{"id":16669,"date":"2025-04-09T09:51:31","date_gmt":"2025-04-09T07:51:31","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=16669"},"modified":"2025-05-16T12:05:54","modified_gmt":"2025-05-16T10:05:54","slug":"maimusik-pulchra-es-amica-mea","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-pulchra-es-amica-mea\/","title":{"rendered":"MAIMUSIK | Pulchra es amica mea"},"content":{"rendered":"

Er\u00f6ffnungskonzert<\/h2>\n

In der ehemaligen Karmeliterkirche \u2013 einem barocken Juwel im zweiten Bezirk \u2013 wird das Festival feierlich mit einem Konzert er\u00f6ffnet, das sich ganz dem italienischen Komponisten, Kapellmeister und Kirchenmusiker Giovanni Pierluigi da Palestrina widmet, der in diesem Jahr seinen 500. Geburtstag feiert.<\/p>\n

 <\/p>\n

Programm:<\/strong><\/p>\n

Sarah-Maria Pilwax<\/div>\n
Intonatione del Primo Tono<\/strong> (Improvisation nach Giovanni Gabrieli)<\/div>\n
<\/div>\n
Francesco Rognoni Taegio (* nach 1570 in Mailand; \u2020 nach 1626 ebenda)<\/div>\n
aus Selva di varii passaggi secondo l\u2019uso moderno<\/em> (1620)<\/div>\n
Vestiva i colli: passeggiato<\/strong> (Blockfl\u00f6te)<\/div>\n
<\/div>\n
Giannetto [Giovanni Pierluigi da] Palestrina (* 1525 in Palestrina; \u2020 1594 in Rom)<\/div>\n
aus Il Desiderio: Secondo Libro de Madrigali \u00e0 5 Voci, de diversi Auttori<\/em> (1566)<\/div>\n
Vestiva i colli \u00e0 5<\/strong> (1. Teil)<\/div>\n
<\/div>\n
Giovanni Antonio Terzi (*1580 in Bergamo; \u2020 nach 1620)<\/div>\n
aus Intavolatura di Liutto, Libro primo<\/em> (1593)<\/div>\n
Contraponto sopra Cos\u00ec le chiome mie<\/strong> (Lauten)<\/div>\n
<\/div>\n
Giannetto [Giovanni Pierluigi da] Palestrina<\/div>\n
aus Il Desiderio: Secondo Libro de Madrigali \u00e0 5 Voci, de diversi Auttori<\/em> (1566)<\/div>\n
Cos\u00ec le chiome mie<\/strong> (2. Teil von Vestiva i colli)<\/div>\n
<\/div>\n
Giovanni Gabrieli (*1554\/1557 in Venedig; \u2020 1612 ebenda)<\/div>\n
aus Intonationi d\u2019organo<\/em> (1543)<\/div>\n
Intontatione del Terzo, e del Quarto Tono<\/strong><\/div>\n
<\/div>\n
Giannetto [Giovanni Pierluigi da] da Palestrina<\/div>\n
aus Il Terzo Libro delle Muse \u00e0 5. Voci<\/em> (1561)<\/div>\n
Io son ferito \u00e0 5\u00a0<\/strong><\/div>\n
<\/div>\n
Francesco Rognoni Taegio<\/div>\n
aus Selva di varii passaggi secondo l\u2019uso moderno (1620)<\/em><\/div>\n
Io son ferito: Modo di passeggiar con arte e maestria<\/strong> (Violine)<\/div>\n
<\/div>\n
***<\/div>\n
<\/div>\n
Iason Marmaras<\/div>\n
Intonatione del Terzo, e Quarto Tono<\/strong> (Improvisation nach Giovanni Gabrieli)<\/div>\n
<\/div>\n
Joannes Petraloysius Pr\u00e6nestrinus [Giovanni Pierluigi da Palestrina]<\/div>\n
aus Mottetorum 5. Vocibus Liber Quartus<\/em><\/div>\n
Pulchra es, anima mea a 5<\/strong><\/div>\n
<\/div>\n
Francesco Rognoni TaeGgio<\/div>\n
aus Regole, passaggi di musica<\/em> (1594)<\/div>\n
Pulchra es, anima mea diminutum<\/strong> (Violoncello)<\/div>\n
<\/div>\n
Giovanni Gabrieli<\/div>\n
aus Intonationi d\u2019Organo<\/em> (1594)<\/div>\n
Intonatione del Primo Tono<\/strong><\/div>\n
<\/div>\n
Joannes Petraloysius Pr\u00e6nestrinus [Giovanni Pierluigi da Palestrina]<\/div>\n
aus Mottetorum 5. Vocibus, Liber Quartus<\/em><\/div>\n
Tota pulchra es \u00e0 5<\/strong><\/div>\n
<\/div>\n
Giovanni Bassano (* 1558; \u2020 1617 in Venedig)<\/div>\n
aus Mottetti, madrigali et canzone francese<\/em> (1591)<\/div>\n
Tota pulchra es diminutum<\/strong> (Posaune)<\/div>\n
<\/div>\n
Andrea Gabrieli<\/div>\n
aus Intonationi d\u2019Organo<\/em> (1543<\/div>\n
Intonatione del Primo Tono<\/strong><\/div>\n
<\/div>\n
Joannes Petraloysius Pr\u00e6nestrinus [Giovanni Pierluigi da Palestrina]<\/div>\n
aus MS. Cappella Sistina 29<\/em><\/div>\n
Magnificat Primi Toni \u00e0 8<\/strong><\/div>\n

 <\/p>\n

Mitwirkende<\/strong><\/p>\n

Cappella XXV – Vokalensemble des Instituts f\u00fcr Alte Musik
\nSarah-Maria Pilwax*
\nVerena Grundner*
\nMegumi Sakai
\nMeeri Kraas
\nNika Frelih
\nHonor Whiteley
\nLisa Braun*
\nRegine M\u00fcller
\nOlivier Benoit
\nPeter Chorkov
\nNicolaus Weidinger
\nChing-Yao Wang
\nTade Theuretzbacher
\nAleksei Tyschenko<\/p>\n

Barockensemble und Instrumentalsolist:innen des Instituts f\u00fcr Alte Musik<\/p>\n

Iason Marmaras, Leitung
\n<\/em>*Verena Grundner, Blockfl\u00f6te
\n<\/em>Juan Pablo Parra Bedoya, Violine
\n<\/em>Kan Zhang**, Gambe
\n<\/em>*Lisa Braun, Violoncello
\n<\/em>Martin Ortner, Posaune
\n<\/em>So Hiraoka, Rosa Maier, Leon Ravinkar, Laute
\n<\/em>Elias Gabriel Huber, Arthur Jeszenszky, Matic Petek, *Sarah-Maria Pilwax, Virginal, Orgel
\n<\/em><\/p>\n

** Gast aus der Musik und Kunst Privatuniverstit\u00e4t, Wien (MUK)<\/p>\n

St. Josef – Ehem. Karmeliterkirche, Karmelitergasse 10<\/p>\n

Eintritt frei<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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