{"id":16893,"date":"2025-05-26T13:58:27","date_gmt":"2025-05-26T11:58:27","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=16893"},"modified":"2025-06-24T08:43:17","modified_gmt":"2025-06-24T06:43:17","slug":"oeffentliche-abschlusspruefung-ma-historische-auffuehrungspraxis-barockgitarre-marcin-kranz","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/oeffentliche-abschlusspruefung-ma-historische-auffuehrungspraxis-barockgitarre-marcin-kranz\/","title":{"rendered":"\u00d6FFENTLICHE ABSCHLUSSPR\u00dcFUNG | MA Historische Auff\u00fchrungspraxis (Barockgitarre) | Marcin KRANZ"},"content":{"rendered":"<p>MARCIN KRANZ \u2013 Programm der externen Abschlusspr\u00fcfung<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Anonym<\/strong>, Italien, Spanien XVI Jhr.<\/p>\n<p>Aria di Firenze<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Girolamo Kapsperger<\/strong> (1589 Venezia- 1651 Roma)<\/p>\n<p>Libro Secundo di villanelle a una, due e tre voci, Roma 1619<\/p>\n<p>Che fai tu<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Giovanni Stefani<\/strong> (fl. 1. H\u00e4lfte 17. Jh.):<\/p>\n<p>Scherzi amorosi Canzonette ad una voce sola, Libro Secondo, Alessandro Vincenti, Venetia<\/p>\n<p>1622<\/p>\n<p>L\u00b4Auseria<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Gaspar Sanz<\/strong> (ca. 1640 Arag\u00f3n &#8211; 1710 Madrid)<\/p>\n<p>Instrucci\u00f3n de M\u00fasica sobre la Guitarra Espa\u00f1ola: por los herederos de Diego Dormer,<\/p>\n<p>Zaragoza Tomo 2 1675<\/p>\n<p>Espa\u00f1oleta (arrangement mit Erzlaute)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Etienne Moulinie<\/strong> (1599 Languedoc-1676 ebd.):<\/p>\n<p>Airs de Cour, troisiesme livre, Pierre Ballard, Paris 1629<\/p>\n<p>Por la verde Orilla<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Robert Ballard II<\/strong> (ca. 1572, oder 1575 Paris &#8211; nach 1650 ebd.)<\/p>\n<p>Premier Livre de Luth, Pierre Ballard, Paris 1612<\/p>\n<p>Entr\u00e9e des luths<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Charles Tessier<\/strong> (ca. 1560- nach 1604)<\/p>\n<p>Le premier livre de chansons et d\u2019air de court, Thomas Este, London 1597<\/p>\n<p>Me voila hors du nauffrage<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Francesco Corbetta<\/strong> (1615 Pavia- 1681 Paris)<\/p>\n<p>Varii Scherzi di Sonate per la chitara spagnola, Bruxelles 1648<\/p>\n<p>Prelud al 5to tuono<\/p>\n<p>La guitarre Royalle:<\/p>\n<p>Caprice de chacone<\/p>\n<p>Varii capricii per la ghittara spagnuola:<\/p>\n<p>Folias<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Andrea Falconieri<\/strong> (1585\/86 Napoli- 1656 ebd.)<\/p>\n<p>Libro primo di Villanelle, Giovanni Battista Robletti, Roma 1616<\/p>\n<p>Begl\u00b4occhi lucenti<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Mascha Pysmenna- Sopran<\/p>\n<p>B\u00e1lint Nemeth- Tenor<\/p>\n<p>Barbora \u0160pelinov\u00e1- Blockfl\u00f6te<\/p>\n<p>Desiree W\u00f6hrer- Viola da Gamba<\/p>\n<p>Maria Bunea- Erzlaute, Barockgitarre<\/p>\n<p>Verena Grundner- Renaissancegitarre<\/p>\n<p>Marcin Kranz- Barockgitarre<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MARCIN KRANZ \u2013 Programm der externen Abschlusspr\u00fcfung &nbsp; Anonym, Italien, Spanien XVI Jhr. Aria di Firenze &nbsp; Girolamo Kapsperger (1589 Venezia- 1651 Roma) Libro Secundo di villanelle a una, due [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":16945,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[673],"tribe_events_cat":[166,368],"class_list":["post-16893","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-barockgitarre","tribe_events_cat-offentlich","tribe_events_cat-offentliche-prufung","cat_offentlich","cat_offentliche-prufung"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/19"}],"version-history":[{"count":3,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16893\/revisions"}],"predecessor-version":[{"id":18761,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/16893\/revisions\/18761"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/16945"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=16893"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=16893"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=16893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}