{"id":9566,"date":"2021-04-26T16:50:25","date_gmt":"2021-04-26T14:50:25","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?p=9566"},"modified":"2026-08-29T22:39:19","modified_gmt":"2026-08-29T20:39:19","slug":"masterclasses-blockflote-boeke-van-hauwe-2","status":"publish","type":"post","link":"https:\/\/mdw.ac.at\/altemusik\/en\/2021\/04\/26\/masterclasses-blockflote-boeke-van-hauwe-2\/","title":{"rendered":"MASTERCLASSES | Recorder | BOEKE, van HAUWE & WESSEL"},"content":{"rendered":"

MASTERCLASSES | Recorder| BOEKE, van HAUWE & WESSEL<\/h2>\n

\u201cAny kind of paper is good for spotting stains on it.\u201d<\/h3>\n

Contemporary Music for Recorder – reflected in masterclasses with <\/strong>Kees Boeke and Walter van Hauwe<\/strong><\/p>\n<\/div><\/section>
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Dates<\/h2>\n

7.5.2021 – 10.5.2021<\/p>\n<\/div><\/section>
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Kees Boeke<\/strong><\/h3>\n

Kees Boeke was born in Amsterdam. After studying at the Royal Conservatory in The Hague (recorder with Frans Br\u00fcggen and cello with Anner Bijlsma), where he graduated with honors, he co-founded the ensemble Quadro Hotteterre <\/strong>(1968\u20131988) with Walter van Hauwe. For many years, he was a member of the medieval and Renaissance music ensemble Syntagma Musicum<\/strong> (Kees Otten) and a co-founder of Sour Cream<\/strong> (1972), Little Consort Amsterdam<\/strong> (1978), and the ensemble Mala Punica<\/strong> (1989). In 2001, he founded the medieval ensemble Tetraktys<\/strong>.<\/p>\n

In 1970, Kees Boeke began teaching at the Royal Conservatory in The Hague<\/em> and, in 1975, at the Sweelinck Conservatory in Amsterdam<\/em>. Beginning in 1990, he taught recorder and early music at the University of Music and Performing Arts in Zurich<\/em> and at the University of Music in Trossingen<\/em>. From 2006 to 2014, he was a professor of medieval and Renaissance music at the Institute for Early Music in Trossingen.<\/em><\/p>\n

He has given seminars and master classes in recorder and early music all over the world, including at the Deller Academy<\/em> (Lacoste, France, 1972\u20131982), the Corsi Internazionali di Musica Antica<\/em> (Urbino, Italy, from 1975 to 1982), and the Vancouver Early Music Festival<\/em>. He served as artistic director of the Settimana Musicale di Pitigliano<\/em> (1982\u20131986) and the San Floriano International Early Music Courses<\/em> (Polcenigo, Italy, 1983\u20131993). In the 1990s, he collaborated with the Accademia Musicale Chigiana<\/em> in Siena, for which he produced Ludovico da Viadana\u2019s monumental Vesper (Psalmi a 4 Cori \/ Psalms for Four Choirs, 1612) in 1994. More recently (2016), he launched the summer course Settimana Musicale del Trecento<\/em> (http:\/\/www.settimanamusicaledeltrecento.it)<\/a> in the city of Arezzo, Tuscany, which specializes in 14th-century music.<\/p>\n

In 1996, Kees Boeke began working as the musical director of the ensemble Cantica Symphonia<\/strong>, with which he recorded motets by Costanzo Festa and masses by Guillaume Dufay. He was invited as a guest conductor by the vocal and instrumental ensemble \u201cL\u2019Homme Arm\u00e9\u201d<\/strong> in Florence and by the ensemble Ars Nova Copenhagen<\/strong> for concerts in the Netherlands, Belgium, and Denmark. Over the years, he has produced concerts and recordings with the Hilliard Ensemble<\/strong> featuring works by Heinrich Isaac, Orlando di Lasso, and Philippe de Monte. He has also collaborated regularly with Philippe Pierlot\u2019s Ricercar Consort<\/strong> and Roberto Gini\u2019s Concerto delle Viole.<\/strong><\/p>\n

