{"id":15023,"date":"2024-03-18T20:22:05","date_gmt":"2024-03-18T19:22:05","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=15023"},"modified":"2024-04-26T15:49:23","modified_gmt":"2024-04-26T13:49:23","slug":"maimusik-14-makrokosmos-im-mikrokosmos","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-14-makrokosmos-im-mikrokosmos\/","title":{"rendered":"MAIMUSIK | 14 \u2013 Makrokosmos im Mikrokosmos"},"content":{"rendered":"<p><strong>14 \u2013 Makrokosmos im Mikrokosmos<\/strong><\/p>\n<p>Arrangements, Fragmente f\u00fcr diverse Blockfl\u00f6ten<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Im Zentrum stehen die 14 Kanons von J. S. Bach. Diese werden kombiniert mit den \u00bbGesti\u00ab von L. Berio (1966), den 14 Fragmenten von M. Shinohara (1968) und 14 Arrangements von K. Serocki (1975\/76). Dazu kommen \u00bbneue\u00ab Solopartiten aus Werken Bachs, Bearbeitungen von Werken f\u00fcr Tasteninstrumente f\u00fcr Blockfl\u00f6te solo, die damit die Entstehungsgeschichte der einzigen \u00bboriginalen\u00ab Bach-Solopartita f\u00fcr Fl\u00f6te aufnehmen. Studierende werden kurz zu Anfang in das Programm einf\u00fchren.<\/p>\n<p>&nbsp;<\/p>\n<p>Das MaiMusik-Konzert ist auch Teil der mdw-Reihe <strong><em>KlangBildKlang<\/em><\/strong>:<\/p>\n<p>Von der Notation zum Klang \u2013 Jede musikalische Notation ist eine grafische, visuelle Fixierung von \u00bbKlang\u00ab, den ein Komponist im Ohr hat und quasi als \u00bbBild\u00ab zu Papier bringt. Die Musizierenden sind in einem zweiten Prozess herausfordert, es in wieder \u00bbKlang\u00ab zu \u00fcbersetzen. \u2013 Ein Komplexer Vorgang, der im Konzert visuell und klanglich erfahren werden kann. Einige Beispiel von Partituren sind visuell sichtbar und f\u00fchren uns diesen Interpretations-Prozess im wahrsten Sinne vor Augen.<br \/>\n<a href=\"https:\/\/klangbildklang.at\">https:\/\/klangbildklang.at<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programm:<\/strong><\/p>\n<p>Musik von Johann Sebastian Bach (1685-1750), Luciano Berio (1925-2003), Makoto Shinohara (* 1931) und Kazimierz Serocki (1922-1981).<\/p>\n<p>&nbsp;<\/p>\n<p>RECORDER UNLIMITED AT MDW<br \/>\nPeter Chorkov, Tom\u00e1\u0161 Duchoslav, Carsten Eckert, Gell\u00e9rt Jass\u00f3, Britta K\u00e4hny, Chiayu Lin, Chun-Shih Lin, Chih-Chun Liu, Barbora \u0160pelinov\u00e1, Lorina Vallaster \u2013 Blockfl\u00f6ten<\/p>\n<p>Nika Bauman, Olga Rybakova, Anna Buchegger, Ada G\u00fcnther, Camilo Latorre Contreras \u2013 Szene<\/p>\n<p>Eine Zusammenarbeit des<strong> Instituts f\u00fcr Alte Musik<\/strong> (Konzertfachklasse Blockfl\u00f6te Carsten Eckert) und des <strong>Artistic Research Center<\/strong> (Contemporary Arts Practice, LV &#8222;Body &amp; Movement in Music Practice\u201c, geleitet von Adri\u00e1n Artacho und Elisabeth Orlowsky)<\/p>\n<p><strong>Eintritt frei<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>14 \u2013 Makrokosmos im Mikrokosmos Arrangements, Fragmente f\u00fcr diverse Blockfl\u00f6ten \u00a0 Im Zentrum stehen die 14 Kanons von J. S. Bach. Diese werden kombiniert mit den \u00bbGesti\u00ab von L. Berio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15024,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[462,576,166],"class_list":["post-15023","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-maimusik","tribe_events_cat-maimusik-2024","tribe_events_cat-offentlich","cat_maimusik","cat_maimusik-2024","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":6,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15023\/revisions"}],"predecessor-version":[{"id":15264,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15023\/revisions\/15264"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/15024"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=15023"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=15023"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=15023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}