{"id":16683,"global_id":"mdw.ac.at\/altemusik?id=16683","global_id_lineage":["mdw.ac.at\/altemusik?id=16683"],"author":"18","status":"publish","date":"2025-04-09 12:39:52","date_utc":"2025-04-09 10:39:52","modified":"2025-05-12 11:05:17","modified_utc":"2025-05-12 09:05:17","url":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-prima-la-musica-e-poi-le-parole\/","rest_url":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/tribe\/events\/v1\/events\/16683","title":"MAIMUSIK | Prima la musica, e poi le parole","description":"

Opern und andere gro\u00dfbesetzte Werke f\u00fcr den Salon<\/strong><\/h2>\n

Wer h\u00e4tte nicht gern die auf der Opernb\u00fchne gefeierten Werke im eigenen Salon geh\u00f6rt? Tauchen Sie ein in die Welt der Wiener Klassik \u2013 mit Mozart und Beethoven, Salieri und Stadler, Hummel und Schubert.<\/p>\n

 <\/p>\n

Programm:<\/strong><\/p>\n

Antonio Salieri (*Legnago, 1750; \u2020 Wien, 1825)<\/span>
\n<\/span>Armonia per un Tempio della Notte<\/b>
\n<\/b>[original Bl\u00e4ser-Oktett, f\u00fcr die kk Harmonie] in einer (modernen) Fassung f\u00fcr 4 Klarinetten<\/span><\/p>\n

Regine M\u00fcller, Maximilian Misof, Dayeon Uhm und Franziska Hoffmann <\/span>Klarinette<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

aus der Oper <\/span>Palmira, regina di Persia<\/span><\/i>
\n<\/span><\/i>[Klavierauszug von Carlos Goikoetxea]<\/span>
\n<\/span>Sinfonia<\/b><\/p>\n

Benedikt Holter, <\/span>Hammerklavier<\/span><\/i><\/p>\n

[arr. von Anton Stadler in 18 Terzette f\u00fcr 3 Bassetth\u00f6rner}<\/span>
\n<\/span>Marcia
\nAndante \u2013 Palmira<\/b>
\n<\/b>Largo<\/b>
\n<\/b>Marcia di Carmelo<\/b>
\n<\/b><\/b><\/p>\n

Regine M\u00fcller und Isabell P\u00f6ll, Franziska Hoffmann, <\/span>Klarinette<\/span><\/i>
\n<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Wolfgang Amad\u00e9 Mozart (* Salzburg, 1756; \u2020 Wien, 1791)<\/span>
\n<\/span>aus dem <\/span>Divertimento I<\/span><\/i>, KV439b<\/span>
\n<\/span>I. Allegro<\/b><\/p>\n

Regine M\u00fcller, Isabell P\u00f6ll und Franziska Hoffmann, <\/span>Klarinette\u00a0<\/span><\/i><\/p>\n

aus der <\/span>Grande Sonate<\/span><\/i>
\n<\/span><\/i>[nach dem Klarinettenquintett KV 581]<\/span>
\n<\/span>I. Allegretto<\/b>
\n<\/b>II. Larghetto<\/b><\/p>\n

Regine M\u00fcller, <\/span>Klarinette<\/span><\/i>
\n<\/span><\/i>Benedikt Holter, <\/span>Hammerklavier<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Antonio Salieri, Cornetti (?-?) und Wolfgang Amad\u00e9 Mozart<\/span>
\n<\/span>Per la ricuperata salute di Ofelia<\/b><\/p>\n

(Klavierbegleitung Erg\u00e4nzung: Tade Theuretzbacher)<\/p>\n

Antonio Salieri<\/span>
\n<\/span>aus der Oper <\/span>La grotta di Trofonio<\/span><\/i>
\n<\/span><\/i>La ra la ra, che filosofo buffon<\/b><\/p>\n

Virginia Genovese, <\/span>Sopran<\/span><\/i>
\n<\/span><\/i>Tade Laurent Theuretzbacher, <\/span>Hammerklavier<\/span><\/i><\/p>\n

 <\/p>\n

Girolamo Salieri (* Legnago, 1794; \u2020 Padua, 1864)<\/span>
\n<\/span>Duetto Concertato Nr. 1 per due clarinetti<\/b><\/p>\n

Regine M\u00fcller und Maxilian Misof, <\/span>Klarinette<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Ludwig van Beethoven (* Bonn, 1770; \u2020 Wien, 1827)<\/span>
\n<\/span>Zehn Variationen \u00fcber das Duett „La stessa, la stessissima“<\/b> aus der Oper „Falstaff“ von Antonio Salieri f\u00fcr Klavier, WoO 73<\/span><\/p>\n

Adrian Herpe, <\/span>Hammerklavier<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Ludwig van Beethoven<\/span>
\n<\/span>Violinsonate Nr. 1<\/b>, op. 12
\n<\/span>Allegro con brio<\/span><\/i><\/p>\n

Fiore Despina Streit, <\/span>historische Violine<\/span><\/i>
\n<\/span><\/i>Clara Reinisch, <\/span>Hammerklavier<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Franz Schubert (* Himmelpfortgrund, Wien, 1797; \u2020 Wien, 1828)<\/span>
\n<\/span>aus der <\/span>Sonate in A-Dur <\/span><\/i>op. post. 120, D 664<\/span>
\n<\/span>II. Andante<\/b><\/p>\n

Yinqi Wang, <\/span>Hammerklavier<\/span><\/i><\/p>\n

 <\/p>\n

Johann Nepomuk Hummel (* Bratislava, 1778; \u2020 Weimar, 1837)<\/span>
\n<\/span>Adagio, Variationen und Rondo \u00fcber ein Russisches Thema f\u00fcr Pianoforte, Fl\u00f6te und Violoncell<\/b>, op. 78<\/span>
\n<\/span>Introduction. Cantabile<\/span><\/i>
\n<\/span><\/i>Thema. Quasi Allegretto<\/span><\/i>
\n<\/span><\/i>Variationen I.-VII.<\/span><\/i><\/p>\n

Lisa Braun, <\/span>historisches Cello<\/span><\/i>
\n<\/span><\/i>Ching-Yao Wang, <\/span>Traverso<\/span><\/i>
\n<\/span><\/i>Benedikt Holter, <\/span>Hammerklavier<\/span><\/i><\/p>\n

 <\/p>\n

Mit freundlicher Mitwirkung von Isabell P\u00f6ll und Dayeon Uhm, G\u00e4ste aus der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz (Institut 15 – Alte Musik und Auff\u00fchrungspraxis).<\/em><\/p>\n

 <\/p>\n

Future Art Lab, Anton-von-Webern-Platz 1<\/p>\n

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