{"id":11107,"date":"2022-02-19T23:05:20","date_gmt":"2022-02-19T22:05:20","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=11107"},"modified":"2022-05-05T10:29:46","modified_gmt":"2022-05-05T08:29:46","slug":"maimusik-2022-der-junge-bach-in-weimar-und-kothen","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-2022-der-junge-bach-in-weimar-und-kothen\/","title":{"rendered":"MAIMUSIK 2022 | Der junge Bach in Weimar und K\u00f6then"},"content":{"rendered":"

Die Kantate \u00bbErschallet, ihr Lieder, erklinget, ihr Saiten!\u00ab (BWV 172) trifft auf die Brandenburgischen Konzerte II (BWV 1047) und IV (BWV 1049)<\/span><\/p>\n

 <\/p>\n

H\u00e4ufig, viel zu h\u00e4ufig haben wir das Bild des \u00bbalten Bach\u00ab mit schwerer Locken-Per\u00fccke vor uns, gestrenger Blick und ruhige Haltung! Dar\u00fcber vergessen wir, dass Bach zun\u00e4chst durchaus ein junger Wilder ist, fr\u00fch nach Positionen strebend, wo er sich k\u00fcnstlerisch wertgesch\u00e4tzt f\u00fchlt, wo er M\u00f6glichkeiten versp\u00fcrt. Er scheut auch nicht den Konflikt mit der Obrigkeit, verl\u00e4sst er doch 1717 ohne offizielle Erlaubnis seine Stelle in Weimar, um Karriere in K\u00f6then zu machen. Das bringt ihm wegen „halsstarriger Bezeugung“ sogar einen k\u00fcrzeren Knastaufenthalt ein! Im Abschlusskonzert des Festivals begeben wir uns musikalisch genau in diese fruchtbaren Jahre seiner Weimarer und K\u00f6thener Zeit, in der viel Orgelmusik, Kantaten, aber vor allem fast alle seiner gro\u00dfen Instrumentalwerke entstehen.<\/p>\n

S\u00e4ngerinnen und S\u00e4nger verschiedener Institute
\nInstrumentalsolist_innen des Instituts f\u00fcr Alte Musik<\/p>\n

 <\/p>\n

Programm<\/h5>\n

Johann Sebastian Bach (* 1685 in Eisenach\/Th\u00fcringen; \u2020 1750 in Leipzig)<\/strong><\/p>\n

Concert II in F-Dur, BWV 1047 (\u00bbBrandenburgisches Konzert<\/em>\u00ab)<\/p>\n

aus \u00bbSix Concerts avec plusieurs instruments<\/em>\u00ab (K\u00f6then, 1721 oder fr\u00fcher)<\/p>\n

[ohne Satzbezeichnung] \u2013 Andante \u2013 Allegro assai<\/em><\/p>\n

 <\/p>\n

Soli:<\/p>\n

Raphael Pouget, Trompete
\nBarbara Faulend-Klauser, Blockfl\u00f6te
\nAlejandra Piegaia, Oboe
\nJuan Pablo Parra Bedoya, Violine
\nRose Chaffey, Violoncello
\nDoHyeon Lee, Cembalo<\/p>\n

 <\/p>\n

Johann Sebastian Bach<\/strong><\/p>\n

Concert IV in G-Dur, BWV 1049 (\u00bbBrandenburgisches Konzert<\/em>\u00ab)<\/p>\n

aus \u00bbSix Concerts avec plusieurs instruments<\/em>\u00ab (K\u00f6then, um 1720)<\/p>\n

Allegro \u2013 Andante \u2013 Presto<\/em><\/p>\n

 <\/p>\n

Soli:<\/p>\n

Eunsol Lee, Barbora \u0160pelinov\u00e1, Blockfl\u00f6te
\nVeronica B\u00f6hm, Violine
\nRose Chaffey, Violoncello
\nRui Cai, Cembalo<\/p>\n

