{"id":14207,"date":"2023-10-05T13:34:22","date_gmt":"2023-10-05T11:34:22","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?page_id=14207"},"modified":"2026-03-11T09:18:47","modified_gmt":"2026-03-11T08:18:47","slug":"marton-borsanyi","status":"publish","type":"page","link":"https:\/\/mdw.ac.at\/altemusik\/en\/faculty\/marton-borsanyi\/","title":{"rendered":"M\u00e1rton BORS\u00c1NYI"},"content":{"rendered":"
<\/a><\/div> \u00a9 Benedek Horv\u00e1th<\/small><\/div><\/div><\/div>\n

M\u00e1rton BORS\u00c1NYI<\/h2>\n<\/div><\/section>
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Basso Continuo, Harpsichord (Supplementary subject)<\/h5>\n<\/div><\/section>
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Born in Budapest (Hungary) in 1984, <\/span>M\u00e1rton Bors\u00e1nyi studied harpsichord, continuo playing, and historical improvisation at the Hochschule f\u00fcr Musik und Theater \u2018Felix Mendelssohn Bartholdy\u2019 Leipzig and the Schola Cantorum Basiliensis, where he was taught by Nicholas Parle, Jesper Christensen, and Rudolf Lutz. In 2009, he held a scholarship at the Academia Montis Regalis in Mondov\u00ec (Italy). For many years, he has focussed his musical endeavours on seventeenth-century keyboard music from German-speaking, Lutheran regions.<\/span><\/span><\/p>\n

M\u00e1rton Bors\u00e1nyi gives regular concert performances as a soloist and chamber musician, at the harpsichord as well as the organ. He is the organist at the Reformed Church in Oberwil (Basel-Landschaft) and at the Roman-Catholic church of St Martin in Egerkingen. Between\u00a02016 and 2019\u00a0he\u00a0held a teaching appointment at the Universit\u00e4t f\u00fcr Musik und darstellende Kunst in Graz. Since 2017 he teaches harpsichord specific organology at the Liszt Ferenc Academy of Music in Budapest. Since 2017\u00a0he also teaches the harpsichord class at ISAEM Festival in Warsaw and organises the <\/span>Pannonia Early Music Academy in Hungary<\/span>,<\/span><\/span>\u00a0since 2019 he teaches at <\/span>MDW <\/span>Vienna<\/span>.\u00a0<\/span><\/span><\/p>\n

\u200b<\/span><\/span>He is also an enthusiastic harpsichord and organ teacher with a huge interest and\u00a0experience in organology and early music research.\u00a0 He has worked as a\u00a0harpsichord expert and ‚intonateuer‘ for Liszt Ferenc Academy of Music Budapest, Conservatory Ljubljana, Schola Cantorum Basiliensis Basel,\u00a0Kunstuniversit\u00e4t Graz, for CD Recordings such as <\/span>Bart\u00f3k and Baroque – Helga V\u00e1radi Harpsichord<\/em> <\/a><\/span>or <\/span>7 Toccatas by J. S. Bach – Eva Maria Pollerus Harpsichord<\/em><\/a><\/span> and many more private customers in Hungary, Switzerland, Germany\u00a0and Slovenia. As an ‚intonateuer‘ M\u00e1rton Bors\u00e1nyi\u00a0also has more than 10 years of experience working with\u00a0both real quills and delrin and also gives lectures on harpsichord maintenance and\u00a0regulation.\u00a0<\/span><\/span><\/p>\n<\/div><\/section><\/p><\/div>

\nBusiness card<\/span><\/a>\nCourses<\/span><\/a>\n<\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":255,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"class_list":["post-14207","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/14207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=14207"}],"version-history":[{"count":6,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/14207\/revisions"}],"predecessor-version":[{"id":18932,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/14207\/revisions\/18932"}],"up":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/255"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=14207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}