting. Fact-checking\, too\, I guess. Sharing posts about tech bros and how the Nordic countries will arrest Netanyahu if he enters the countries. Sent a Reel of Silvia Ilves to my friend. You have to look at her videos. She’s a classical cellist. In another group chat\, planning a rehearsal with this very piece. Difficult. Back to watching Reels. \nIs there more to social media than labelling it as addictive or as ‚brain rot‘? \nDuring the piece\, the audience is welcome to move around to see what the performers are doing and why. If you’re too shy or annoyed to look around\, see it as physical social media interaction. Maybe it helps. \n  \nDietrich Buxtehude (1637–1707)   \nPräludium in g-Moll\, BuxW 163 \nGoetz Bienert\, Cembalo \n  \nAntonio Vivaldi (1678–1741)\nConcerto per Violoncello in c-moll\, RV 401\nAllegro non molto – Adagio – Allegro non molto \nHannah Eberle\, Violoncello solo\nFerdinand Slezák\, Fiore Despina Streit\, Violinen\nJiaqi Xu\, Viola\nClemens Maria Fera\, Violoncello\nBenedikt Holter\, Cembalo \n  \nCarlo Ambrogio Lonati (um 1645–1715) \nSonata II in g-Moll für Violine und B.c.\naus “XII Sonate a violino solo e basso”\n(Mailand 1701)\nAdagio.Presto.Largo.Presto.Largo – Spiritoso – Sostenuto – Presto – Giga:Vivace \nAnna Pederielli\, Violine\nHannah Eberle\, Violoncello\nTade Theuretzbacher\, Cembalo \n  \nAntonio Vivaldi (1678–1741)\nConcerto in Re maggiore per liuto\, due violini e basso continuo\, RV 93 (arrangiert für 3 Lauten)\nAllegro giusto – Largo – Allegro \nKamil Anioł\, Leon Ravnikar\, Matej Berlot\, Laute/Theorbe \n  \nHeinrich Ignaz Franz Biber (1644–1704)\nSonata Nr. VII in C-Dur\naus “Sonatae tam aris quam aulis servientes” (1676) \nFiore Despina Streit\, Ulisse Mazzon\, Violinen\nNicholas Campbell\, Daniel Nemeth\, Naturtrompeten\nFilip Igrec\, Violoncello\nFrancesco Condello\, Cembalo \n  \nSoojin Jeon (*1994)**\n“Eine elegante Hölle” (2026) UA \nDaniel Wolf\, Traversflöte\nTade Theuretzbacher\, Cembalo \n  \nWerkbeschreibung:\nDieses Werk stellt einen prachtvollen Hof geprägt von glänzender Macht und großer Unterdrückung dar\, im Hintergrund herrscht tiefe Einsamkeit. \n  \nJoseph Bodin de Boismortier (1689–1755)\nAuszüge aus “Divertissemens de Campagne”\, Op. 49\nRigaudon – Sarabande – Tambourin  \nTheresa Weiß\, Oboe\nAmirah Pranzl\, Laute \n  \nJean-Baptiste Barrière (1707–1747) \nSonata I in h-Moll\naus “Sonates pour le Violoncelle\, avec la Basse Continüe\, Premiere Livre” (Paris 1733)\nAdagio – Allegro – Adagio.Andante – Allegro   \nJulika Hasler\, Violoncello solo\nHannah Eberle\, Violoncello\nJohannes Weiss\, Cembalo \n  \nGioachino Rossini (1792–1868)\nFantasia per clarinetto e pianoforte (Mailand 1829) \nDayeon Uhm\, Klarinette\nMegumi Inomata\, Hammerklavier \n  \nGuillaume Dufay (*um 1400–1474)\nVergene bella\, che di sol vestita\n(Text: Francesco Petrarca)\naus dem “Manuskript Q 15” (Bologna) \nJohannes Ciconia (um 1370/75–1412)\nUna Panthera\naus dem “Manuskript Mus. Ms. 3065” (Padua) \nTomas Duchoslav\, Chia-Yu Lin\, Theresa Weiß\, Blockflöten \n  \nFinley Connor Brown (*2005)**\n“Perpetual Agony” (2026) UA \nHannah Eberle\, Barockcello\nBenedikt Holter\, Cembalo \n  \nWerkbeschreibung:\n“And the night of my sadness came\, and the sun of my happiness set: there was no light left in my eyes\, no sense left in my brain.” – Miguel de Cervantes Saavedra \n  \n** Zeitgenössische Kammermusikwerke aus dem Projekt “CEMBALO PLUS”\, komponiert von Studierenden des Instituts für Kompositionsstudien\, Ton- und Musikproduktion. (Künstlerische Projektbetreuung: Prof. Julia Purgina & Sonja Leipold) \n  \nEintritt frei!
URL:https://mdw.ac.at/altemusik/event/studienkonzert-baroque-on-stage-26/
LOCATION:Festsaal Seilerstätte\, Seilerstätte 26\, Wien\, 1010\, Austria
CATEGORIES:Alte Musik,Öffentlich,Studienkonzert
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