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DTSTART;TZID=Europe/Vienna:20230327T150000
DTEND;TZID=Europe/Vienna:20230327T163000
DTSTAMP:20260410T234252
CREATED:20230125T213840Z
LAST-MODIFIED:20230324T220730Z
UID:13182-1679929200-1679934600@mdw.ac.at
SUMMARY:STUDIENKONZERT | Cembalo
DESCRIPTION:Studienkonzert der Cembaloklassen\nMagdalena Hasibeder\, Céline Frisch\, Erich Traxler\, Iason Marmaras\n  \n  \nJohann Sebastian Bach (1685-1750) \nSonate für Traversflöte und BC in e-Moll\, BWV 1034\nAdagio ma non tanto – Allegro – Andante – Allegro \nAnna Winter\, Traversflöte\nHannah Stoellger\, Barockcello\nArthur Jeszenszky\, Cembalo \n  \n  \nJohann Kuhnau (1660-1722) \nAus: Musicalische Vorstellung einiger biblischer Historien (1700) \nSonate V: Gideon Salvadore del Populo d’Israel \nArthur Jeszenszky\, Cembalo \n  \n  \nJean-Philippe Rameau (1683-1764) \nAus: Nouvelles Suites de Pièces de Clavecin (1728) \nSuite in a-Moll\, Allemande – Fanfarinette \nRui Cai\, Cembalo \n  \n  \nJohann Sebastian Bach (1685-1750) \nAus: WTC I \nImprovisation über Präludium & Fuge BWV 846 \nJuliana Zhao\, Cembalo \n  \n  \nArcangelo Corelli (1653-1317) \nSonata 3 in C\, Op. V\nAdagio – Allegro – Adagio – Allegro – Allegro \nVerena Grundner\, Blockflöte\nJuliana Zhao\, Cembalo \n  \nEs spielen Studierende des Instituts für Alte Musik und Gäste. \nEintritt frei.
URL:https://mdw.ac.at/altemusik/event/baroque-on-stage-studienkonzert-alte-musik-10/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Cembalo,Öffentlich,Studienkonzert
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230327T190000
DTEND;TZID=Europe/Vienna:20230327T200000
DTSTAMP:20260410T234252
CREATED:20230125T214414Z
LAST-MODIFIED:20230324T221408Z
UID:13185-1679943600-1679947200@mdw.ac.at
SUMMARY:ABSCHLUSSKONZERT | MA HAP Gesang | Momoko NAKAJIMA
DESCRIPTION:Öffentlicher Teil der Masterprüfung \nMomoko Nakajima\nHistorische Aufführungspraxis – Gesang \nWolfgang Amadeus Mozart – Konzertreise\nSein Inspiraton durch Bewegnungen und Musik\nAus Österreich nach Frankreich\, Italien und England\n  \nWolfgang Amadeus Mozart (1756 – 1791) \nAls Luise die Briefe ihres ungetreuen Liebhabers verbrannte (Gabriele von Baumberg) K.520 (1787) \nDans un bois solitaire (Antoine Houdart de la Motte) K.295b (1777 – 1778) \n  \n*** \n  \nChristophe Willibad von Gluck (1714 – 1787) \nEinem Bach\, der fließt (1786)\nAus der Oper La rencontre imprévue\, ou Les Pélerins de la Mecque (Die Pilger von Mekka)\, Wq. 32 (1764) \n  \nAlessandro Scarlatti (1660 – 1725) \nDa sventura a sventura\nCantata fatta per suo studio (1690) \n  \nGeorg Friedrich Händel (1685 – 1759) \nCantata a voce sola con Flauto Pensieri Notturni di Filli HWV 134 (1707-1708)\n1.Rezitativ „Nel dolce dell´oblio“\n2.Arie „Giacchè il sonno“\n3.Rezitativ „Così fida ella vive“\n4.Arie „Ha lìnganno il suo diletto“ \nMit Patricia Nägele (Bf)\, Daesun Ko (Vc) \n  \n*** \n  \nThomas Linley Jr (1756 – 1778) \nOn every tree\, on every plain (unbekannt) \n  \nJoseph Haydn (1732 – 1809) \nThe mermaid´s song (Anne Hunter) Hob.XXVla:25 (1794) \n  \nStephen Storace (1762 – 1796) \nYe shepherds so cheerful and gay (William Shenstone) (1782)\nAus 8 Canzonetts with an accompaniment for a Pianoforte or Harp (1782) \n  \n*** \n  \nAntonio Salieri (1750 – 1825)\nGelosia\, dispetto e sdegno\nArie der Gräfin Bandiera aus der Oper La scuola de‘ gelosi (1783) \n  \nWolfgang Amadeus Mozart \nCh’io mi scordi di te?… Non temer\, Amato bene\nRezitativ und Konzertarie KV.490 (1786) \nMit Dominik Fischer (Vn) \n  \nMomoko Nakajima\, Sopran\nPatricia Nägele\, Blockflöte\nDominik Fischer\, Barockviolin\nDaesun Ko\, Barockcello\nReinhard Führer\, Cembalo und Hammerklavier
