{"id":15191,"date":"2024-04-25T21:08:49","date_gmt":"2024-04-25T19:08:49","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=15191"},"modified":"2024-09-24T14:50:50","modified_gmt":"2024-09-24T12:50:50","slug":"oratorium-la-regina-saba-j-j-fux","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/2024\/04\/25\/oratorium-la-regina-saba-j-j-fux\/","title":{"rendered":"ORATORIUM | La Regina Saba | J. J. Fux"},"content":{"rendered":"<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2024\/04\/IMG_6406-1-scaled.jpeg' alt='' title='IMG_6406' height=\"2560\" width=\"1706\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_three_fifth  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Oratorium | <em>La Regina Saba <\/em>| J. J. Fux<\/h2>\n<\/div><\/section><br \/>\n<div style='height:30px' class='hr hr-invisible   avia-builder-el-4  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Das Oratorium La Regina Saba von Johann Joseph Fux (ca. 1660-1741) war jahrhundertelang ein Mysterium: Die Musik war verschollen und ihre Existenz nur dank des gedruckten Librettos gesichert \u2013 bis vor einigen Jahren ein vollst\u00e4ndiges Manuskript der Partitur auftauchte. Bis heute ist La Regina Saba das \u00e4lteste vollst\u00e4ndig erhaltene Oratorium von Fux. La Regina Saba ist auch das einzige Oratorium in italienischer Sprache, in dem die gleichnamige biblische Figur vorkommt. Die thematische Neuheit von Pier Maria Ruggieri, die sich jedoch an die alttestamentarische Tradition anlehnt, spiegelt sich in Fux Komposition wider, der einen anderen Stil als den der Oper anstrebt, jedoch mit einem raffinierten Einsatz von konzertierenden Instrumenten, die sein Markenzeichen sind.<\/p>\n<p>mdw Barockorchester, Leitung Stefan GOTTFRIED<\/p>\n<p>Eine Zusammenarbeit mir der \u00d6sterreichischen Akademie der Wissenschaften.<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":15180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[464,352],"tags":[],"class_list":["post-15191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-archiv","category-projekt-archiv"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/15191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=15191"}],"version-history":[{"count":6,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/15191\/revisions"}],"predecessor-version":[{"id":15495,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/15191\/revisions\/15495"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/15180"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=15191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=15191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=15191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}