{"id":11099,"date":"2022-02-19T23:11:23","date_gmt":"2022-02-19T22:11:23","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=11099"},"modified":"2022-05-05T10:28:55","modified_gmt":"2022-05-05T08:28:55","slug":"maimusik-2022-frauenpower","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-2022-frauenpower\/","title":{"rendered":"MAIMUSIK 2022 | Frauenpower"},"content":{"rendered":"<h3>Starke Komponistinnen des 18. Jahrhunderts auf dem Podium<\/h3>\n<p>&nbsp;<\/p>\n<p>Der von M\u00e4nnern dominierten europ\u00e4ischen Musikszene zum Trotz k\u00f6nnen sich einige Komponistinnen im 18. Jahrhundert Respekt und Anerkennung verschaffen. Mit Anna Bon, Wilhelmine von Bayreuth, Anna Amalie von Preu\u00dfen und anderen stellt dieses Konzert interessante Musikerinnen dieser Epoche in den Mittelpunkt. Zumindest f\u00fcr einen Nachmittag soll komponierenden Frauen der Raum gegeben werden, der ihnen zu ihrer Zeit nur selten einger\u00e4umt wurde.<\/p>\n<p>Konzert ohne Pause.<\/p>\n<p>Eintritt frei.<\/p>\n<p>&nbsp;<\/p>\n<h5>Programm<\/h5>\n<p><strong>Elisabeth Jacquet de la Guerre (1665 in Paris &#8211; 1729 ebenda)<\/strong><\/p>\n<p>Sonate en trio in D-Dur<\/p>\n<p>Ching-Yao Wang, Traverso<br \/>\nReina Yoshioka, Violine<br \/>\nMarius Malanetchi, Viola da Gamba<br \/>\nJohannes Maria Bogner, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Marianne Martinez (1744 in Wien &#8211; 1812 in Wien &#8222;auf der Saillerstadt&#8220;)<\/strong><\/p>\n<p>Sonate in A-Dur<br \/>\n<em>Allegro &#8211; Rondo adagio &#8211; Tempo di minuetto<\/em><\/p>\n<p>Joseph Zaarour, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anna Bonn di Venezia (1738 in Bologna &#8211; nach 1767)<\/strong><\/p>\n<p>Sonate in F-Dur<br \/>\n<em>Largo &#8211; Allegro &#8211; Allegro<\/em><\/p>\n<p>Daniel Ploderer, Traverso<br \/>\nJohannes Bogner, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anna Amalia von Preussen (1723 in Berlin &#8211; 1787 ebenda)<\/strong><\/p>\n<p>Sonate in B-Dur<br \/>\n<em>Adagio &#8211; Allegretto &#8211; Allegro ma non troppo<\/em><\/p>\n<p>Jasmin Vorhauser, Blockfl\u00f6te<br \/>\nMarco Primultini, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Marianne Martines (1744 &#8211; 1812)<\/strong><\/p>\n<p>Sonate in E-Dur<br \/>\n<em>Allegro &#8211; Andante &#8211; Presto<\/em><\/p>\n<p>Rui Cai, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Elisabeth Jacquet de la Guerre (1665 &#8211; 1729)<\/strong><\/p>\n<p>\u201e<em>Le Sommeil d&#8217;Ulisse<\/em>&#8222;, 3. Cantate aus <em>Cantates Fran\u00e7oises<\/em> (Paris 1715)<\/p>\n<p><em>Simphonie \u2013 R\u00e9citatif \u2013 Temp\u00easte \u2013 Air \u2013 R\u00e9citatif \u2013 Sommeil<\/em><\/p>\n<p>Anna Ryabenkaya, Sopran<br \/>\nMichael Lind, Traverso<br \/>\nEmma Breit, Violine<br \/>\nSonya Shapovalova, Cembalo<br \/>\nD\u00e9sir\u00e9e W\u00f6hrer, Viola da Gamba<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Starke Komponistinnen des 18. Jahrhunderts auf dem Podium &nbsp; Der von M\u00e4nnern dominierten europ\u00e4ischen Musikszene zum Trotz k\u00f6nnen sich einige Komponistinnen im 18. Jahrhundert Respekt und Anerkennung verschaffen. Mit Anna [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":11090,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[462,463,166,357],"class_list":["post-11099","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-maimusik","tribe_events_cat-maimusik-2022","tribe_events_cat-offentlich","tribe_events_cat-studienkonzert","cat_maimusik","cat_maimusik-2022","cat_offentlich","cat_studienkonzert"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":7,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11099\/revisions"}],"predecessor-version":[{"id":11808,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11099\/revisions\/11808"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11090"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=11099"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=11099"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=11099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}