{"id":19456,"global_id":"mdw.ac.at\/altemusik?id=19456","global_id_lineage":["mdw.ac.at\/altemusik?id=19456"],"author":"21","status":"publish","date":"2026-05-21 11:23:12","date_utc":"2026-05-21 09:23:12","modified":"2026-06-03 17:24:29","modified_utc":"2026-06-03 15:24:29","url":"https:\/\/mdw.ac.at\/altemusik\/event\/studienkonzert-gesang-7\/","rest_url":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/tribe\/events\/v1\/events\/19456","title":"STUDIENKONZERT | Gesang","description":"

Amore Romano – <\/span>Musik des 17. Jahrhunderts in Rom<\/span><\/h3>\n
\n

Studierende der Gesangsklasse von Giulia Semenzato <\/span>in Zusammenarbeit mit Lauten-Studierenden von Andr\u00e9 Almeida Ferreira<\/span><\/p>\n

 <\/p>\n

Giulio Caccini<\/span> (Rom 1551\u2013Florenz 1618)<\/span><\/strong>
\n\u201cDalla Porta d\u2019<\/span>oriente\u201d<\/span>
\naus \u201cLe Nuove musiche e la nuova maniera di scriverle\u201d<\/em> (1614)<\/p>\n

Tanja Jannelli, Sopran
\nLeon Ravnikar, Laute<\/p>\n

 <\/p>\n

Giulio Caccini<\/span><\/strong>
\n\u201eAmor ch\u2019<\/span>attendi\u201d<\/span>
\naus \u201cLe Nuove musiche e la nuova maniera di scriverle\u201d<\/em> (1614)<\/p>\n

Sophie List, Mezzosopran
\nLeon Ravnikar, Laute<\/p>\n

 <\/p>\n

Girolamo Frescobaldi<\/span> (Ferrara 1583\u2013Rom 1643)<\/span><\/strong>
\n„Troppo sotto due stelle\u201d
\naus „Primo libro d’Arie musicali per cantarsi“<\/em> (1630)<\/p>\n

Eins Lee, Bariton
\nAmirah Pranzl, Laute
\nRosa Maier, Laute<\/p>\n

 <\/p>\n

Girolamo Frescobaldi<\/span><\/strong>
\n\u201eCosi mi disprezzate\u201d
\naus \u201cPrimo Libro d\u2019aria musicali per cantarsi\u201d<\/em> (1630)<\/p>\n

Elina Viluma-Helling, Sopran
\nMarcin Kranz, Theorbe<\/p>\n

 <\/p>\n

Bellerofonte Castaldi<\/span> (Modena 1580\u2013Modena 1649 )<\/span><\/strong>
\n„Tasteggio Suave
\naus \u201cCapricci a due strumenti per sonar solo varie sorti di balli e fantasticarie\u201d<\/em> (1622)<\/p>\n

Marcin Kranz, Theorbe<\/p>\n

 <\/p>\n

Luigi Rossi (Torremaggiore 1598\u2013<\/span>Rom 1653)<\/span><\/strong>
\n„Sol per per Breve momento\u201d
\nAria der Bradamante aus der Oper \u201c<\/span><\/em>Il Palazzo incantato\u201d<\/em> (1642)<\/span><\/p>\n

Honor Whitley, Mezzosopran
\nNoga Nakash,Theorbe
\nAnna Wuchse, Geige
\nJiaqui Xu, Geige<\/p>\n

 <\/p>\n

Stefano Landi <\/span>(Rom 1587\u2013Rom 1689)<\/span><\/strong>
\n„Alla guerra d\u2019<\/span>Amor\u201d<\/span>
\naus \u201cQuinto libro d\u2019arie da cantarsi ad una voce\u201d<\/em> (Venedig 1637)<\/p>\n

Sophie List, Mezzosopran
\nAnna Wuchse, Geige
\nAndr\u00e8 Ferreira, Barockgitarre<\/p>\n

