Die Sinfonien Anton Bruckners werden heute meist auf modernem Instrumentarium musiziert, dessen Klang jedoch keineswegs den Intentionen ihres Sch\u00f6pfers entspricht. Im Rahmen des von Mag. Jan David Schmitz geplanten, programmierten und besetzten Internationalen Brucknerfestes Linz 2024 kamen nun zum weltweit ersten Mal alle elf Sinfonien des Komponisten im Originalklang zur Auff\u00fchrung, und zwar stets in ihrer Erstfassung, also in der Gestalt, die Bruckner dem jeweiligen Werk, noch unbeeindruckt von den Reaktionen seiner Mitwelt, urspr\u00fcnglich zu geben beabsichtigte. Das Ergebnis dieser Entdeckungsreise in elf Konzerten war ein farbenreicher und differenzierter, zudem, beg\u00fcnstigt durch die Wiener Sitzordnung, ausgesprochen r\u00e4umlicher Gesamtklang, welcher der Musik einen ganz ungewohnten Charakter verlieh, n\u00e4mlich jenen, den Bruckner bei der Arbeit an seinen Sinfonien vor Ohren hatte.<\/p>\n","protected":false},"excerpt":{"rendered":"
Bruckners Sinfonien im Originalklang \u2013 ein Erfahrungsbericht Jan David SCHMITZ Die Sinfonien Anton Bruckners werden heute meist auf modernem Instrumentarium musiziert, dessen Klang jedoch keineswegs den Intentionen ihres Sch\u00f6pfers entspricht. […]<\/p>\n","protected":false},"author":1,"featured_media":15925,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[574,691,468],"class_list":["post-15923","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-conversazioni","tribe_events_cat-conversazioni_ws_24","tribe_events_cat-vortragsreihe","cat_conversazioni","cat_conversazioni_ws_24","cat_vortragsreihe"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":2,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15923\/revisions"}],"predecessor-version":[{"id":16108,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/15923\/revisions\/16108"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/15925"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=15923"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=15923"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=15923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}