{"id":13244,"date":"2023-01-31T09:50:44","date_gmt":"2023-01-31T08:50:44","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=13244"},"modified":"2023-04-26T15:23:18","modified_gmt":"2023-04-26T13:23:18","slug":"studienkonzert-blockfloete","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/studienkonzert-blockfloete\/","title":{"rendered":"STUDIENKONZERT | Blockfl\u00f6te"},"content":{"rendered":"

Es spielen Studierende der Klasse von Carsten Eckert und G\u00e4ste.<\/p>\n

Eintritt frei.<\/p>\n

 <\/p>\n

Giovanni Buonaventura Viviani <\/strong>(1638-1692)<\/p>\n

aus „Capricci armonici da Chiesa e da Camera \u00e0 Violino solo cio\u00e8 Sinfonie, Toccate, Sonate\u2026 et Sonate per Tromba“ Venezia 1678:<\/p>\n

Toccata I<\/p>\n

Eunsol Lee, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Alessandro Striggio <\/strong>(ca.1536-1592)<\/p>\n

aus „Primo libro de madrigali asei voci“, Venezia 1560:<\/p>\n

Madrigal Nasce la pena mia<\/em><\/p>\n

Diminutionen von Johann Schop <\/strong>(1590-1667) aus „‚t Uitnement kabinet\u201c, Amsterdam 1649<\/p>\n

Barbora \u0160pelinov\u00e1, Voiceflute
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Theo Loevendie <\/strong>(*1930)<\/p>\n

Reflex<\/em> (2017)\u00a0f\u00fcr Sopranblockfl\u00f6te solo<\/p>\n

Eunsol Lee, Blockfl\u00f6te<\/p>\n

 <\/p>\n

 <\/p>\n

Georg Philipp Telemann <\/strong>\u00a0(1681-1767)<\/p>\n

aus \u201dFantaisies pour la basse de violle, faites et dedi\u00e9es \u00e0 Mr. Pierre Chaunell, par Telemann\u201c, 1735:<\/p>\n

Fantasia Nr. 2 G-Dur (orig. D-Dur) bearbeitet f\u00fcr Blockfl\u00f6te solo, TWV 40:27
\nVivace – Andante. Da capo Vivace –\u00a0Presto<\/p>\n

Barbora \u0160pelinov\u00e1, Blockfl\u00f6te<\/p>\n

 <\/p>\n

 <\/p>\n

Johann Sebastian Bach<\/strong> (1685-1750)<\/p>\n

Concerto in d-Moll f\u00fcr Blockfl\u00f6te und zwei obligate Cembali, BWV1052Re (orig. f\u00fcr Cembalo, Streicher und B. c.)
\nAllegro – Adagio – Allegro<\/p>\n

Eunsol Lee, Blockfl\u00f6te
\nMaria Shabashova, Cembalo
\nPiibe Talen, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Carl Friedrich Abel<\/strong> (1723-1787)<\/p>\n

Concerto e-Moll f\u00fcr Voiceflute und zwei obligate Cembali (orig. f\u00fcr Traversfl\u00f6te, Streicher und Basso continuo)
\nAllegro – Adagio ma non troppo – Allegro<\/p>\n

Barbora \u0160pelinov\u00e1, Voiceflute
\nMaria Shabashova, Cembalo
\nPiibe Talen, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Johannes Schenck<\/strong> (1660-1712)<\/p>\n

aus „L\u2019Echo du Danube\u201c Amsterdam 1704:<\/p>\n

Sonata Nr. 5 op. 9 in g-Moll f\u00fcr Blockfl\u00f6te solo (orig. f\u00fcr Viola da Gamba solo)
\nAdagio<\/p>\n

Eunsol Lee, Blockfl\u00f6te<\/p>\n

 <\/p>\n

 <\/p>\n

Joseph Bodin de Boismortier<\/strong> (1669-1755)<\/p>\n

aus „6 Suites de pi\u00e8ces\u201c op. 35, Paris 1731:<\/p>\n

Premier Suite en sol mineur
\nPr\u00e9lude – Allemande. Mod\u00e9r\u00e9ment – Les Charites. Rondeau. Gracieusement – L\u2019Emerveill\u00e9e. Gaiment – Gavotte – Menuet<\/p>\n

Toma\u0161 Duchoslav, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Charles Dieupart<\/strong> (1676-1751)<\/p>\n

aus „6 Suittes de Clavessin Divis\u00e9es en Ouvertures, Allemandes, Courantes, Sarabandes, Gavottes, Menuets, Rondeaux & Gigues\u2026 compos\u00e9es et mises en concert\u2026 pour un Violon & Fl\u00fbte avec une Basse de Viole et un Archilut\u201c, London 1701:<\/p>\n

Troisi\u00e8me suitte en si mineur
\nOuverture – Allemande – Courante – Sarabande – Gavotte – Menuet – Gigue<\/p>\n

Chih-Chun Liu, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Georg Friedrich H\u00e4ndel<\/strong> (1665-1759)<\/p>\n

Sonate C-Dur f\u00fcr Blockfl\u00f6te und Basso continuo, HWV 365
\nLarghetto – Allegro – Larghetto<\/p>\n

Chun-Shih Lin, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Francesco Maria Veracini<\/strong> (1690-1768)<\/p>\n

aus „Sonate a violino o flauto solo e basso\u201c, Dresden 1716:<\/p>\n

Sonata quinta en do maggiore
\nLargo – Allegro – Largo – Allegro<\/p>\n

Britta K\u00e4hny, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Arcangelo Corelli<\/strong> (1653-1713)<\/p>\n

Sonata III en fa maggiore (orig. do maggiore) op. 5 per flauto e basso continuo
\nAdagio – Allegro – Adagio – Allegro – Allegro<\/p>\n

Chia-Yu Lin, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

 <\/p>\n

Francesco Mancini<\/strong> (1672-1737)<\/p>\n

aus \u201e12 Solos for a flute with a thorough bass for the harpsichord or bass violin\u201c, London 1724:<\/p>\n

Sonata quinta en re maggiore per flauto e basso continuo
\nAllegro – Largo – Allegro – Largo – Allegro<\/p>\n

Gell\u00e9rt Jass\u00f3, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n","protected":false},"excerpt":{"rendered":"

Es spielen Studierende der Klasse von Carsten Eckert und G\u00e4ste. Eintritt frei.   Giovanni Buonaventura Viviani (1638-1692) aus „Capricci armonici da Chiesa e da Camera \u00e0 Violino solo cio\u00e8 Sinfonie, […]<\/p>\n","protected":false},"author":19,"featured_media":614,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[509,265,171],"tribe_events_cat":[365,484,166,357],"class_list":["post-13244","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-alte-musik","tag-blockflote","tag-studienkonzert","tribe_events_cat-blockflote","tribe_events_cat-konzert","tribe_events_cat-offentlich","tribe_events_cat-studienkonzert","cat_blockflote","cat_konzert","cat_offentlich","cat_studienkonzert"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":5,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13244\/revisions"}],"predecessor-version":[{"id":14034,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13244\/revisions\/14034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/614"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=13244"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=13244"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=13244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}