{"id":16504,"date":"2025-02-20T16:35:30","date_gmt":"2025-02-20T15:35:30","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=16504"},"modified":"2025-03-28T15:22:34","modified_gmt":"2025-03-28T14:22:34","slug":"baroque-on-stage-studienkonzert-alte-musik-51","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/baroque-on-stage-studienkonzert-alte-musik-51\/","title":{"rendered":"Baroque on stage! | Studienkonzert Alte Musik"},"content":{"rendered":"<p>Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste.<\/p>\n<p>Eintritt frei.<\/p>\n<p>&nbsp;<\/p>\n<p><b>Nach Gaspar Sanz<\/b><span style=\"font-weight: 400;\"> (1640\u20131710)<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Folia <\/span><\/i><span style=\"font-weight: 400;\">mit eigenen Variationen<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Seongjun Kim, Viola da Gamba<br \/>\n<\/span><span style=\"font-weight: 400;\">Eunseok Lee, Barockgitarre<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Antonio Lucio Vivaldi<\/b><span style=\"font-weight: 400;\"> (1678 &#8211; 1741)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sonata per violoncello e Basso continuo in G Minor, RV 42<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nikita Ruzhavinskii, Barockcello<br \/>\n<\/span><span style=\"font-weight: 400;\">Daria Savvateeva, Cembalo\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Giovanni Batista degli Antonii <\/b><span style=\"font-weight: 400;\">(1636-1698)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ricercata Seconda op. 1 (1687)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nikita Ruzhavinskii, Barockcello<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Francesco Geminiani<\/b><span style=\"font-weight: 400;\"> (1687-1762)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cello Sonata no.5, Op.5: <\/span><i><span style=\"font-weight: 400;\">Adagio &#8211; Allegro Moderato &#8211; Adagio &#8211; Allegro<\/span><\/i><span style=\"font-weight: 400;\"> (dauer 10 Minuten)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><b>Johann Sebastian Bach<\/b><span style=\"font-weight: 400;\"> (1685-1750)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aus 3. Cello Suite C-dur BWV 1009: <\/span><i><span style=\"font-weight: 400;\">Prelude <\/span><\/i><span style=\"font-weight: 400;\">(ca. 3,5&#8242;)<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Jadwiga Roguska, Barockcello<br \/>\n<\/span><span style=\"font-weight: 400;\">Rose Chaffey, Barockcello Continuo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Johann Sebastian Bach<\/b><span style=\"font-weight: 400;\"> (1685-1750)\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aus der Suite in c-moll, BWV 1010: <\/span><i><span style=\"font-weight: 400;\">Prelude<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Hannah Eberle, Barockcello<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Martin Berteau<\/b><span style=\"font-weight: 400;\"> (1708-1771)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">aus den <\/span><i><span style=\"font-weight: 400;\">Sonate da camera a Violoncello Solo col Basso continuo<\/span><\/i><span style=\"font-weight: 400;\"> (1748), Opera prima: <\/span><span style=\"font-weight: 400;\">Nr. 3 in G- Dur<br \/>\n<\/span><i><span style=\"font-weight: 400;\">Allegro &#8211; Rondo amoroso<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Lisa Braun, Barockcello<br \/>\n<\/span><span style=\"font-weight: 400;\">Rose Chaffey, Barockcello Continuo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Jean-Louis Duport<\/b><span style=\"font-weight: 400;\"> (1749-1819)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aus: <\/span><i><span style=\"font-weight: 400;\">Essai sur le doigt\u00e9 du violoncelle, et sur la conduite de l&#8217;archet<\/span><\/i><span style=\"font-weight: 400;\"><br \/>\n<\/span><i><span style=\"font-weight: 400;\">Premier Exercice &#8211; Andante<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Rose Chaffey, Barockcello<br \/>\n<\/span><span style=\"font-weight: 400;\">Jadwiga Roguska, Barockcello Continuo<br \/>\n<\/span><span style=\"font-weight: 400;\">Marco Vitale, Cembalo<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><b>Antonio Caldara<\/b><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aus <\/span><i><span style=\"font-weight: 400;\">44 Lezioni per Violoncello con il suo Basso<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nr. 2 und 3\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rose Chaffey, Barockcello<br \/>\n<\/span><span style=\"font-weight: 400;\">Jadwiga Roguska, Barockcello Continuo<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Es spielen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste. 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