 <\/p>\n

Johann Sebastian Bach<\/strong><\/p>\n

\u00bbErschallet, ihr Lieder, erklinget, ihr Saiten!<\/em>\u00ab, BWV 172, Geistliche Kantate (Weimar, 1714)<\/p>\n

Coro: \u00bbErschallet, ihr Lieder, erklinget, ihr Saiten!<\/em>\u00ab<\/p>\n

Recitativo (Bass): \u00bbWer mich liebet, der wird mein Wort halten<\/em>\u00ab<\/p>\n

Aria (Bass): \u00bbHeiligste Dreieinigkeit<\/em>\u00ab<\/p>\n

Aria (Tenor): \u00bbO Seelenparadies<\/em>\u00ab<\/p>\n

Aria (Sopran: Seele; Alt: Geist): \u00bbKomm, la\u00df mich nicht l\u00e4nger warten<\/em>\u00ab<\/p>\n

Choral: \u00bbVon Gott k\u00f6mmt mir ein Freudenschein<\/em>\u00ab<\/p>\n

Coro da Capo: \u00bbErschallet, ihr Lieder, erklinget, ihr Saiten!<\/em>\u00ab<\/p>\n

 <\/p>\n

Soli:<\/p>\n

Lea Bodner, Sopran
\nAnna-Maria Nunzer, Alt
\nJakob Nistler, Tenor
\nJunqian Chen (Rez.), Felix Pacher (Arie), Bass<\/p>\n

Ripieni:
\nKyona Park, Laura Thoma, Sopran
\nNora Geroldinger, Elisabeth Hofer, Alt
\nSimon Pibal, B\u00e1lint N\u00e9meth, Tenor<\/p>\n

 <\/p>\n

mdw Barockorchester<\/strong><\/p>\n

 <\/p>\n

Violine: Veronica Scotti, Sofia Xiaoxi Liu, Veronica B\u00f6hm, Juan Pablo Parra Bedoya, Elisabeth Wagner, Alenka Brecelj, Ulisse Mazzon<\/p>\n

Viola: Aoi Selditz-Murase<\/p>\n

Viola da gamba: D\u00e1vid Budai<\/p>\n

Violoncello: Rose Chaffey<\/p>\n

Kontrabass: Vanessa Pe\u0161ut<\/p>\n

Blockfl\u00f6ten: Eunsol Lee, Barbora \u0160pelinov\u00e1, Barbara Faulend-Klauser<\/p>\n

Traverso: Laura Moosbrugger<\/p>\n

Oboe: Alejandra Piegaia<\/p>\n

Fagott: B\u00e1lint V\u00e9rtesi<\/p>\n

Trompeten: Raphael Pouget, Stefan Reinthaler, Fabian Pichler<\/p>\n

Pauken: Ivona Minkova<\/p>\n

Cembalo: DoHyeon Lee, Rui Cai<\/p>\n

Orgel: Piibe Talen<\/p>\n

 <\/p>\n

Musikalische Leitung: Johannes Weiss (BWV 172)<\/p>\n

 <\/p>\n

Konzert ohne Pause.<\/p>\n

Eintritt frei.<\/p>\n","protected":false},"excerpt":{"rendered":"

Die Kantate \u00bbErschallet, ihr Lieder, erklinget, ihr Saiten!\u00ab (BWV 172) trifft auf die Brandenburgischen Konzerte II (BWV 1047) und IV (BWV 1049)   H\u00e4ufig, viel zu h\u00e4ufig haben wir das […]<\/p>\n","protected":false},"author":19,"featured_media":11093,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[462,463,166],"class_list":["post-11107","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-maimusik","tribe_events_cat-maimusik-2022","tribe_events_cat-offentlich","cat_maimusik","cat_maimusik-2022","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":7,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11107\/revisions"}],"predecessor-version":[{"id":11811,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11107\/revisions\/11811"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11093"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=11107"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=11107"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=11107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}