{"id":16674,"date":"2025-04-09T09:58:47","date_gmt":"2025-04-09T07:58:47","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=16674"},"modified":"2025-05-16T12:07:12","modified_gmt":"2025-05-16T10:07:12","slug":"maimusik-amore-et-timore","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-amore-et-timore\/","title":{"rendered":"MAIMUSIK | Amore et timore"},"content":{"rendered":"

Durch Liebe und Furcht<\/em> am Wiener Hof<\/h2>\n

F\u00fcr das zweite Konzert entf\u00fchren wir Sie an den Wiener Hof des 18. Jahrhunderts und laden Sie herzlich ein in den Alten Konzertsaal \u2013 einen kl\u00f6sterlichen Festsaal mit herrlichem Blick auf die Klosterg\u00e4rten und das Belvedere. Der perfekte Ort, um selten aufgef\u00fchrte Werke von Komponisten wie Fux, Bononcini und Ariosti zu genie\u00dfen.<\/p>\n

 <\/p>\n

Programm:<\/strong><\/p>\n

Johann Jakob Stupan von Ehrenstein (*1664 in Graz; \u2020 1739 in Wien)<\/span>
\n<\/span>aus dem <\/span>Rosetum Musicum in 6 divisum arcolas, vulgo partittas<\/span><\/i> (wahrscheinlich Augsburg, 1702)<\/span>
\n<\/span>Ouverturensuite in B-Dur<\/b>
\n<\/b>Ouverture \u2013 Bour\u00e9e \u2013 Menuet \u2013 Rondeau & Gavotte \u2013 Menuet & Trio<\/span><\/i><\/p>\n

 <\/p>\n

Antonio Maria Bononcini (Modena, 1677 \u2013 ebda., 1726)<\/span>
\n<\/span>aus dem Oratorium <\/span>Il Trionfo della Grazia, overo La Conversione di Maddalena<\/span><\/i> (Wien, 1707)<\/span>
\n<\/span>Mus.Hs.17087, \u00d6sterreichische Nationalbibliothek<\/span><\/i><\/p>\n

Sinfonia<\/b>
\n<\/b>[\u2026] \u2013 Allegro forte \u2013 Largo piano<\/span><\/i><\/p>\n

Aria della Giovent\u00f9: <\/span>Se fuggon quegli anni<\/b>
\n<\/b>Aria della Maddalena: <\/span>Dal fiore degli anni sian lungi gli afanni<\/b>
\n<\/b>Aria della Giovent\u00f9: <\/span>M\u00e0 poi sian pi\u00f9 tardi i dardi di morte<\/b>
\n<\/b>Aria della Maddalena: <\/span>Sia lunga, gradita, festiva la vita<\/b><\/p>\n

Sinfonia vaga, e soave, che descrive il moto dei cieli<\/b><\/p>\n

Recitativo: <\/span>Spirti beati<\/b>
\n<\/b>Aria della Maddalena:<\/span> Godo, ma come non s\u00f2<\/b><\/p>\n

\u00a0<\/span><\/p>\n

Johann Joseph Fux (* um 1660 in Hirtenfeld bei Graz; \u2020 1741 in Wien)<\/span>
\n<\/span>aus dem <\/span>Concentus musico instrumentalis<\/span><\/i> (N\u00fcrnberg, 1701)<\/span>
\n<\/span>Sinfonia \u00e0 tre f\u00fcr Blockfl\u00f6te, Oboe und Basso continuo<\/b>
\n<\/b>Adagio \u2013 Andante<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Attilio Ariosti (Bologna, 1666 \u2013 London, 1729):<\/span>
\n<\/span>aus <\/span>I gloriosi presagi, di Scipione Africano.: Trattenimento Musicale. Nel Giorno del Gloriosssis:mo Nome Della S. R. M:ta Di Giuseppe Primo, Re De\u2019 Romani<\/span><\/i>\u201d (Wien, 1704)<\/span>
\n<\/span>Mus.Hs.16276 \/ Leopoldina, \u00d6sterreichische Nationalbibliothek<\/span><\/i>
\n<\/span><\/i>Aria di Cornelia: <\/span>S\u2019a tal colpo non si spezza<\/b><\/p>\n

