{"id":11192,"date":"2022-03-02T15:06:43","date_gmt":"2022-03-02T14:06:43","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=11192"},"modified":"2026-03-20T11:23:10","modified_gmt":"2026-03-20T10:23:10","slug":"begleitband-zum-symposium-cantare-nel-gravicembalo","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/2022\/03\/02\/begleitband-zum-symposium-cantare-nel-gravicembalo\/","title":{"rendered":"Begleitband zum Symposium \u00bbCantare nel Gravicembalo\u00ab (2019)"},"content":{"rendered":"<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Begleitband zum Symposium \u00bbCantare nel Gravicembalo\u00ab (2019)<\/h2>\n<\/div><\/section>\n<div  class='hr hr-default   avia-builder-el-1  el_after_av_textblock  el_before_av_one_third '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_third  flex_column_div av-zero-column-padding first  avia-builder-el-2  el_after_av_hr  el_before_av_two_third  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-3  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/03\/Anklaenge2020-21_Cover__web.jpg' alt='' title='Anklaenge2020-21_Cover__web' height=\"1374\" width=\"1000\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_third  flex_column_div av-zero-column-padding   avia-builder-el-4  el_after_av_one_third  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>ANKLAENGE 2020\/2021. \u201eCantare nel gravicembalo\u201c Ensemble- und Begleitpraxis in der italienischen Musikkultur um 1600 \u2013 Practices of ensemble playing and accompaniment in Italian musical culture c. 1600<\/h2>\n<div class=\"mb-5\">\n<p>Dieser Band behandelt ein zentrales Moment der Entwicklung in der italienischen Musik um 1600, das gleicherma\u00dfen Geschichte des Komponierens, Notierens und der Auff\u00fchrungspraxis betrifft: die Integration von Akkordinstrumenten in die musikalische Produktion (im weitesten Sinn). Dabei steht das Ph\u00e4nomen des Generalbasses im Mittelpunkt, das nicht nur zahlreiche auff\u00fchrungspraktische, sondern auch diverse historiographische Fragen aufwirft. So ist der Generalbass nur eine Spielart innerhalb eines breiten Spektrums musikalischer Praktiken, er resultiert aus vielf\u00e4ltigen historischen Voraussetzungen und steht in Wechselwirkung mit dem Komponieren, der (theoretischen) Konzeption des mehrstimmigen Satzes, aber auch dem musikkulturellen Kontext des sp\u00e4ten 16. und fr\u00fchen 17. Jahrhunderts.<\/p>\n<p>Mit Beitr\u00e4gen von<br \/>\nAugusta Campagne \u2013 Tim Carter \u2013 Rebecca Cypess \u2013 Luciano Contini \u2013<br \/>\nAnne Marie Dragosits \u2013 Alexander Flor \u2013 Th\u00e9r\u00e8se de Goede \u2013<br \/>\nReinhard Kapp \u2013 Sarah Lutz \u2013 Eug\u00e8ne Michelangeli \u2013 Giulia Nuti<\/p>\n<\/div>\n<p>Link <a href=\"https:\/\/www.hollitzer.at\/buch\/anklaenge-20202021-cantare-nel-gravicembalo-ensemble-und-begleitpraxis-in-der-italienischen-musikkultur-um-1600-practices-of-ensemble-playing-and-accompaniment-in-italian-musical-culture-c-1600\">zur Website<\/a><\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":11193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[464,528],"tags":[],"class_list":["post-11192","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-archiv","category-wissensch-publikationen"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/11192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=11192"}],"version-history":[{"count":7,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/11192\/revisions"}],"predecessor-version":[{"id":13027,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/11192\/revisions\/13027"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11193"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=11192"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=11192"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=11192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}