{"id":15948,"date":"2024-09-24T14:55:23","date_gmt":"2024-09-24T12:55:23","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=15948"},"modified":"2024-12-15T13:06:03","modified_gmt":"2024-12-15T12:06:03","slug":"symposium-workshop-1-the-classsical-era","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/symposium-workshop-1-the-classsical-era\/","title":{"rendered":"SYMPOSIUM | &#8218;Beautiful&#8216; Singing in Vienna | Symposium + Workshop Day 1: Classical and Romantic Eras"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td width=\"83\"><strong>Time<\/strong><\/td>\n<td width=\"132\"><strong>Presenter<\/strong><\/td>\n<td width=\"474\"><strong>Presentation<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">9:30\u201310:15<\/td>\n<td width=\"132\">Jocelyn Ho and Anna Fraser<\/td>\n<td width=\"474\"><em>Embodying Moreschi\u2019s \u2018contemplaif\u2019: A Kinaesthetic, Performer-analyst Collaborative Approach to Early Recording Analysis<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">10:15\u201311:00<\/td>\n<td width=\"132\">Premanjali Kirchner<\/td>\n<td width=\"474\">\u201c<em>Voi che sapete\u201d: Adelina Patti\u2019s Recording in the Context of Mozart\u2019s use of Schemata in Cherubino\u2019s Aria<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">11:00\u201311:30<\/td>\n<td width=\"132\">&nbsp;<\/td>\n<td width=\"474\"><strong>Morning Refreshment<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">11:30\u201312:15<\/td>\n<td width=\"132\">Marco Micheletti<\/td>\n<td width=\"474\"><em>Prosodic Anomalies in Italian Recitatives: Mistakes or Conventions?<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">12:15\u201313:45<\/td>\n<td width=\"132\">&nbsp;<\/td>\n<td width=\"474\"><strong>Lunch<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">13:45\u201314:30<\/td>\n<td width=\"132\">Alexander Papandrea<\/td>\n<td width=\"474\"><em>The Humming Exercise: Introducing Bel Canto Timbral Aesthetics Through Simplicity<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">14:30\u201315:15<\/td>\n<td width=\"132\">Anna Fraser, Claire Burrell-McDonald, Neal Peres Da Costa, Clive Brown<\/td>\n<td width=\"474\"><em>Johann Anton Andr\u00e9&#8217;s Lieder und Ges\u00e4nge: A Didactic Source for Singers and Accompanists<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">15:15\u201315:45<\/td>\n<td width=\"132\">&nbsp;<\/td>\n<td width=\"474\"><strong>Afternoon Refreshment<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">15:45\u201317:15<\/td>\n<td width=\"132\">Chair: Ingo M\u00fcller<\/p>\n<p>&nbsp;<\/p>\n<p>Anna Fraser, Claire Burrell-McDonald, Neal Peres Da Costa<\/td>\n<td width=\"474\">Workshop Session: <em>Selected settings of Heinrich Heine\u2019s Heimkehr cycle by Johann Vesque von P\u00fcttlingen (1851)<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">17:15<\/td>\n<td width=\"132\">&nbsp;<\/td>\n<td width=\"474\"><strong>Break<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"83\">19:00<\/td>\n<td width=\"132\">All Symposium participants are welcome to attend<\/td>\n<td width=\"474\">MDW Klassenabend f\u00fcr Gesang (Semenzato\/Schade) in the Festsaal\u00a0MDW<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Time Presenter Presentation 9:30\u201310:15 Jocelyn Ho and Anna Fraser Embodying Moreschi\u2019s \u2018contemplaif\u2019: A Kinaesthetic, Performer-analyst Collaborative Approach to Early Recording Analysis 10:15\u201311:00 Premanjali Kirchner \u201cVoi che sapete\u201d: Adelina Patti\u2019s Recording 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