Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste.<\/p>\n
Eintritt frei!<\/p>\n
<\/p>\n
Francisco Correa de Araujo<\/strong> (1584-1654)<\/p>\n Tiento de medio registro de tiple, de segundo tono Joseph Zaarour<\/p>\n <\/p>\n Girolamo Frescobaldi<\/strong> (1583-1643) <\/p>\n Louis Couperin<\/strong> (1626-1661)<\/p>\n Prelude r\u00e9 majeur Sarah-Maria Pilwax<\/p>\n <\/p>\n Johann Sebastian Bach<\/strong> (1685 – 1750)<\/p>\n Franz\u00f6sische Suite Nr. 4 Es-Dur, BWV 815 Reza Mojtabavi<\/p>\n <\/p>\n Louis-Nicolas Cl\u00e9rambault<\/strong> (1674-1749)<\/p>\n Allemande – Courante – Sarabande – Gigue Joseph Zaarour<\/p>\n <\/p>\n Charles Noblet<\/strong> (1715-1769)<\/p>\n Premi\u00e8re Suitte <\/p>\n J. S. Bach<\/strong> (1685-1750) Arthur Jeszenszky<\/p>\n <\/p>\n J.S. Bach<\/strong> (1685-1750) Alexander De Bie Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste. Eintritt frei! Francisco Correa de Araujo (1584-1654) Tiento de medio registro de tiple, de segundo tono aus: Facultad Organica, […]<\/p>\n","protected":false},"author":19,"featured_media":7123,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[509,269,485,171],"tribe_events_cat":[363,484,166,357],"class_list":["post-13253","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-alte-musik","tag-cembalo","tag-generalbass","tag-studienkonzert","tribe_events_cat-cembalo","tribe_events_cat-konzert","tribe_events_cat-offentlich","tribe_events_cat-studienkonzert","cat_cembalo","cat_konzert","cat_offentlich","cat_studienkonzert"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":6,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13253\/revisions"}],"predecessor-version":[{"id":14022,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/13253\/revisions\/14022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/7123"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=13253"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=13253"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=13253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\naus: Facultad Organica, Segovia, 1626<\/p>\n
\nCanzona quarta<\/p>\n
\nAllemande-Courante-Sarabande-Chaconne
\nAus: Bauyn Manuscript (1658)<\/p>\n
\nAllemande – Courante – Sarabande \u2013 Air<\/p>\n
\naus : Suite en c sol ut b\u00e9mol, Pi\u00e8ces de Clavecin, Paris, 1704<\/p>\n
\nAllemande – L’Indolente – La Bien-aim\u00e9e
\naus: Nouvelles Suites de Pi\u00e8ces de Clavecin et trois Sonates, avec accompagnement de Violon (1757\/1763)<\/p>\n
\nFuga a 3 [4] Sogetti (BWV 1080\/19, unvollendet)
\naus: Die Kunst der Fuge (1751)<\/p>\n
\nConcerto a due Cembali in C-Dur BWV 1061a
\nAllegro \u2013 Adagio o vero Largo<\/p>\n
\nFlorian Kaier<\/p>\n","protected":false},"excerpt":{"rendered":"