\u00a0<\/span><\/p>\n

Johann Joseph Fux<\/span>
\n<\/span>Sinfonia \u00e0 tre<\/b>
\n<\/b>La joye des fidels sujets<\/b><\/p>\n

\u00a0<\/span><\/p>\n

Attilio Ariosti<\/span>
\n<\/span>aus <\/span>La Placidia: Poemetto Dramatico. Nel Giorno del gloriosissimo Nome Della S. C. R. M. Dell\u2019Imperadrice Amalia Willelmina<\/span><\/i> (Wien, 1709)<\/span>
\n<\/span>Mus.Hs.18216, \u00d6sterreichische Nationalbibliothek<\/span><\/i>
\n<\/span><\/i>Recitativo e Aria di Costanzo: <\/span>Per voi vissi o luci vaghe<\/b>
\n<\/b>\u00a0<\/span><\/p>\n

aus dem <\/span>Amor tra nemici: Drama per musica, rappresentato nel \u2026 giorno natalizio della S. C. R. M. Giuseppe Primo<\/span><\/i>
\n<\/span>Mus.Hs.18249\/2, \u00d6sterreichische Nationalbibliothek<\/span><\/i>
\n<\/span><\/i>Recitativo e Aria alla gavotta di Asteria: <\/span>D\u2019amor pari, e d\u2019egual se io per te<\/b><\/p>\n

 <\/p>\n

Benedikt Anton Aufschnaiter (* 1665 in Kitzb\u00fchel; \u2020 1742 in Passau<\/span>
\n<\/span>aus dem <\/span>Concors Discordia<\/span><\/i>, op. 2 (N\u00fcrnberg, 1695)<\/span>
\n<\/span>Serenada I<\/i><\/b>
\n<\/i><\/b>Ciaccona. Allegro \u2013 Ballo \u2013 Menuet<\/span><\/i><\/p>\n

\u00a0<\/span><\/p>\n

Besetzung<\/strong><\/p>\n

Virginia Genovese, <\/span>Sopran<\/span><\/i>
\n<\/span><\/i>Emma Maria Urriani, <\/span>Alt<\/span><\/i><\/p>\n

Verena Grundner, <\/span>Blockfl\u00f6te<\/span><\/i>
\n<\/span><\/i>Pia Majeric, <\/span>Traversfl\u00f6te<\/span><\/i>
\n<\/span>Mart\u00f3n Nagy, <\/span>Oboe<\/span><\/i>
\n<\/span>Regine M\u00fcller, <\/span>Sopran-Chalumeau<\/span><\/i>
\n<\/span><\/i>Franziska Hoffmann, <\/span>Tenor-Chalumeau<\/span><\/i>
\n<\/span><\/i>Peter Chorkov, <\/span>Fagott & Blockfl\u00f6te<\/span><\/i>
\n<\/span>Arsenii Poltavets, Hiroyo Watanabe, Jiaqi Xu, <\/span>Violine & Viola<\/span><\/i>
\n<\/span><\/i>Rose Chaffey, <\/span>Violoncello<\/span><\/i>
\n<\/span>Riccardo Coelati Rama, <\/span>Kontrabass<\/span><\/i>
\n<\/span><\/i>Rui Cai, Tade Laurent Theuretzbacher, <\/span>Cembalo<\/span><\/i><\/p>\n

Elisabeth Baumer, <\/span>Oboe & Leitung<\/span><\/i><\/p>\n

 <\/p>\n

Alter Konzertsaal, Rennweg 8<\/p>\n

Eintritt frei<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Durch Liebe und Furcht am Wiener Hof F\u00fcr das zweite Konzert entf\u00fchren wir Sie an den Wiener Hof des 18. Jahrhunderts und laden Sie herzlich ein in den Alten Konzertsaal […]<\/p>\n","protected":false},"author":18,"featured_media":16776,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[665,166],"class_list":["post-16674","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-maimusik-2025","tribe_events_cat-offentlich","cat_maimusik-2025","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/18"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16674\/revisions"}],"predecessor-version":[{"id":16777,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16674\/revisions\/16777"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/16776"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=16674"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=16674"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=16674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}