URL:https://mdw.ac.at/altemusik/event/oeffentliche-abschlusspruefung-ma-hap-gesang-momoko-nakajima/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Öffentlich,Öffentliche Prüfung
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230328T140000
DTEND;TZID=Europe/Vienna:20230328T180000
DTSTAMP:20260410T234252
CREATED:20230131T090022Z
LAST-MODIFIED:20230327T075736Z
UID:13256-1680012000-1680026400@mdw.ac.at
SUMMARY:MASTERCLASS | Blockflöte | Lorenzo CAVASANTI
DESCRIPTION:Lorenzo Cavasanti was born in Genoa and is regarded as one of the finest recorder player of the time.\nAfter graduating in recorder and baroque transverse flute in Milan\, under the guidance of Pedro Memelsdorff and Ezequiel Maria Recondo\, he took part in recorder and early music Masterclasses held by Frans Brüggen\, Kees Boeke and Walter van Hauwe. \nAs a solist\, he has invited by the biggest european music festivals\, such as the „BBC Proms“ in London\, „Musica e Poesia a S. Maurizio“ in Milan\, Mozartwoche in Salzburg\, Fest-Wochen der Alten Musik in Innsbruck\, Citè de la Musique in Paris\, Festival Internazionale di Musica Antica di Urbino\, Barockfest Münster\, Festival Internacional de Musica Antigua in Daroca (Spain)\, Festivals in Bad Kissingen and Bad Reichenhall (Germany). He also performed in very important concert halls\, as the Royal Albert Hall in London\,  the Konzerthaus in Vienna\, the Concertgebouw in Amsterdam\, the Teatro  La Scala in Milan\,  Tonhalle Zürich the Liceu Theatre in Barcelona (with Jordi Savall). \nLorenzo Cavasanti is a founder member of the ensemble Tripla Concordia.  He also collaborates with ensembles such as Accademia del Ricercare\, Zefiro\, München Bach Solisten\, Mozarteumorchester Salzburg\, Janas ensemble\, I Sonatori della Gioiosa Marca\, Hofkappelle München\, Europa Galante\, Orchestra Teatro La Scala e Orchestra Verdi di Milano\, Le Concert des Nations. \n  \nIn 1991 Lorenzo Cavasanti started his recording activity\, a very busy and successful one\, which brought him many awards from the international critic: the Cini Foundation in Venice awarded his recording of Mancini sonatas\, and the varius cd recordings of Telemann music made with Tripla Concordia\, recived prizes and awards from all over the world: Diapason d’or\, 10 the Repertoire-Classica (France)\, 10 of Classic Cd\, Eccezionale di Musica (Italy)\, Recomandado of Cd Compact (Spain)\, Amadeus cd del mese and other awards in U.S.A\, Korea and Japan. \n  \nLorenzo Cavasanti has been a teacher of the „Conservatorio della Svizzera Italiana“ (Switzerland). Today he teaches recorder and Baroque chamber music at the Bozen Conservatory of Music. He gives also recorder\, traverso and chamber music  masterclasses at the Universität Mozarteum Salzburg\, at the ESMUC (Escola Superior de Música de Catalunya) and at the Royal College of Music Stockholm.
