{"id":21716,"global_id":"mdw.ac.at\/altemusik?id=21716","global_id_lineage":["mdw.ac.at\/altemusik?id=21716"],"author":"23","status":"publish","date":"2026-09-10 13:22:15","date_utc":"2026-09-10 11:22:15","modified":"2026-10-30 13:45:30","modified_utc":"2026-10-30 12:45:30","url":"https:\/\/mdw.ac.at\/altemusik\/event\/studienkonzert-baroque-on-stage-37\/","rest_url":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/tribe\/events\/v1\/events\/21716","title":"STUDIENKONZERT | Baroque on Stage!","description":"

Francis Poulenc<\/strong> (1899 \u2013 1963)<\/p>\n

Concert Champ\u00eatre, FP. 49
\nAllegro molto.Adagio.Allegro molto \u2013 Andante.Mouvement de Sicilienne \u2013 Finale.Presto tr\u00e8s gai<\/em><\/p>\n

Tade Theuretzbacher, Cembalo
\nRiza Shimizu, Klavier<\/p>\n

 <\/p>\n

Claude Debussy<\/strong> (1862 \u2013 1918)<\/p>\n

Syrinx (1913)<\/p>\n

Chun-Shih Lin, Blockfl\u00f6te<\/p>\n

\u00a0<\/strong><\/p>\n

Henry Lawes<\/strong> (1595 \u2013 1662)<\/p>\n

aus Manuskripten des 17. Jhs, u.a. Paris: MS Conservatoire R\u00e9s. 1186
\n<\/em>\u00bbSweet stay a while\u00ab<\/p>\n

John Dowland <\/strong>(1563 \u2013 1626)<\/p>\n

aus A Pilgrimes Solace<\/em> (London 1612)
\n\u00bbSweet, stay a while\u00ab<\/p>\n

Thomas Campion<\/strong> (1567 \u2013 1620)<\/p>\n

aus The Third and Fourth Booke of Ayres<\/em> (1617)
\n\u00bbFire, fire\u00ab<\/p>\n

Gerwin Reder, Gesang
\nMatej Berlot, Laute<\/p>\n

\u00a0<\/strong><\/p>\n

Angelo Berardi <\/strong>(1636 \u2013 1694)<\/p>\n

Canzone Prima \u201eChi la fa, l\u2019aspetti\u201c aus Sinfonie a violino solo, Op.7 (Bologna 1670)<\/p>\n

Chun-Shih Lin, Blockfl\u00f6te
\nPiibe Talen, Cembalo<\/p>\n

 <\/p>\n

Georg Philipp Telemann<\/strong> (1681 \u2013 1767)<\/p>\n

Concerto in F-Dur, TWV 43:F6 (\u00bbConcerto \u00e0 Violino Solo, Corne de Chasse, Violon & Basso Continuo\u00ab)
\n[ohne Satzbez.] \u2013 Rigaudon \u2013 Passepied \u2013 Gigue<\/em><\/p>\n

Alexander Paulweber, Naturhorn
\nFlora List, Barockvioline
\nChristina Bramb\u00f6ck, Barockfagott
\nJohannes Weiss, Cembalo<\/p>\n

\u00a0<\/strong><\/p>\n

Johann Sebastian Bach <\/strong>(1685 \u2013 1750)<\/p>\n

Partita in a-Moll, BWV 1013
\nAllemande \u2013 Courante<\/em><\/p>\n

Britta K\u00e4hny, Blockfl\u00f6te<\/p>\n

 <\/p>\n

Antonio Vivaldi<\/strong> (1678 \u2013 1741)<\/p>\n

Triosonate f\u00fcr 2 Oboen und Basso Continuo in g-Moll, RV 81
\nAllegro \u2013 Largo \u2013 Allegro <\/em><\/p>\n

Gregor Kulla, Lea Nagl, Barockoboe
\nChristina Bramb\u00f6ck, Barockfagott
\nArthur Jeszenszky, Cembalo<\/p>\n

\u00a0<\/strong><\/p>\n

Wolfgang Amad\u00e9 Mozart <\/strong>(1756 \u2013 1791)<\/p>\n

Rondo in F-Dur K. 494 (1786)<\/p>\n

Risa Shimizu, Hammerklavier<\/p>\n

 <\/p>\n

Joseph Haydn <\/strong>(1732 \u2013 1809)<\/p>\n

Sonate (Variationen) in f-Moll Hob. XVII:6 (1793)<\/p>\n

Yinqi Wang, Hammerklavier<\/p>\n

 <\/p>\n

Ludwig van Beethoven <\/strong>(1770 \u2013 1827)<\/p>\n

Sonate Nr. 17 in d-Moll Op. 31 Nr. 2 (1801\/02)
\n2. Adagio<\/em><\/p>\n

Tade Theuretzbacher, Hammerklavier<\/p>","excerpt":"","slug":"studienkonzert-baroque-on-stage-37","image":{"url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier.jpg","id":4453,"extension":"jpg","width":1024,"height":643,"sizes":{"thumbnail":{"width":80,"height":80,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-80x80.jpg"},"medium":{"width":300,"height":188,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-300x188.jpg"},"medium_large":{"width":768,"height":482,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-768x482.jpg"},"widget":{"width":36,"height":36,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-36x36.jpg"},"square":{"width":180,"height":180,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-180x180.jpg"},"featured":{"width":1024,"height":430,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-1024x430.jpg"},"featured_large":{"width":1024,"height":630,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-1024x630.jpg"},"portfolio":{"width":495,"height":400,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-495x400.jpg"},"portfolio_small":{"width":260,"height":185,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-260x185.jpg"},"gallery":{"width":845,"height":643,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-845x643.jpg"},"magazine":{"width":710,"height":375,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-710x375.jpg"},"masonry":{"width":705,"height":443,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-705x443.jpg"},"entry_with_sidebar":{"width":845,"height":321,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-845x321.jpg"},"entry_without_sidebar":{"width":1024,"height":423,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-1024x423.jpg"},"shop_thumbnail":{"width":120,"height":120,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-120x120.jpg"},"shop_catalog":{"width":450,"height":450,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-450x450.jpg"},"shop_single":{"width":450,"height":283,"mime-type":"image\/jpeg","url":"https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2019\/08\/regnier-450x283.jpg"}}},"all_day":false,"start_date":"2026-10-30 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