Maria Callas gab zwischen 1971 und 1972 Meisterkurse an der Juilliard School of Music in New York, die aufgezeichnet und transkribiert wurden (Callas at Juilliard: The Master Classes, hrsg. von John Ardoin, London, Robson Books, 1988). In ihnen tauchen oft Konzepte der Auff\u00fchrungspraxis auf, die sie von den gro\u00dfen Dirigenten ihrer Zeit gelernt hat, also durch die so genannte \u201em\u00fcndliche \u00dcberlieferung\u201c. In meinem Vortrag werde ich daher die Kongruenzen und Distanzen zwischen diesen Konzepten und denen der historischen Gesangstraktate (Tosi, Mancini, Hiller, Garcia, etc.) aufzeigen, die teilweise bereits 2004 in Robert E. Seletskys Studie The Performance Practice of Maria Callas: Interpretation and Instinct untersucht wurden.<\/p>\n","protected":false},"excerpt":{"rendered":"
Maria Callas: die Spuren der historischen Auff\u00fchrungspraxis in ihren Meisterkursen Marco MICHELETTI Maria Callas gab zwischen 1971 und 1972 Meisterkurse an der Juilliard School of Music in New York, die […]<\/p>\n","protected":false},"author":1,"featured_media":15920,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[574,691,166,468],"class_list":["post-15917","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-conversazioni","tribe_events_cat-conversazioni_ws_24","tribe_events_cat-offentlich","tribe_events_cat-vortragsreihe","cat_conversazioni","cat_conversazioni_ws_24","cat_offentlich","cat_vortragsreihe"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15917\/revisions"}],"predecessor-version":[{"id":16106,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15917\/revisions\/16106"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/15920"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=15917"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=15917"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=15917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}