URL:https://mdw.ac.at/altemusik/event/masterclass-lorenzo-cavasanti-unterricht/2023-03-28/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Cavasanti,Masterclass
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230328T183000
DTEND;TZID=Europe/Vienna:20230328T203000
DTSTAMP:20260410T234252
CREATED:20230324T214852Z
LAST-MODIFIED:20230327T080130Z
UID:13371-1680028200-1680035400@mdw.ac.at
SUMMARY:LECTURE | Lorenzo CAVASANTI
DESCRIPTION:Sounds & Colours – Different types and sizes of recorders\nLorenzo Cavasanti \n  \nEintritt frei!
URL:https://mdw.ac.at/altemusik/event/lecture-masterclass-lorenzo-cavasanti/
LOCATION:Studio Alte Musik\, Seilerstätte 8\, Wien\, 1010\, Austria
CATEGORIES:Cavasanti
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230329T190000
DTEND;TZID=Europe/Vienna:20230329T203000
DTSTAMP:20260410T234252
CREATED:20230125T215026Z
LAST-MODIFIED:20230327T075945Z
UID:13199-1680116400-1680121800@mdw.ac.at
SUMMARY:KONZERT | Lorenzo CAVASANTI & friends
DESCRIPTION:Werke von A. Stradella\, G. A. Pandolfi Mealli\, J. H. Schmelzer\, A.\nCaldara\, G. B. Vitali\, M. Marais\, A. D. Philidor\, J. M. Hotteterre\n  \nLorenzo Cavasanti\, Blockflöte \nund der Mitwirkung von: \nCarsten Eckert\, Blockflöten\nEkaterina Likhina\, Cembalo\nMarius Malanetchi\, Viola da Gamba \n  \nEintritt frei
URL:https://mdw.ac.at/altemusik/event/konzert-masterclass-lorenzo-cavansati/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Cavasanti,Konzert,Masterclass,Öffentlich
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230330T193000
DTEND;TZID=Europe/Vienna:20230330T210000
DTSTAMP:20260410T234252
CREATED:20230125T215452Z
LAST-MODIFIED:20230318T092410Z
UID:13203-1680204600-1680210000@mdw.ac.at
SUMMARY:KONZERT | Bachwoche
DESCRIPTION:Es spielen Studierende des Instituts für Alte Musik in der Lutherischen Stadtkirche. \nProgramm:
URL:https://mdw.ac.at/altemusik/event/konzert-bachwoche/
LOCATION:Lutherische Stadtkirche\, Dorotheergasse 18\, Wien\, 1010\, Austria
CATEGORIES:Konzert,Öffentlich
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230331T150000
DTEND;TZID=Europe/Vienna:20230331T163000
DTSTAMP:20260410T234252
CREATED:20230125T215727Z
LAST-MODIFIED:20230331T083853Z
UID:13207-1680274800-1680280200@mdw.ac.at
SUMMARY:BAROQUE ON STAGE! | Studienkonzert Alte Musik
DESCRIPTION:Isabella Leonarda (1620 – 1704)\n\nSonata Seconda aus Sonate a 1. 2. 3. e 4 Istromenti\, op. 16 (Bologna 1693)\nLargo – Spiritoso – Allegro – Adagio – Allegro – Largo \nPeter Chorkov\, Gellért Jassó\, Blockflöte\nMarius Malanetchi\, Viola da gamba\nCharlène Bertholet\, Orgel \n  \nHenry Purcell (1659 – 1695) \n»Music for a while« aus der Schauspielmusik zu Oedipus\, einem Theaterstück von John Dryden und Nathaniel Lee (1692) \nEmma Urriani\, Mezzosopran\nJohannes Weiss\, Cembalo \n  \nTobias Hume (um 1569 – 1645) \nThe First Part of