{"id":20971,"date":"2026-08-29T12:32:25","date_gmt":"2026-08-29T10:32:25","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=20971"},"modified":"2026-08-29T12:58:30","modified_gmt":"2026-08-29T10:58:30","slug":"oratorium-la-regina-saba-j-j-fux-2","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/en\/2026\/08\/29\/oratorium-la-regina-saba-j-j-fux-2\/","title":{"rendered":"ORATORIUM | La Regina Saba | J. J. Fux"},"content":{"rendered":"<div class=\"flex_column av_three_fifth  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2024\/04\/IMG_6406-1-scaled.jpeg' alt='' title='IMG_6406' height=\"2560\" width=\"1706\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_fifth  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_three_fifth  avia-builder-el-last  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Oratorium | <em>La Regina Saba <\/em>| J. J. Fux<\/h2>\n<\/div><\/section><br \/>\n<div style='height:30px' class='hr hr-invisible   avia-builder-el-4  el_after_av_textblock  el_before_av_textblock  '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>The oratorio La Regina Saba by Johann Joseph Fux (c. 1660\u20131741) remained a mystery for centuries: the music had been lost, and its existence was confirmed only by the printed libretto \u2014 until a complete manuscript of the score surfaced a few years ago. To this day, La Regina Saba remains Fux\u2019s oldest completely preserved oratorio. It is also the only oratorio in Italian that features the biblical figure of the same name. The thematic innovation of Pier Maria Ruggieri \u2014 which nevertheless draws on Old Testament tradition \u2014 is reflected in Fux\u2019s composition, which strives for a style distinct from that of opera, yet features a sophisticated use of concertante instruments, his trademark.<\/p>\n<p>mdw baroque orchestra, conducted by Stefan GOTTFRIED<\/p>\n<p>A collaboration with the Austrian Academy of Sciences.<\/p>\n<\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":23,"featured_media":15180,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[805],"tags":[],"class_list":["post-20971","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-project-archive"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/20971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=20971"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/20971\/revisions"}],"predecessor-version":[{"id":21008,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/20971\/revisions\/21008"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/15180"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=20971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=20971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=20971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}