{"id":16501,"date":"2025-02-20T10:18:39","date_gmt":"2025-02-20T09:18:39","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=16501"},"modified":"2025-03-28T15:15:24","modified_gmt":"2025-03-28T14:15:24","slug":"baroque-on-stage-studienkonzert-alte-musik-49","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/baroque-on-stage-studienkonzert-alte-musik-49\/","title":{"rendered":"Baroque on stage! | Studienkonzert Alte Musik"},"content":{"rendered":"<p>Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste.<\/p>\n<p>Eintritt frei.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Dario Castello<\/b><span style=\"font-weight: 400;\"> (1602\u20131631)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sonata Quarta \u00e0 due Soprani (Sonate concertate in stil moderno, libro secondo, 1629)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">J\u00e1n Kru\u017eliak &amp; Ferdinand Slez\u00e1k, Barockvioline<br \/>\n<\/span><span style=\"font-weight: 400;\">Marco Vitale, Cembalo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Girolamo Frescobaldi<\/b><span style=\"font-weight: 400;\"> (1583\u20131643)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Toccata Prima aus <\/span><i><span style=\"font-weight: 400;\">Toccate e partite d&#8217;intavolatura, Libro 1<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Chun-Shih Lin, Cembalo\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Giovanni Bassano<\/b><span style=\"font-weight: 400;\"> (1551\/52\u20131617)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aus : <\/span><i><span style=\"font-weight: 400;\">Madrigali et Canzoni francesi<\/span><\/i><span style=\"font-weight: 400;\"> (Venedig 1591)<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">La bella, netta, ignuda e bianca Mano<br \/>\n<\/span><\/i><i><span style=\"font-weight: 400;\">Tota pulchra es amica mea\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Philipp Stastny, Zink<br \/>\n<\/span><span style=\"font-weight: 400;\">Martin Ortner, Barockposaune<br \/>\n<\/span><span style=\"font-weight: 400;\">Iason Marmaras, Cembalo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Girolamo Frescobaldi<\/b><span style=\"font-weight: 400;\"> (1583-1643)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Toccata Seconda aus <\/span><i><span style=\"font-weight: 400;\">Toccate e partite d&#8217;intavolatura, Libro 1.\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Chun-Shih Lin, Cembalo <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Jean Baptiste Senaill\u00e9<\/b><span style=\"font-weight: 400;\"> (1687\u20131730)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sonata in g-moll, op.1 No. 6 f\u00fcr Violine (arrangiert f\u00fcr Fl\u00f6te)<br \/>\n<\/span><em>Preludio. Largo &#8211; Allemand. Allegro &#8211;<span style=\"font-weight: 400;\"> Adagio &#8211; G<\/span>avotta. Allegro<\/em><\/p>\n<p><span style=\"font-weight: 400;\">Daniel Wolf, Traversfl\u00f6te<br \/>\n<\/span><span style=\"font-weight: 400;\">Piibe Talen, Cembalo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Johann Sebastian Bach<\/b><span style=\"font-weight: 400;\"> (1685\u20131750)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">BWV 831<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Eine Ouvert\u00fcre nach Franz\u00f6sischer Art <\/span><span style=\"font-weight: 400;\">aus dem zweiten Teil der Clavier \u00dcbung<\/span><\/p>\n<p><em><span style=\"font-weight: 400;\">Ouverture &#8211; <\/span><span style=\"font-weight: 400;\">Courante &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Gavotte l,ll &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Passpied l,ll &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Sarabande &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Bourr\u00e9e l,ll &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Gigue &#8211;\u00a0<\/span><span style=\"font-weight: 400;\">Echo<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400;\">Dohyeon Lee, Cembalo<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste. 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