 <\/p>\n

Giovanni Girolamo Kapsberger<\/span> (Venedig 1580\u2013Rom 1651)<\/span><\/strong>
\n„Piet\u00e0 di chi si more\u201d
\naus \u201cLibro secondo d\u2019arie a una o due voci\u201d<\/em> (1623)<\/p>\n

Eins Lee, Bariton
\nAndre Ferreira, Erzlaute<\/p>\n

 <\/p>\n

Stefano Landi<\/span><\/strong>
\n„Chi non ride\u201d
\naus \u201eIl quinto libro di madrigali a voce sola\u201c<\/em> (Venedig 1637)<\/p>\n

Honor Whitley, Mezzosopran
\nNoga Nakash, Barockgitarre<\/p>\n

 <\/p>\n

Luigi Rossi<\/span><\/strong>
\n„Mio ben\u201c
\nAria der Euridice aus der Oper \u201c<\/span><\/em>Orfeo\u201d<\/em> (Paris 1647)<\/span><\/p>\n

Elina Viluma-Helling, Sopran
\nAnna Wuchse, Geige
\nJiaqui Xu, Geige
\nMarcin Kranz, Theorbe<\/p>\n

 <\/p>\n

Luigi Rossi<\/span><\/strong>
\n„Cantata \u201cBegl<\/span>\u2019<\/span>occhi che dite\u201d (1630-1640)<\/span>
\naus \u201c<\/span><\/em>20 cantates pour voix seule et basse continue\u201d<\/em> (Biblioth\u00e8que nationale de France)<\/span><\/p>\n

Erica Alberini, Sopran
\nMarcin Kranz, Theorbe
\nXaver Eckert, Salterio<\/p>\n

 <\/p>\n

Alessandro Stradella<\/span> (Bologna 1643\u2013Genova 1682)<\/span><\/strong>
\n\u201cIo per me\u201d
\naus dem Oratorio \u201c<\/span><\/em>Il San Giovanni Battista\u201d<\/em> (Rom 1675)<\/span><\/p>\n

Emma Urriani, Mezzosopran
\nAnna Wuchse, Geige
\nJiaqui Xu, Geige
\nMarcin Kranz, Theorbe<\/p>\n

 <\/p>\n

Giacomo Carissimi <\/span>(Marino 1605\u2013Rom 1674)<\/span><\/strong>
\n„Canzonetta a due soprano \u201cRimante in pace, Partenza della sua donna\u201d (1662)<\/span><\/p>\n

Tanja Jannelli, Sopran
\nEmma Urriani, Mezzosopran
\nMarcin Kranz, Theorbe
\nMartin Ortner, Posaune<\/p>\n

 <\/p>\n

Girolamo Frescobaldi<\/span><\/strong>
\n„Canzona quinta detta La Tromboncina\u201d F 8.06a<\/p>\n

Martin Ortner, Posaune<\/p>\n

 <\/p>\n

Luigi Rossi<\/span><\/strong>
\n„Dormite Begl\u2019<\/span>occhi\u201d<\/span>
\naus der Oper \u201cOrfeo\u201d <\/em>(Paris 1647)<\/p>\n

Tanja Jannelli, Sopran
\nElina Viluma-Helling, Sopran
\nHonor Whitley, Mezzosoprano
\nAndre Ferreira, Erzlaute<\/p>\n

 <\/p>\n

Giacomo Carissimi <\/span>(Marino 1605\u2013Rom 1674)<\/span><\/strong>
\n„Vittoria mio core\u201d
\naus \u201eCantate profane per voce sola e basso continuo\u201c<\/em> (1656)<\/p>\n

Erica Alberini, Sopran
\nAndre Ferreira, Barockgitarre<\/p>\n

 <\/p>\n

Luigi Rossi<\/span><\/strong>
\n„All\u2019 <\/span>impero d<\/span>\u2019<\/span>amore chi non ceder\u00e0\u201d<\/span>
\nChor aus der Oper \u201c<\/span><\/em>Orfeo\u201d<\/em> (Paris 1647)<\/span><\/p>\n

 <\/p>\n

Unter freundlicher Mitwirkung von Andr\u00e8 Almeida Ferreira, Marco Vitale und Piibe Talen. 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