{"id":16535,"date":"2025-02-20T17:12:07","date_gmt":"2025-02-20T16:12:07","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=16535"},"modified":"2025-05-19T09:30:47","modified_gmt":"2025-05-19T07:30:47","slug":"studienkonzert-blockfloete-7","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/studienkonzert-blockfloete-7\/","title":{"rendered":"STUDIENKONZERT | Blockfl\u00f6te"},"content":{"rendered":"

\u00a0\u201eD\u2019un Goust Nouveau\u201c<\/strong><\/p>\n

Konzert der Blockfl\u00f6tenklasse von Carsten Eckert<\/p>\n

 <\/p>\n

Domenico Scarlatti <\/strong>(1685-1757)
\n<\/strong>arranged from Harpsichord sonatas by<\/p>\n

Charles Avison <\/strong>(1709-1770)<\/p>\n

Concerto Nr. 5, op. 6 en re minore (transkribiert f\u00fcr 4 Blockfl\u00f6ten von C. Eckert)
\n_Largo
\n_Allegro
\n_Andante moderato
\n_Allegro<\/p>\n

Tom\u00e1\u0161 Duchoslav, Blockfl\u00f6te
\n<\/strong>Chia-Yu Lin, Blockfl\u00f6te
\n<\/strong>Barbora \u0160pelinov\u00e1, Blockfl\u00f6te
\n<\/strong>Eunsol Lee, Blockfl\u00f6te<\/strong><\/p>\n

 <\/p>\n

Marco Uccellini<\/strong> (ca. 1603-1680)
\naus \u201eSonate, arie et correnti a 2. e. 3. Per sonare con diversi instromenti\u201c, Venezia 1642:
\nSonata Sesta detta \u201cLa Marcella\u201d
\nCorrente Terza detta \u201cL\u2019incostante\u201d<\/p>\n

Chia-Yu Lin – Blockfl\u00f6te
\n<\/strong>Jiaqi Xu, Barockvioline
\n<\/strong>Maria Shabashova, Cembalo<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Giovanni Bassano<\/strong> (1558-1617)
\naus \u201eRicercate Passaggi et Cadentie, Per potersi essercitar nel diminuir terminatamente con ogni sorte d\u2019Instrumento\u201c Venezia, 1585:
\nRicercata seconda<\/p>\n

Tom\u00e1\u0161 Duchoslav, Blockfl\u00f6te<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Johann Andreas Oswald<\/strong> (1634-1665)
\naus \u201ePartiturbuch Ludwig\u201c:
\nSonata \u00e0 Violino solo in D<\/p>\n

Tom\u00e1\u0161 Duchoslav, Blockfl\u00f6te
\n<\/strong>Maria Shabashova, Cembalo<\/strong><\/p>\n

 <\/p>\n

Giovanni Battista Bassani<\/strong> (ca. 1650-1716)
\naus \u201eSinfonie a due, tr\u00e8 Strumenti, col Basso Continuo per l\u2019Organo\u201c, Bologna, 1688:
\nSuonata quarta \u00e0 tre<\/p>\n

Toma\u0161 Duchoslav, Blockfl\u00f6te
\n<\/strong>Barbora \u0160pelinov\u00e1, Blockfl\u00f6ten
\n<\/strong>Maria Shabashova, Cembalo<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Calliope Tsoupaki <\/strong>(*1963)
\nCharavgi (1994)
\nfor Renaissance-Recorder<\/p>\n

Gell\u00e9rt Jass\u00f3, Ganassi-Blockfl\u00f6te<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong>Gottfried Augustus Homilius <\/strong>(1714-1785)
\naus \u201ePraeludia zu geistlichen Liedern vor zwei Claviere u. Pedal\u201c, Dresden, ca. 1761
\nChoralvariation \u00fcber \u201eWie soll ich Dich empfangen\u201c,\u00a0 in einer Bearbeitung f\u00fcr Blockfl\u00f6te solo, HoMV VIII.33<\/p>\n

Barbora \u0160pelinov\u00e1, Blockfl\u00f6te
\n<\/strong>Johann Heinrich Buttstett <\/strong>(1666-1727)<\/p>\n

aus \u201eMusicalische Kunst- und Voraths Kammer\u201c Erfurt, 1713:
\nPr\u00e6ludium c-Moll in einer Bearbeitung f\u00fcr Blockfl\u00f6te solo<\/p>\n

Chia-Yu Lin, Blockfl\u00f6te<\/strong><\/p>\n

 <\/p>\n

Nicola Porpora<\/strong> (1686-1768)
\naus \u201e6 Simphonies en trio. D\u2019un Goust Nouveau. Pour les Violons, Flutes et Haubois (& b.c.)\u201c, Paris, ca. 1737:
\nSimphonia \u00e0 tre sol maggiore, op. 2, Nr. 5
\n_Affetuoso
\n_Allegro
\n_Adagio
\n_Giga. Allegro<\/p>\n

Tom\u00e1\u0161 Duchoslav, Blockfl\u00f6te
\n<\/strong>Jiaqi Xu, Barockvioline
\n<\/strong>Maria Shabashova, Cembalo<\/strong><\/p>\n

 <\/p>\n

Domenico Scarlatti <\/strong>(1685-1757)
\n<\/strong>arranged from Harpsichord sonatas by<\/p>\n

Charles Avison <\/strong>(1709-1770)
\nConcerto Nr. 6, op. 6 en sol maggiore (transkribiert f\u00fcr 2 Blockfl\u00f6ten und B. c. von C. Eckert)
\n_Largo
\n_Con Furia
\n_Adagio
\n_Vivacimente<\/p>\n

Barbora \u0160pelinov\u00e1, Blockfl\u00f6te
\n<\/strong>Peter Chorkov, Blockfl\u00f6te
\n<\/strong>Maria Shabashova, Cembalo<\/strong><\/p>\n

Eintritt frei.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0\u201eD\u2019un Goust Nouveau\u201c Konzert der Blockfl\u00f6tenklasse von Carsten Eckert   Domenico Scarlatti (1685-1757) arranged from Harpsichord sonatas by Charles Avison (1709-1770) Concerto Nr. 5, op. 6 en re minore (transkribiert […]<\/p>\n","protected":false},"author":19,"featured_media":1007,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[509,660,265],"tribe_events_cat":[365,484],"class_list":["post-16535","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-alte-musik","tag-barockmusik","tag-blockflote","tribe_events_cat-blockflote","tribe_events_cat-konzert","cat_blockflote","cat_konzert"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":2,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16535\/revisions"}],"predecessor-version":[{"id":16804,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16535\/revisions\/16804"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/1007"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=16535"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=16535"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=16535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}