{"id":19037,"date":"2026-03-20T11:23:37","date_gmt":"2026-03-20T10:23:37","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=19037"},"modified":"2026-03-20T11:24:47","modified_gmt":"2026-03-20T10:24:47","slug":"begleitband-zum-symposium-cantare-nel-gravicembalo-2019","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/en\/2026\/03\/20\/begleitband-zum-symposium-cantare-nel-gravicembalo-2019\/","title":{"rendered":"Begleitband zum Symposium \u00bbCantare nel Gravicembalo\u00ab (2019)"},"content":{"rendered":"<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Begleitband zum Symposium \u00bbCantare nel Gravicembalo\u00ab (2019)<\/h2>\n<\/div><\/section>\n<div  class='hr hr-default   avia-builder-el-1  el_after_av_textblock  el_before_av_one_third '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_third  flex_column_div av-zero-column-padding first  avia-builder-el-2  el_after_av_hr  el_before_av_two_third  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-3  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/03\/Anklaenge2020-21_Cover__web.jpg' alt='' title='Anklaenge2020-21_Cover__web' height=\"1374\" width=\"1000\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_third  flex_column_div av-zero-column-padding   avia-builder-el-4  el_after_av_one_third  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>ANKLAENGE 2020\/2021. \u201eCantare nel gravicembalo\u201c Ensemble- und Begleitpraxis in der italienischen Musikkultur um 1600 \u2013 Practices of ensemble playing and accompaniment in Italian musical culture c. 1600<\/h2>\n<div class=\"mb-5\">\n<p>This volume examines a pivotal moment in the development of Italian music around 1600, one that concerns the history of composition, notation, and performance practice in equal measure: the integration of chordal instruments into musical production (in the broadest sense). The focus is on the phenomenon of the basso continuo, which raises not only numerous questions regarding performance practice but also various historiographical issues. Thus, the basso continuo is merely one form within a broad spectrum of musical practices; it arises from diverse historical conditions and interacts with composition, the (theoretical) conception of polyphonic writing, and the musical-cultural context of the late 16th and early 17th centuries.<\/p>\n<p>With contributions by<br \/>\nAugusta Campagne \u2013 Tim Carter \u2013 Rebecca Cypess \u2013 Luciano Contini \u2013<br \/>\nAnne Marie Dragosits \u2013 Alexander Flor \u2013 Th\u00e9r\u00e8se de Goede \u2013<br \/>\nReinhard Kapp \u2013 Sarah Lutz \u2013 Eug\u00e8ne Michelangeli \u2013 Giulia Nuti<\/p>\n<\/div>\n<p>Link <a href=\"https:\/\/www.hollitzer.at\/buch\/anklaenge-20202021-cantare-nel-gravicembalo-ensemble-und-begleitpraxis-in-der-italienischen-musikkultur-um-1600-practices-of-ensemble-playing-and-accompaniment-in-italian-musical-culture-c-1600\">to the Website<\/a><\/p>\n<\/div><\/section><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":11193,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[728],"tags":[],"class_list":["post-19037","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scientifical-publications"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=19037"}],"version-history":[{"count":2,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19037\/revisions"}],"predecessor-version":[{"id":19039,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/19037\/revisions\/19039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11193"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=19037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=19037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=19037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}