{"id":14054,"date":"2023-09-15T09:55:23","date_gmt":"2023-09-15T07:55:23","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=14054"},"modified":"2023-11-04T18:40:16","modified_gmt":"2023-11-04T17:40:16","slug":"symposium-antonio-caldara-from-venice-to-vienna-konzert-2","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/symposium-antonio-caldara-from-venice-to-vienna-konzert-2\/","title":{"rendered":"SYMPOSIUM | Antonio Caldara \u2013 from Venice to Vienna | Konzert"},"content":{"rendered":"

Caldara-Symposium: Studierendenkonzert \u2013 Arien mit obligaten Instrumenten<\/strong><\/p>\n

Beispiele aus Opern, Oratorien und Kantaten von Antonio Caldara (* 1670 in Venedig; \u2020 1736 in Wien)<\/p>\n

Nur wenige andere Komponisten des Barock haben so viel Vokalmusik f\u00fcr Solo-S\u00e4nger_innen in Kombination mit obligaten, solistischen Instrumenten komponiert wie Antonio Caldara. Das Instrumentarium ist dabei extrem vielf\u00e4ltig: Violine, Violoncello, Travers- und Blockfl\u00f6te, Chalumeau, Trompete, aber auch Mandoline oder Salterio (Hackbrett) solo werden von Caldara wirksam in Szene gesetzt.<\/p>\n

H\u00f6ren Sie heute Abend einige Beispiele dieser sch\u00f6nen Besetzungen in einem Konzert, das Bezug nimmt auf den Symposiumsvortrag von Dr. Dagmar Gl\u00fcxam, der Spezialistin f\u00fcr dieses Oeuvre von Antonio Caldara. (Vortrag am DO, 9.11. um 14:30 Uhr)<\/em><\/p>\n

 <\/p>\n

Studierende des Instituts f\u00fcr Alte Musik und anderer Institute der mdw<\/p>\n

 <\/p>\n

Eintritt frei!<\/p>\n

 <\/p>\n

\u00bb<\/b>Risvegliate metalli sonori\u00ab <\/b>aus <\/span>La Caduta di Gercio<\/span><\/i> (Wien 1719)<\/span><\/p>\n

Lucija Varsic, Gesang
\n<\/span>Raphael Pouget, Julian Ritsch, Trompete
\n<\/span>Rose Chaffey, Violoncello
\n<\/span>Dohyeon Lee, Cembalo<\/span><\/p>\n

 <\/p>\n

Aus der Kantate \u00bbClori, mia bella Clori\u00ab<\/b><\/p>\n

Claire Lane, Gesang
\n<\/span>Myroslava Sirenko, Traversfl\u00f6te
\n<\/span>Verena Grundner, Barockoboe
\n<\/span>Hannah Pichler, Violoncello
\n<\/span>Alexander Hinum, Cembalo<\/span><\/p>\n

 <\/p>\n

\u00bbZeffiretto amorosetto\u00ab <\/b>aus der Kantate <\/span>Vicino a un rivoletto<\/span><\/i><\/p>\n

Carina Kellner, Gesang
\n<\/span>Anna Perl, Violine
\n<\/span>Maria Danneberg, Viola da Gamba
\n<\/span>Dohyeon Lee, Cembalo<\/span><\/p>\n

 <\/p>\n

\u00bbPompe inutili\u00ab<\/b> aus <\/span>Maddalena ai piedi di Cristo<\/span><\/i> (Venedig um 1698)<\/span><\/p>\n

Lucija Varsic, Gesang
\n<\/span>Hannah Stoellger, Violoncello
\n<\/span>Piibe Talen, Cembalo\u00a0<\/span><\/p>\n

 <\/p>\n

\u00bbQuell’amor\u00ab<\/b>, Rezitativ und Aria aus aus dem Oratorio <\/span>Santa Ferma<\/span><\/i> (Wien 1717)<\/span><\/p>\n

Iisa Kauppinen, Gesang
\n<\/span>Martin Ortner, Altposaune
\n<\/span>Ondrej Pavlus, Tenorposaune
\n<\/span>Rose Chaffey, Violoncello
\n<\/span>Eug\u00e8ne Michelangeli, Cembalo<\/span><\/p>\n

 <\/p>\n

\u00bbSoffrir\u00f2 pene e tormenti\u00ab <\/b>aus dem Oratorio <\/span>Santa Ferma<\/span><\/i> (Wien 1717)<\/span><\/p>\n

Elina Viluma-Helling , Gesang
\n<\/span>Simon Pibal, Chalumeau
\n<\/span>Maria Danneberg, Viola da Gamba
\n<\/span>Dohyeon Lee, Cembalo<\/span><\/p>\n

 <\/p>\n

\u00bbNon v’e\u0300 pena ne l’amore\u00ab<\/b>, Kantate<\/span><\/p>\n

Anna Hurch, Gesang
\n<\/span>Michael Lind, Traverso
\n<\/span>Franziska Hoffmann, Chalumeau
\n<\/span>Matth\u00e4us Pescoller, Violoncello
\n<\/span>Aneta Dostalikov\u00e1, Cembalo<\/span><\/p>\n

 <\/p>\n

\u00bbFra l’armi fra carmi\u00ab <\/b>aus <\/span>Assalone<\/span><\/i> (<\/b>Wien 1720)<\/span><\/p>\n

Maximilian M\u00fcller, Gesang
\n<\/span>Raphael Pouget, Julian Ritsch, Trompete
\n<\/span>Rose Chaffey, Violoncello
\n<\/span>Dohyeon Lee, Cembalo<\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Caldara-Symposium: Studierendenkonzert \u2013 Arien mit obligaten Instrumenten Beispiele aus Opern, Oratorien und Kantaten von Antonio Caldara (* 1670 in Venedig; \u2020 1736 in Wien) Nur wenige andere Komponisten des Barock […]<\/p>\n","protected":false},"author":1,"featured_media":13996,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[540,166],"class_list":["post-14054","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-caldara2023","tribe_events_cat-offentlich","cat_caldara2023","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/14054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/14054\/revisions"}],"predecessor-version":[{"id":14370,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/14054\/revisions\/14370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/13996"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=14054"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=14054"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=14054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}