{"id":11247,"global_id":"mdw.ac.at\/altemusik?id=11247","global_id_lineage":["mdw.ac.at\/altemusik?id=11247"],"author":"1","status":"publish","date":"2022-03-10 11:11:22","date_utc":"2022-03-10 10:11:22","modified":"2022-05-24 10:32:57","modified_utc":"2022-05-24 08:32:57","url":"https:\/\/mdw.ac.at\/altemusik\/event\/baroque-on-stage-studienkonzert-alte-musik-11\/","rest_url":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/tribe\/events\/v1\/events\/11247","title":"BAROQUE ON STAGE! | Studienkonzert Alte Musik","description":"

Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste.<\/p>\n

 <\/p>\n

William Byrd<\/strong> (um 1543 – 1638)<\/p>\n

aus Psalmes, songs and sonnets some solemne, others ioyfull, framed to the life of the vvords : fit for voyces or viols of 3.4.5. and 6. parts (London 1611)
\n<\/em>Fantasia in g<\/p>\n

Giles Farnaby<\/strong> (um 1563 – 1640)<\/p>\n

His humour<\/em>, FVB 196<\/p>\n

Barbara Faulend-Klauser, Eunsol Lee, Patricia N\u00e4gele, Barbora Spelinova, Blockfl\u00f6ten<\/p>\n

 <\/p>\n

Girolamo Frescobaldi<\/strong> (1583\u00a0 – 1643)<\/p>\n

aus dem Libro Primo Partite et Toccate
\n<\/em>Toccata II<\/p>\n

Dohyeon Lee, Cembalo<\/p>\n

 <\/p>\n

Giovanni Battista Fontana<\/b> (1589 \u2013 1630)<\/p>\n

Sonata Sesta<\/p>\n

Francesco Rognoni <\/strong>(1570 \u2013 1626)<\/p>\n

Vestiva i colli<\/p>\n

Patricia N\u00e4gele, Blockfl\u00f6te
\nEug\u00e8ne Michelangeli, Cembalo<\/p>\n

 <\/p>\n

Domenico Gabrielli<\/strong> (1659 – 1690)<\/p>\n

Canon in D<\/p>\n

Agnes Randl & Hannah Stoellger, Violoncello<\/p>\n

 <\/p>\n

Dario Castello<\/strong> (1602 – 1631)<\/p>\n

aus dem Libro Secondo (1629)<\/em>
\nSonata VIII a 2<\/p>\n

Lea Neumayer, Blockfl\u00f6te
\nB\u00e1lint V\u00e9rtesi, Dulzian
\nEug\u00e8ne Michelangeli, Cembalo<\/p>\n

 <\/p>\n

Francesco Xaverio Geminiani<\/strong> (1687 – 1762)<\/p>\n

Sonata d-moll op.5 Nr.2 f\u00fcr Violoncello & Basso continuo
\nAndante – Presto – Adagio – Allegro<\/em><\/p>\n

Lorenz Haller, Violoncello
\nRose Chaffey, Violoncello Continuo
\nPiibe Talen, Cembalo<\/p>\n

 <\/p>\n

Signor Detri<\/strong><\/p>\n

Sonate c-moll<\/p>\n

Sara Glanzer, Blockfl\u00f6te
\nIason Marmaras, Cembalo<\/p>\n

 <\/p>\n

Antonio Vivaldi<\/strong> (1678 – 1741)<\/p>\n

aus der Sonate B-Dur
\nLargo – Allegro<\/em><\/p>\n

Hannah Stoellger, Violoncello
\nAgnes Randl, Violoncello Continuo
\nStefan Gottfried, Cembalo<\/p>\n

 <\/p>\n

aus der Sonate e-moll
\nLargo – Allegro<\/em><\/p>\n

Agnes Randl, Violoncello
\nHannah Stoellger, Violoncello Continuo
\nStefan Gottfried, Cembalo<\/p>\n

 <\/p>\n

Georg Philipp Telemann<\/strong> (1681 – 1767)<\/p>\n

aus dem \u201cHarmonischen Gottesdienst<\/em>\u201d
\nKantate am Sonntag Laetare „Hemmet den Eifer, verbannt die Rache<\/em>“ TWV 1:730<\/p>\n

Lea Bodner, Sopran
\nSara Glanzer, Blockfl\u00f6te
\nLorenz Haller, Violoncello
\nEug\u00e8ne Michelangeli, Cembalo<\/p>","excerpt":"","slug":"baroque-on-stage-studienkonzert-alte-musik-11","image":{"url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello.jpg","id":11014,"extension":"jpg","width":600,"height":380,"sizes":{"medium":{"width":300,"height":190,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-300x190.jpg"},"thumbnail":{"width":80,"height":80,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-80x80.jpg"},"widget":{"width":36,"height":36,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-36x36.jpg"},"square":{"width":180,"height":180,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-180x180.jpg"},"portfolio":{"width":495,"height":380,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-495x380.jpg"},"portfolio_small":{"width":260,"height":185,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-260x185.jpg"},"magazine":{"width":600,"height":375,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-600x375.jpg"},"entry_with_sidebar":{"width":600,"height":321,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-600x321.jpg"},"shop_thumbnail":{"width":120,"height":120,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-120x120.jpg"},"shop_catalog":{"width":450,"height":380,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-450x380.jpg"},"shop_single":{"width":450,"height":285,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/02\/canto-rinascimentale-barocco-accademico-i-livello-450x285.jpg"}}},"all_day":false,"start_date":"2022-05-25 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