{"id":12250,"date":"2022-09-15T23:41:47","date_gmt":"2022-09-15T21:41:47","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=12250"},"modified":"2023-01-07T19:31:03","modified_gmt":"2023-01-07T18:31:03","slug":"masterclass-blockflote-pierre-hamon","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/2022\/09\/15\/masterclass-blockflote-pierre-hamon\/","title":{"rendered":"MASTERCLASS | Blockfl\u00f6te | Pierre HAMON"},"content":{"rendered":"<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling   avia-align-left '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/09\/DYOD_8177-Cr\u00e9dits-@DYOD.BE_-scaled-e1663317921100-1030x908.jpg' alt='Pierre Hamon' title='Yves Dethier \u00a9 DYOD' height=\"908\" width=\"1030\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_three_fifth  el_before_av_four_fifth  \" style='border-radius:0px; '><p><div style='height:30px' class='hr hr-invisible   avia-builder-el-3  el_before_av_textblock  avia-builder-el-first  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>MASTERCLASS | Pierre HAMON | Blockfl\u00f6te<\/h2>\n<h2>1.-3. Dezember 2022<\/h2>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_four_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-5  el_after_av_two_fifth  el_before_av_hr  \" style='border-radius:0px; '><p><div style='height:30px' class='hr hr-invisible   avia-builder-el-6  el_before_av_textblock  avia-builder-el-first  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p><em>Originally self-taught, Pierre Hamon discovered medieval music, thanks to the recordings of David Munrow, when he was a teenager . Later he went on to advanced studies with Walter Van Hauwe on the recorder, and became a disciple of Hariprasad Chaurasia for Hindustani Music and bansuri flute.<\/em><\/p>\n<p><em>He is co-founder and co-director of Alla Francesca, with which he has recorded around fifteen Cds and has appeared regularly with Jordi Savall since 1995. His repertoire ranges from the twelfth to the twenty-first century, and his curiosity has also led him to study various etchnic wind instruments and their traditional repertoire.<\/em><\/p>\n<p><em>Since 2007 , he is particularly involved in the study, performance and recording of Guillaume de Machaut \u2018s Work. Besides, his perpetual search for the fundamental gestures and sounds of humanity leads him to the fascinating universe of pre-Columbian flutes, civilizations and ameridian traditions, in connection with Nature and the songs of birds.<\/em><\/p>\n<p><em>Many of his recordings have been hailed and awarded by international critics.<\/em><\/p>\n<p><em>He is the composer and director of the original soundtracks for the animated film \u201cPachamama\u201d, nominates for the 2019th C\u00e9sars (now on Netflix) as well as the short animated film \u201cJehanne\u201d by Atam Rasho (now on youtube).<\/em><\/p>\n<p><em>He is a professor at the Conservatoire National Sup\u00e9rieur de Musique et de Danse in Lyon and since September 2022 at the Haute Ecole de Musique de Gen\u00e8ve, and is regularly invited by the leading early music institutions such as the Schola Cantorum Basiliensis, the Royal Academy of Music of London, The Music Conservatory of Amsterdam\u2026<\/em><\/p>\n<\/div><\/section><\/p><\/div>\n<div  class='hr hr-default   avia-builder-el-8  el_after_av_four_fifth  el_before_av_one_full '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-9  el_after_av_hr  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Termine<\/h2>\n<\/div><\/section><br \/>\n<div style='height:20px' class='hr hr-invisible   avia-builder-el-11  el_after_av_textblock  el_before_av_upcoming_events  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":19,"featured_media":12233,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[1,350],"tags":[265,480],"class_list":["post-12250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-workshop-archiv","tag-blockflote","tag-masterclass"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/12250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=12250"}],"version-history":[{"count":14,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/12250\/revisions"}],"predecessor-version":[{"id":12558,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/12250\/revisions\/12558"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/12233"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=12250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=12250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=12250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}