{"id":11571,"date":"2022-04-11T11:32:51","date_gmt":"2022-04-11T09:32:51","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=11571"},"modified":"2022-04-11T11:45:31","modified_gmt":"2022-04-11T09:45:31","slug":"buchprasentation-josef-hellmesberger-institut-dagmar-gluxam-aus-der-seele-mus-man-spielen","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/buchprasentation-josef-hellmesberger-institut-dagmar-gluxam-aus-der-seele-mus-man-spielen\/","title":{"rendered":"BUCHPR\u00c4SENTATION | Josef Hellmesberger Institut | Dagmar GL\u00dcXAM | \u201eAus der Seele mu\u00df man spielen\u2026\u201c"},"content":{"rendered":"

\u201eAus der Seele mu\u00df man spielen\u2026\u201c<\/h2>\n

Workshop sowie Buch- & CD-Pr\u00e4sentation mit\u00a0Dagmar Gl\u00fcxam<\/strong> \u00fcber die Affekttheorie und ihre Bedeutung f\u00fcr die Auff\u00fchrungspraxis der Musik des 17. bis 19. Jahrhundert<\/p>\n

 <\/p>\n

Informationen auf der Website des Josef Hellmesberger Instituts:<\/h4>\n

https:\/\/www.mdw.ac.at\/hbi\/?PageId=4278<\/a><\/p>\n

Flyer:\u00a0Aus der Seele muss man spielen \u2013 Flyer<\/a><\/p>\n

 <\/p>\n

Wie bekannt, bildete das wichtigste Ziel der Musik des 17. und 18. Jahrhunderts die Darstellung menschlicher Gem\u00fctsbewegungen, der sogenannten \u201eAffekte\u201c oder \u201eLeydenschaften\u201c. Was dies f\u00fcr die Interpretation konkret bedeutet und was uns die Prinzipien der Affekttheorie \u00fcber Tempo, Artikulation, Dynamik
\noder Verzierungen bei Komponisten wie J.S. Bach, W.A. Mozart, L.v. Beethoven und ihren Zeitgenossen verraten, erkl\u00e4rt Dagmar Gl\u00fcxam in ihrem, im Hollitzer Verlag erschienenen Buch \u201eAus der Seele mu\u00df man spielen\u2026\u201c.<\/p>\n

Die Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien, das Institut f\u00fcr Musikwissenschaft der Universit\u00e4t Wien und der Hollitzer Verlag laden herzlich zur Pr\u00e4sentation des Buchs<\/span><\/p>\n

Dagmar Gl\u00fcxam<\/strong><\/b><\/span><\/h4>\n

\u201eAus der Seele mu\u00df man spielen \u2026\u201c<\/em><\/i><\/strong><\/b><\/span><\/p>\n

\u00dcber die Affekttheorie in der Musik des 17. und 18. Jahrhunderts <\/span>und ihre Auswirkung auf die Interpretation<\/span><\/p>\n

und der mit diesem Buch eng zusammenh\u00e4ngenden CD-Aufnahme<\/span><\/p>\n

 <\/p>\n

Daniel Auner \/ Dagmar Gl\u00fcxam<\/strong><\/b><\/span><\/p>\n

    \n
  1. S. Bach, Sonaten und Partiten f\u00fcr Violine Solo <\/em><\/i>BWV 1001\u20131006<\/strong><\/b><\/span><\/li>\n<\/ol>\n

     <\/p>\n

    Programm<\/strong><\/b><\/span><\/h5>\n

    Begr\u00fc\u00dfung<\/span><\/p>\n

    Michael H\u00fcttler (Hollitzer Verlag)<\/span><\/p>\n

    Georg Hamann (Hellmesberger-Institut)<\/span><\/p>\n

    Dagmar Gl\u00fcxam spricht \u00fcber ihr Buch und dar\u00fcber, warum man aus der Seele spielen muss<\/span><\/p>\n

    Daniel Auner, Violine,<\/span><\/p>\n

    spielt ausgew\u00e4hlte S\u00e4tze aus den\u00a0Sonaten und Partiten\u00a0<\/em><\/i>BWV 1001\u20131006 von J. S. Bach<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    \u201eAus der Seele mu\u00df man spielen\u2026\u201c Workshop sowie Buch- & CD-Pr\u00e4sentation mit\u00a0Dagmar Gl\u00fcxam \u00fcber die Affekttheorie und ihre Bedeutung f\u00fcr die Auff\u00fchrungspraxis der Musik des 17. bis 19. Jahrhundert   […]<\/p>\n","protected":false},"author":19,"featured_media":11567,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[478,356],"class_list":["post-11571","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-gluxam-buch","tribe_events_cat-vortrag","cat_gluxam-buch","cat_vortrag"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11571","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":5,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11571\/revisions"}],"predecessor-version":[{"id":11581,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/11571\/revisions\/11581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/11567"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=11571"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=11571"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=11571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}