{"id":226,"date":"2019-07-08T12:39:05","date_gmt":"2019-07-08T10:39:05","guid":{"rendered":"https:\/\/www.mdw.ac.at\/altemusik\/?page_id=226"},"modified":"2026-03-11T09:50:25","modified_gmt":"2026-03-11T08:50:25","slug":"magdalena-hasibeder","status":"publish","type":"page","link":"https:\/\/mdw.ac.at\/altemusik\/en\/faculty\/magdalena-hasibeder\/","title":{"rendered":"Magdalena HASIBEDER"},"content":{"rendered":"
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Magdalena Hasibeder<\/h2>\n

Deputy Head of Department<\/h3>\n<\/div><\/section>
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Harpsichord, Basso Continuo, Organ (Supplementary subject)<\/h5>\n<\/div><\/section>
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Magdalena Hasibeder was born in Linz, Austria, where she received her musical training at the Music High School and at the Anton Bruckner Private University for Music, Drama, and Dance. Further studies in organ, harpsichord, early music, and instrumental pedagogy led her to the Vienna University of Music and the Schola Cantorum Basiliensis. Among her teachers were Wolfgang Gl\u00fcxam, Andrea Marcon, Michael Radulescu, Augusta Campagne, and Rudolf Lutz.<\/p>\n

Since 1997 Magdalena Hasibeder has appeared in organ and harpsichord concerts at festivals and in concert series throughout Europe, including at the Handel Festival G\u00f6ttingen, Styriarte Graz, Jeunesse Austria, and Resonanzen Wien. She was a prizewinner at several international organ competitions, including the Paul Hofhaimer Competition Innsbruck, the Organ Competition in Herford, Germany, and the Georg Muffat Competition in Schl\u00e4gl, Austria.<\/p>\n

From the very beginning of her career, she has been greatly involved in ensemble activity. As a sought-after continuo player and soloist, she has performed in numerous renowned ensembles, including La Cetra Barockorchester, the Venice Baroque Orchestra, the Bruckner Orchester Linz, and Il Concerto Viennese. Since 2010 she has repeatedly served as Andrea Marcon\u2019s assistant at Theater Basel, making her conducting debut there in 2012 with La Cetra Barockorchester and Purcell\u2019s Fairy Queen. In 2012 she also founded the concert series Diapsalma \u2013 Sacred Concerts in St. Arbogast in Basel, Switzerland, which she has since supervised as artistic director.<\/p>\n

Apart from her main interest in Early Music, she has worked together with contemporary Austrian composeres such as Rudolf Jungwirth, Michael Radulescu and Balduin Sulzer. She has done several world premiers.<\/p>\n

Magdalena Hasibeder has worked as r\u00e9p\u00e9titeur at the Schola CantorumBasiliensis and taught since 2012 at the Vienna University of Music and Performing Arts.<\/p>\n

Her Double-CD (June 2016 at Raumklang Records) is winner of the trimester prize by Deutsche Schallplattenkritik. Others are: „Vom Stylus phantasticus zur freien Fantasie \u2013 Virtuous harpsicord music around J.S. Bach“ (Raumklang Records 2013, winner of „Pasticciopris“ by \u00d61, Austrian radio station), „Viennese organ music between Gr\u00fcnderzeit and fin de si\u00e8cle“ (ClassicRecords 2015), „Orgeln in Kremsm\u00fcnster“ in the series „Orgellandschaft Ober\u00f6sterreich“ (Weinberg records 2017).<\/p>\n<\/div><\/section><\/p><\/div>

\nBusiness card<\/span><\/a>\nCourses<\/span><\/a>\n<\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":255,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"class_list":["post-226","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=226"}],"version-history":[{"count":19,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/226\/revisions"}],"predecessor-version":[{"id":18951,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/226\/revisions\/18951"}],"up":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/pages\/255"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}