Es spielen und singen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste.<\/p>\n
Klassen Giulia Semenzato* & Michael Schade**<\/p>\n
Eintritt frei!<\/p>\n
<\/p>\n
<\/p>\n
W. A. Mozart (1756-1791)\u00a0<\/strong><\/p>\n Rezitativ und Konzertarie \u201eCh\u2018io mi scordi di te? \u2026 Non temer, amato bene\u201c, KV 490 (1786)<\/p>\n Text: G. Varesco<\/p>\n (Einlagearie f\u00fcr die Oper Idomeneo<\/em>, KV 366)<\/p>\n <\/p>\n Megumi Sakai, Sopran**<\/p>\n Dominik Fischer, Violino obbligato<\/p>\n Reinhard F\u00fchrer, Hammerklavier<\/p>\n \u00a0<\/strong><\/p>\n ****<\/strong><\/p>\n <\/p>\n J. Haydn (1732-1809)<\/strong><\/p>\n Arie \u201eIl meglio mio carattere\u201c, Hob. XXIVb:17 (1790)<\/p>\n (Arie f\u00fcr die Oper L\u2019impresario in angustie<\/em> v. D. Cimarosa, Neapel 1786)<\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n \u201eEine kleine deutsche Kantate: Die ihr des unerme\u00dflichen Weltalls Sch\u00f6pfer ehrt\u201c, KV 619 (1791)<\/p>\n Text: F. H. Ziegenhagen<\/p>\n <\/p>\n Anna-Maria Fischer, Mezzosopran**<\/p>\n Reinhard F\u00fchrer, Hammerklavier<\/p>\n \u00a0<\/strong><\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Arie \u201ePer piet\u00e0, non ricercate\u201c, KV 420 (1783)<\/p>\n (Einlagearie f\u00fcr die Oper Il curioso indiscreto<\/em> v. P. Anfossi, Rom 1777)<\/p>\n <\/p>\n Martin Lechleitner, Tenor**<\/p>\n Reinhard F\u00fchrer, Hammerklavier<\/p>\n \u00a0<\/strong><\/p>\n ****<\/strong><\/p>\n \u00a0<\/strong><\/p>\n W. A. Mozart<\/strong><\/p>\n Arie der Aminta \u201eL’amer\u00f2, sar\u00f2 costante\u201c aus der Serenata Il re pastore<\/em>, KV 208 (1775)<\/p>\n Text: P. Metastasio<\/p>\n <\/p>\n Elina Viluma-Helling, Sopran*<\/p>\n Tzu-Yu Yang, Hammerklavier<\/p>\n \u00a0<\/strong><\/p>\n ****<\/strong><\/p>\n <\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Arie des Figaro \u201eNon pi\u00f9 andrai, farfallone amoroso\u201c aus der Oper Le nozze di Figaro<\/em>, KV 492 (1786)<\/p>\n Text: L. da Ponte<\/p>\n <\/p>\n Maximilian Schnabel, Bariton*<\/p>\n Tzu-Yu Yang, Hammerklavier<\/p>\n <\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Arie des Blondchen \u201eDurch Z\u00e4rtlichkeit und Schmeicheln\u201c aus dem Singspiel Die Entf\u00fchrung aus dem Serail<\/em>, KV 384 (1782)<\/p>\n Text: J. G. Stephanie<\/p>\n <\/p>\n Arie \u201eEt incarnatus est\u201c aus der Messe in c-Moll<\/em>, KV 427 (1782)<\/p>\n <\/p>\n Lea Bodner, Sopran**<\/p>\n Reinhard F\u00fchrer, Hammerklavier<\/p>\n <\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Arie des Farnace \u201eVenga pur, minacci e frema\u201c aus der Oper Mitridate, re di Ponto<\/em>, KV 87 (1770)<\/p>\n Text: V. A. Cigna-Santi<\/p>\n <\/p>\n Emma Urriani, Mezzosopran*<\/p>\n Tzu-Yu Yang, Hammerklavier<\/p>\n <\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Konzertarie des Guglielmo \u201eRivolgete a lui lo sguardo\u201c, KV 584 (1789) (urspr\u00fcnglich f\u00fcr die Oper Cos\u00ec fan tutte<\/em>, KV 588, konzipiert)<\/p>\n Text: L. da Ponte<\/p>\n <\/p>\n Maximilian Schnabel, Bariton*<\/p>\n Tzu-Yu Yang, Hammerklavier<\/p>\n <\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Arie des Sesto \u201eParto, parto\u201c aus der Oper La clemenza di Tito<\/em>, KV 621 (1791)<\/p>\n Text: C. Mazzol\u00e0<\/p>\n <\/p>\n Anita Monserrat, Mezzosopran**<\/p>\n Reinhard F\u00fchrer, Hammerklavier<\/p>\n \u00a0<\/strong><\/p>\n ****<\/strong><\/p>\n <\/p>\n W. A. Mozart<\/strong><\/p>\n Rezitativ und Konzertarie \u201eCh\u2018io mi scordi di te? \u2026 Non temer, amato bene\u201c, KV 505 (1786)<\/p>\n Text: G. Varesco<\/p>\n (andere Version der Einlagearie f\u00fcr die Oper Idomeneo<\/em>, KV 366; laut Mozarts Werkkatalog \u201ef\u00fcr Mlle [Nancy] Storace und mich geschrieben\u201c)<\/p>\n <\/p>\n Therese Troyer, Mezzosopran**<\/p>\n Tzu-Yu Yang, Pianoforte obbligato<\/p>\n <\/p>\n ***********<\/p>\n","protected":false},"excerpt":{"rendered":" Es spielen und singen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste. Klassen Giulia Semenzato* & Michael Schade** Eintritt frei! W. A. 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