Ayres: »Death« & »Life« \nMarius Malanetchi\, Viola da gamba \n  \nDel Sign. Detri (18. Jahrhundert) \nSonata in c-Moll\nAdagio – Presto – Adagio – Giga. Allegro \nBarbara Faulend-Klauser\, Blockflöte\nJohannes Bogner\, Cembalo \n  \nGeorg Philipp Telemann (1681 – 1767) \naus Zwölf Fantasien für Viola da gamba solo\,\nTWV 40:26-37\nFantasia III in e-Moll: Largo – Presto – Vivace\nFantasia IX in C-Dur: Presto – Grave – Allegro\nFantasia XI in d-Moll: Allegro – Grave – Allegro \nMarius Malanetchi\, Viola da gamba \n  \nGeorg Philipp Telemann (1681 – 1767) \nConcerto à 4 in a-Moll\, TWV 43:a3\nAdagio – Allegro – Adagio – Vivace \nPeter Chorkov\, Blockflöte\nPhyllis Breit\, Oboe\nDominik Fischer\, Violine\nMatthäus Pescoller\, Violoncello\nEivind Berg\, Cembalo
URL:https://mdw.ac.at/altemusik/event/baroque-on-stage-studienkonzert-alte-musik-14/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Alte Musik,Öffentlich,Studienkonzert
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BEGIN:VEVENT
DTSTART;TZID=Europe/Vienna:20230331T190000
DTEND;TZID=Europe/Vienna:20230331T203000
DTSTAMP:20260410T234253
CREATED:20230125T215942Z
LAST-MODIFIED:20230331T084112Z
UID:13210-1680289200-1680294600@mdw.ac.at
SUMMARY:BAROQUE ON STAGE! | Studienkonzert Alte Musik
DESCRIPTION:Joseph Zaarour (geb. 2000)\n\nOuverture in C-Dur (Wien 2023) \nJoseph Gelinek (1758 – 1825)\n\n8 Variations pour le Clavecin ou Piano-Forté (Wien 1796) \nJoseph Zaarour\, Cembalo \n  \n\nGeorg Philipp Telemann (1681 – 1767)\n\n»Die Liebe«\, TWV 20:32\, aus Sechs Moralische Kantaten (Hamburg 1736)\nAria »Du bist ein tolles Ungeheuer« – Rezitativ »Ein wenig liebt man von Natur« – Aria »Seufzer und Geduld« \nTabea Mitterbauer\, Gesang\nKatarina Zvonar\, Traversflöte\nFranziska Hoffmann\, Tenor-Chalumeau\nJohannes Weiss\, Cembalo \n  \nGeorg Friedrich Händel (1685 – 1759)\n\nSonate in F-Dur\, Op. 1 No. 11\, HWV 369\nGrave – Allegro – Alla Siciliana – Allegro \nVerena Grundner\, Blockflöte\nTade Theuretzbacher\, Cembalo \n  \n  \nJean-Philippe Rameau (1683 – 1764)\n\n»Aquilon et Orithie« – Cantate\nRécit »Que j’ai bien merité« – Air »Un amant«\n– Récit »Peut-être d’Orithie« – Air »Servez mes feux« – Récit »Après ces discours« – Air »On peut toujours« \nBenjamin Harasko\, Bariton\nRahel Neyer\, Violine\nJohannes Weiss\, Viola da gamba\nEivind Berg\, Cembalo \n  \n  \nIgnazio Sieber (vor 1700 – ca. 1757)\n\naus XII Sonates à une Flute & une Basse Continue\nSonata VII in a-Moll\nPreludio Largo – Corrente Allegro – Ceciliana Largo – Capricio Allegro \nBernhard Plaschitz\, Blocklöte\nEugène Michelangeli\, Cembalo
URL:https://mdw.ac.at/altemusik/event/baroque-on-stage-studienkonzert-alte-musik-15/
LOCATION:Kleiner Ehrbar-Saal\, Mühlgasse 30\, Wien\, 1040
CATEGORIES:Alte Musik,Öffentlich,Studienkonzert
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