{"id":13228,"date":"2023-01-27T15:39:22","date_gmt":"2023-01-27T14:39:22","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=13228"},"modified":"2023-05-21T10:17:35","modified_gmt":"2023-05-21T08:17:35","slug":"baroque-on-stage-studienkonzert-alte-musik-18","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/baroque-on-stage-studienkonzert-alte-musik-18\/","title":{"rendered":"BAROQUE ON STAGE! | Studienkonzert Alte Musik"},"content":{"rendered":"<p>Es spielen Studierende vom Institut f\u00fcr Alte Musik und G\u00e4ste.<br \/>\nEintritt frei!<\/p>\n<p>&nbsp;<\/p>\n<p>Programm:<\/p>\n<p>&nbsp;<\/p>\n<p><b>Francesco Mancini<\/b> (1672-1737)<\/p>\n<p><span style=\"font-weight: 400;\">Cantata \u201eQuanto dolce \u00e8 quell&#8217;ardore\u201c a voce sola di Soprano con Oboe solo<\/span><\/p>\n<p>Aria: \u201eQuanto dolce \u00e8 quell&#8217;ardore\u201c (Largo) &#8211; Recitativo: \u201ePur che a te sia vicina\u201c &#8211; Aria: \u201eAprimi il petto\u201c (Allegro)<\/p>\n<p>&nbsp;<\/p>\n<p><b>Georg Friedrich H\u00e4ndel<\/b> (1685-1759)<\/p>\n<p><span style=\"font-weight: 400;\">aus dem Oratorium \u201eAlexander&#8217;s Feast\u201c HWV 75 (1736)<\/span><\/p>\n<p>\u201eSoftly sweet in Lydian measures\u201c<\/p>\n<p>Ensemble <em>Purling Streams<\/em><i><br \/>\n<\/i>Ilia Marinescu, Gesang<br \/>\nStefan Peindl, Oboe<br \/>\nAntonio P\u00e9rez de Paco, Violoncello<br \/>\nMarco Primultini, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Giovanni Battista Riccio<\/b><span style=\"font-weight: 400;\"> (ca.1570-1621)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">aus: Il terzo libro delle divine Lodi musicali (1620)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aria \u201eConfitemini Domino\u201c per una voce Bassa<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Giovanni Bassano<\/b><span style=\"font-weight: 400;\"> (1560\/1561-1565)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">aus: Madrigali, Motetti e Canzoni francesi diminuiti (1591)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Diminutionen \u00fcber <\/span><span style=\"font-weight: 400;\">\u201e<\/span><span style=\"font-weight: 400;\">La bella, netta, ignuda e bianca mano<\/span><span style=\"font-weight: 400;\">\u201c von <\/span><span style=\"font-weight: 400;\">Cipriano de Rore (1516-1565)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Martin Ortner, Posaune<br \/>\n<\/span><span style=\"font-weight: 400;\">Eug\u00e8ne Michelangeli, Orgel<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Bastiano Miseroca <\/b><span style=\"font-weight: 400;\">(um 1600)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">aus: Johannes Donfrid: Promptuarium Musicum, Pars Prima (1622)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201eIn nomine Iesu\u201c<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Eric Ziegelbauer, Zink<br \/>\n<\/span><span style=\"font-weight: 400;\">Martin Bolterauer, Zink<br \/>\n<\/span><span style=\"font-weight: 400;\">Eug\u00e8ne Michelangeli, Regal<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Marin Marais <\/b>(1656-1728)<b><br \/>\n<\/b>3. Suite aus: Pi\u00e8ces en Trio (1692)<\/p>\n<p>Prelude &#8211; Fantaisie champestre &#8211; Sarabande Grave &#8211; Bransle de village &#8211; Rigaudon &#8211; 3e Menuet &#8211; 4e Menuet<\/p>\n<p>Laura Moosbrugger, Traversfl\u00f6te<br \/>\nReina Yoshioka, Violine<br \/>\nEivind Berg, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Francesco Bartolomeo Conti <\/b>(1681-1732)<br \/>\naus der Kantate \u201eRide il Prato\u201c:<\/p>\n<p>Arie \u201eSorge amorosa\u201c f\u00fcr Sopran, Chalumeau &amp; B.c.<\/p>\n<p>Lea Bodner, Sopran<br \/>\nSimon Pibal, Discant Chalumeau<br \/>\nHannah Stoellger, Violoncello<br \/>\nStefan Gottfried, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Georg Friedrich H\u00e4ndel<\/b><span style=\"font-weight: 400;\"> (1685-1759)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">aus dem Oratorium \u201eIl Trionfo del Tempo e del Disinganno\u201c HWV 46a (1707)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201eTu del ciel ministro eletto\u201c<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mayu Kawada, Sopran<br \/>\n<\/span><span style=\"font-weight: 400;\">Dominik Fischer, Violine<br \/>\n<\/span><span style=\"font-weight: 400;\">Stefan Gottfried, Cembalo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Johann Sebastian Bach <\/b>(1685-1750)<br \/>\nSonate E-Dur f\u00fcr Traversfl\u00f6te &amp; B.c. BWV 1035<\/p>\n<p>Adagio ma non tanto &#8211; Allegro &#8211; Siciliano &#8211; Allegro assai<\/p>\n<p>Elisabeth Vestemian, Traversfl\u00f6te<br \/>\nEug\u00e8ne Michelangeli, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Nicola Porpora<\/b> (1686-1768)<\/p>\n<p>aus \u201eGli orti esperidi\u201c: \u201eGiusto Amor tu che m\u2018accendi\u201c<\/p>\n<p>Lucija Varsic, Mezzosopran<br \/>\nHannah Stoellger, Barockcello<br \/>\nStefan Gottfried, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Antonio Vivaldi <\/b>(1678-1741)<\/p>\n<p>aus \u201eTito Manlio\u201c: \u201eDi verde ulivo\u201c<\/p>\n<p>Lucija Varsic, Mezzosopran<br \/>\nHannah Stoellger, Barockcello<br \/>\nArthur Jeszensky, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Joseph Haydn<\/b> (1732-1809)<\/p>\n<p>\u201eEin kleines Haus\u201c Hob.XXVIa:45 (1801)<\/p>\n<p>&nbsp;<\/p>\n<p><b>Wolfgang Amad\u00e9 Mozart<\/b> (1756-1791)<\/p>\n<p>\u201eOiseaux, si tous les ans\u201c KV 307 (1777)<\/p>\n<p>\u201eRidente la calma\u201c KV 152 (ca.1772\/1775)<\/p>\n<p>Valeria Komarova, Sopran<br \/>\nBenedikt Holter, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p><b>Carl Philipp Emanuel Bach <\/b>(1714-1788)<\/p>\n<p><span style=\"font-weight: 400;\">aus dem Violoncellokonzert A-Dur Wq 172 (1753)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Largo mesto &#8211; Allegro<\/span><\/p>\n<p>Hannah Stoellger, Barockcello<br \/>\nStefan Gottfried, Cembalo<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Es spielen Studierende vom Institut f\u00fcr Alte Musik und G\u00e4ste. 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