In addition, Kees Boeke is active as a composer (Donemus, Amsterdam; Sheetmusicnow.com) and publisher of early and contemporary music (Zen-On, Tokyo; Schott, London). He has recently published a new complete edition of the famous Codex Modena in collaboration with Jos Haring (see Olive Music Editions (http:\/\/www.modenacodex.com)<\/a>).<\/p>\n

He has lived in Tuscany since 1980 and produces CDs (http:\/\/www.o-livemusic.com)<\/a> and extra virgin olive oil.<\/p>\n<\/div><\/section>
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Walter van Hauwe<\/h3>\n

Walter van Hauwe demonstrated his love for traditional recorder repertoire not only as a soloist but also as a member of the ensemble \u201cQuadro Hotteterre\u201d (1969), alongside Kees Boeke (recorder), Bob van Asperen (harpsichord), and Wouter M\u00f6ller (cello), as well as the ensemble \u201cLittle Consort,\u201d featuring, among others, Toyohiko Satoh (lute).<\/p>\n

His affinity for contemporary music, which was already evident in the experimental recorder ensemble \u201cSour Cream\u201d (with Frans Br\u00fcggen and Kees Boeke), founded in 1970, grew significantly throughout the 1980s. More and more composers, such as Franco Donatoni and Isang Yun, began writing for the recorder, inspired by him.<\/p>\n

Thanks to a brief but intense collaboration with the Japanese marimba player Keiko Abe and later with the \u201cMaarten Altena Ensemble\u201d (specializing in contemporary, improvised music with strong experimental jazz influences), Van Hauwe had the opportunity to further develop his interest in improvised music. His interest in theater led to various productions with the well-known theater groups \u2018Hollandia\u2018 and \u2018Veenfabriek.\u2018<\/p>\n

Walter van Hauwe has been a professor at the Sweelinck Conservatory in Amsterdam since 1972. He wrote a three-volume method specifically for recorder instructors and professional students, \u2018The Modern Recorder Player\u2018, published by Schott London, which has since been translated into several languages. In 1989, Van Hauwe initiated the creation of a comprehensive catalog of contemporary recorder music, the \u2018Catalogue for Contemporary Blockflute Music\u2018 \u00a9 (www.blokfluit.org). In it, one can trace nearly all original recorder literature spanning five centuries.<\/p>\n

In 2002, Walter van Hauwe received the prestigious Dutch \u2018Prins Bernard Music Award\u2018 for his entire body of work.<\/p>\n

Recordings are available on Telefunken (\u2018Das Alte Werk\u2018), Vanguard, Columbia-Denon, RCA, CBS, and, most recently, on \u2018Attacca\u2018 and Moeck Verlag\/Channel Classic.<\/p>\n

Further information about Walter van Hauwe can be found on his website, www.waltervanhauwe.org.<\/p>\n<\/div><\/section><\/p><\/div>\n

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Tomma Wessel<\/h3>\n

Recorder player Tomma Wessel focuses on the interpretation of contemporary and early music. She has performed at major concert venues and premiered many works, including those by Luc Brewaeys, Alvin Curran, Moritz Eggert, Helmut Oehring, Stefan Prins, Frederic Rzewski, Matthew Shlomowitz, Aart Strootman, Serge Verstockt, Errolyn Wallen, and Christian Wolff.<\/p>\n

Tomma is a co-founder of the ensembles Apsara and Zeder. She has a long-standing collaboration with dancer Shila Anaraki and composer Matthew Shlomowitz. She has also performed with orchestras and ensembles such as Champ d\u2019Action, Ex Tempore, Ictus, Musica Antiqua K\u00f6ln, the Vlaams Symfonieorkest, and the Spectra Ensemble. During the 2006\u20132007 season, Tomma was a \u201cFriend in Music\u201d at the Concertgebouw Brugge. She has also made numerous radio and CD recordings.<\/p>\n

She is a lecturer in contemporary recorder music at the Conservatoire Royal de Musique de Bruxelles and the Koninklijk Conservatorium Brussel. She also teaches recorder and chamber music at the De Poel Music School in Ghent. Following preliminary work at the Orpheus Institute in Ghent and Leiden University, she is currently working on a doctoral dissertation on the recorder at the Vrije Universiteit Brussel and the Conservatoire de Bruxelles.<\/p>\n

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