{"id":21089,"date":"2026-08-29T22:58:48","date_gmt":"2026-08-29T20:58:48","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=21089"},"modified":"2026-08-29T22:59:27","modified_gmt":"2026-08-29T20:59:27","slug":"masterclass-recorder-tabea-debus","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/en\/2026\/08\/29\/masterclass-recorder-tabea-debus\/","title":{"rendered":"MASTERCLASS | Recorder | Tabea DEBUS"},"content":{"rendered":"<div class=\"flex_column av_one_third  flex_column_div av-zero-column-padding first  avia-builder-el-0  el_before_av_two_third  avia-builder-el-first  \" style='border-radius:0px; '><div class='avia-image-container  av-styling-    avia-builder-el-1  avia-builder-el-no-sibling   avia-align-center '  itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\"  ><div class='avia-image-container-inner'><div class='avia-image-overlay-wrap'><img class='avia_image' src='https:\/\/mdw.ac.at\/altemusik\/blog2\/wp-content\/uploads\/2022\/03\/Tabea_Debus_1____Kaupo_Kikkas-scaled.jpg' alt='Tabea Debus' title='Tabea_Debus_1____Kaupo_Kikkas' height=\"2560\" width=\"1707\"  itemprop=\"thumbnailUrl\"  \/><\/div><\/div><\/div><\/div>\n<div class=\"flex_column av_two_third  flex_column_div av-zero-column-padding   avia-builder-el-2  el_after_av_one_third  el_before_av_one_full  \" style='border-radius:0px; '><section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>MASTERCLASS | Recorder | Tabea DEBUS<\/h2>\n<h3>Telemann-Fantasien gepAArt<\/h3>\n<\/div><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><div class=\"row\">\n<div class=\"col\">\n<p>Tabea Debus devotes herself with great enthusiasm and intensity to both the performance of early music and the works of contemporary composers. She is a regular guest at festivals and concert series throughout Europe, Asia, and North and South America.<\/p>\n<p>Her ongoing <a href=\"https:\/\/www.tabeadebus.com\/collaborations\">collaborations<\/a> with contemporary composers have already resulted in many new solo and ensemble works for recorder, which Tabea Debus has premiered at events such as the <a href=\"https:\/\/www.tabeadebus.com\/collaborations\/LSO%20soundhub\">LSO Soundhub<\/a>, Barbican Sound Unbound, and the Baroque at the Edge Festival. In addition, she has performed as a soloist in contemporary works with the <a href=\"https:\/\/www.tabeadebus.com\/education\/nightingale\">WDR Radio Choir<\/a> at the Funkhaus in Cologne and the English Chamber Orchestra at Cadogan Hall in London, among others.<\/p>\n<p>Her busy concert schedule takes Tabea Debus to international festivals such as summerwinds M\u00fcnsterland, the Mecklenburg-Vorpommern Festival, the Schleswig-Holstein Music Festival, the Edinburgh International Festival, Musica Antiqua Bolzano, and early music festivals in London and York, among others. As a soloist and with Baroque ensembles such as La Serenissima and The English Concert, she performs in renowned concert halls including London\u2019s Wigmore Hall, Carnegie Hall in New York, and the Cologne Funkhaus. She has been a frequent guest on WDR 3\u2019s program Tonart and on BBC Radio 3\u2019s programs In Tune and Early Music Show. Her critically acclaimed <a href=\"https:\/\/www.tabeadebus.com\/recordings\">CD recordings<\/a> showcase her artistry; her most recent release is Ohrwurm (Delphian Records, 2020).<\/p>\n<p>In 2020, Tabea Debus was honored with the CAG\/Richard S. Weinert Award for Innovation in Classical Music. She is also a <a href=\"https:\/\/festspiele-mv.de\/festspiele-entdecken\/detail\/kuenstler\/debus\/\">soloist prize winner<\/a> at the Mecklenburg-Vorpommern Festival and a first-prize winner at the Society of Recorder Players\/Moeck International Solo Recorder Competition in London (2019), as well as at the Johann Heinrich Schmelzer International Competition (2014) and the h\u00fclsta woodwinds International Competition (2011). She has received scholarships from the Deutsche Stiftung Musikleben, the DAAD, and the Studienstiftung des deutschen Volkes, as well as support as a St John\u2019s Smith Square Young Artist (2015\u201316), Handel House Talent (2016\u201317), and City Music Foundation Artist (2016\u201318). She is currently represented by both the <a href=\"https:\/\/www.ycat.co.uk\/tabea-debus\">Young Classical Artists Trust<\/a> (YCAT, London) and the <a href=\"https:\/\/www.concertartists.org\/tabea-debus\">Concert Artists Guild<\/a> (CAG, New York).<\/p>\n<p>Tabea Debus teaches recorder at Wells Cathedral School and has led seminars and workshops at the Royal Academy of Music and Cambridge University. She regularly collaborates with organizations such as Music Masters and the Jackdaws Music Education Trust to provide children with creative musical experiences. In collaboration with colleagues from the independent music, art, and theater scenes, she develops new projects, such as the recent music-art video game <a href=\"https:\/\/soundshapes.co.uk\/\">\u201csoundshapes\u201d<\/a>, the <a href=\"https:\/\/www.continuolines.com\/\">\u201cContinuo Lines\u201d<\/a> play-along library, and the <a href=\"http:\/\/endotheearthworm.com\/\">\u201cRegenwurm Endo\u201d<\/a> video series. Tabea Debus has served as a judge for the British Composer Awards (BASCA) and for \u201cJugend musiziert.\u201d<\/p>\n<\/div>\n<\/div>\n<div>\n<p>Born in W\u00fcrzburg and raised in M\u00fcnster, Tabea Debus first studied at the Frankfurt University of Music and Performing Arts under Prof. Michael Schneider and later at the Royal Academy of Music in London under Pamela Thorby. There, she completed her master\u2019s degree with honors and received the Principal\u2019s Prize.<\/p>\n<\/div>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_full  flex_column_div av-zero-column-padding first  avia-builder-el-5  el_after_av_two_third  avia-builder-el-last  column-top-margin\" style='border-radius:0px; '><p><div  class='hr hr-default   avia-builder-el-6  el_before_av_textblock  avia-builder-el-first '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" itemprop=\"blogPost\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>DATES<\/h2>\n<p>16. &#8211; 18. May 2022<\/p>\n<\/div><\/section><br \/>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":23,"featured_media":11395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[818],"tags":[],"class_list":["post-21089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-workshop-archive"],"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/21089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/comments?post=21089"}],"version-history":[{"count":3,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/21089\/revisions"}],"predecessor-version":[{"id":21092,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/posts\/21089\/revisions\/21092"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11395"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=21089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/categories?post=21089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=21089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}