{"id":19033,"date":"2026-03-20T11:21:17","date_gmt":"2026-03-20T10:21:17","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=19033"},"modified":"2026-03-20T11:21:19","modified_gmt":"2026-03-20T10:21:19","slug":"avec-discretion-rethinking-froberger-2018","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/en\/2026\/03\/20\/avec-discretion-rethinking-froberger-2018\/","title":{"rendered":"&#8222;Avec Discr\u00e9tion&#8220; Rethinking Froberger (2018)"},"content":{"rendered":"<div class=\"flex_column av_one_third  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_two_third  avia-builder-el-first  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2023\/01\/978-3-205-20740-5_600x600.jpg' alt='' title='978-3-205-20740-5_600x600' height=\"600\" width=\"425\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_third  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_one_third  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>&#8222;Avec Discr\u00e9tion&#8220; Rethinking Froberger (2018)<\/h2>\n<\/div><\/section><br \/>\n<div style='height:50px' class='hr hr-invisible   avia-builder-el-4  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Markus Grassl, Froberger der Diskrete<\/p>\n<p>Sergius Kodera, Staunenswerte Experimente, die einheitlichen Gesetze von Akustik, Optik und Magnetismus in Athanasius Kirchers Phonurgia nova (1673)<\/p>\n<p>Matej Santi, Johann Jacob Froberger: ein Reisender im Raum des 17. Jahrhunderts<\/p>\n<p>Arnaldo Morelli, \u00bbLa maggiore di tutte le corti\u00ab: Frobergers Rom<\/p>\n<p>Andreas Vejvar, Ph\u00e4nomen Froberger<\/p>\n<p>Marko Deisinger, Johann Jacob Frobergers Karriere als Organist Kaiser Ferdinands III. im Lichte neuer Quellen<\/p>\n<p>Angela Romagnoli, Froberger und die Oper: vers\u00e4umte Gelegenheit, bewusste Entscheidung, unvereinbare Wege?<\/p>\n<p>Marko Deisinger \/ Andreas Vejvar, \u00bbAmor docet musicam\u00ab, Neue Funde und Spuren zu Sautter und Froberger<\/p>\n<p>Cory Gavito, In Search of the Improvising Froberger<\/p>\n<p>Naomi J. Barker, Learning the trade, What did Froberger do in Rome?<\/p>\n<p>Pieter Dirksen, Froberger und die fr\u00fchen Clavecinisten<\/p>\n<p>David Ledbetter, Froberger and the Lute<\/p>\n<p>Akira Ishii, Froberger\u2019s Stylus phantasticus in his Allemande movements<\/p>\n<p>Karin Paulsmeier, Aufzeichnungsweisen bei Froberger vor dem Hintergrund der Notationsentwicklung im 17. Jahrhundert<\/p>\n<p>Martin Kirnbauer, Der \u203avielt\u00f6nige\u2039 Froberger<\/p>\n<p>Francesco Cera, Notiert und nicht notiert, Der Fermaten-Punkt von Frescobaldi bis Froberger<\/p>\n<p>Florian Bassani, \u00dcberlegungen zur tasteninstrumentalen Praxis anhand eines Gesangstraktats: La Belle Methode von Jean Millet (1666)<\/p>\n<p>Eug\u00e8ne Michelangeli, Johann Jacob Frobergers s\u00fc\u00dfes Clavichordium<\/p>\n<p>Siegbert Rampe, Die Neue Froberger-Ausgabe: Geschichte, Systematik, Methodik und Werkverzeichnis<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":13035,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[728],"tags":[],"class_list":["post-19033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scientifical-publications"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=19033"}],"version-history":[{"count":1,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19033\/revisions"}],"predecessor-version":[{"id":19034,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19033\/revisions\/19034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/13035"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=19033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=19033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=19033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}