{"id":17332,"date":"2025-10-07T10:31:33","date_gmt":"2025-10-07T08:31:33","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=17332"},"modified":"2025-10-12T15:08:53","modified_gmt":"2025-10-12T13:08:53","slug":"konzert-horizons-scarlatti-and-beyond-recorder-unlimited-at-mdw","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/konzert-horizons-scarlatti-and-beyond-recorder-unlimited-at-mdw\/","title":{"rendered":"KONZERT | Scarlatti and Beyond | Recorder Unlimited at mdw"},"content":{"rendered":"

Scarlatti and beyond <\/b>– or pocket concertos for enthusiasts<\/b><\/h2>\n

RECORDER UNLIMITED AT MDW<\/b><\/h3>\n

 <\/p>\n

Domenico Scarlatti <\/b>(1685-1757)
\naus \u201eEssercizi per Gravicembalo\u201c; London 1738
\nEssercizo 1 d-Moll, K1
\n_Allegro
\nTzu-Yu Yang – Cembalo<\/b><\/p>\n

Domenico Scarlatti<\/b> (1685-1757) \/ Charles Avison<\/b> (1709-1770):
\naus \u201eConcertos in Seven Parts Done From the Lessons of Domenico Scarlatti\u201c, 1744:
\nConcerto g-Moll, Nr. 3
\n_Largo andante (K89b, VN)
\n_Allegro Spiritoso (K37, RG25)
\n_Vivace (K38, RG26)
\n_Piu allegro (K1, RG10)
\nBritta K\u00e4hny, Gell\u00e9rt Jass\u00f3 – Blockfl\u00f6ten
\n<\/b>Lisa Braun – Barockvioloncello
\n<\/b>Tade Theuretzbacher – Cembalo<\/b><\/p>\n

Domenico Scarlatti (1685-1757):
\n<\/b>Sonata c-Moll, K37
\n_Allegro
\nTzu-Yu Yang – Cembalo<\/b><\/p>\n

Domenico Scarlatti<\/b> (1685-1757) \/ Charles Avison<\/b> (1709-1770):
\naus \u201eConcertos in Seven Parts Done From the Lessons of Domenico Scarlatti\u201c, 1744:
\nConcerto d-Moll, Nr. 5
\n_Largo
\n_Allegro (K11, RG28)
\n_Andante moderato (K41, RG42)
\n_Allegro (K5, RG14)
\nToma\u0161 Duchoslav, Chia-Yu Lin, Barbora \u0160pelinov\u00e1, Eunsol Lee – Blockfl\u00f6ten
\n<\/b>Szczepan Dembinski – Barockvioloncello<\/b><\/p>\n

aus \u201eEssercizi per Gravicembalo\u201c; London 1738
\nEssercizo 5 d-Moll, K5
\n_Allegro
\nTzu-Yu Yang – Cembalo<\/b><\/p>\n

Domenico Scarlatti<\/b> (1685-1757) \/ Charles Avison<\/b> (1709-1770):
\naus \u201eConcertos in Seven Parts Done From the Lessons of Domenico Scarlatti\u201c, 1744:
\nConcerto G-Dur op. 6, Nr. 6
\n_Largo
\n_Con furia (K29, RG13)
\n_Adagio (K89c, VN)
\n_Vivacemente (K21, RG32)
\nBarbora \u0160pelinov\u00e1, Peter Chorkov – Blockfl\u00f6ten
\n<\/b>Maria Shabashova – Cembalo
\n<\/b>Szczepan Dembinski – Barockvioloncello<\/b><\/p>\n

Domenico Scarlatti (1685-1757)
\n<\/b>aus \u201eEssercizi per Gravicembalo\u201c; London 1738
\nEssercizo 29 D-Dur, K29
\n_Presto
\nTzu-Yu Yang – Cembalo<\/b><\/p>\n

Arcangelo Corelli<\/b> (1653-1713) \/ John Walsh <\/b>(1665-1736)
\naus \u201eXII Concertos transpos\u2019d for flutes [\u2026]\u201c, London, ca. 1725:
\nConcerto grosso en re maggiore op. 6 Nr. IV
\n_<\/b>Adagio
\n_Allegro
\n_Adagio
\n_Vivace
\n_Allegro
\n_Allegro
\nBritta K\u00e4hny – Voiceflute
\n<\/b>Gell\u00e9rt Jass\u00f3 – Voiceflute
\n<\/b>Lisa Braun – Barockvioloncello
\n<\/b>Tade Theuretzbacher – Cembalo<\/b><\/p>\n

 <\/p>\n

Notizen zum Programm:<\/b><\/p>\n

Hintergrund des Programms ist eine Bearbeitungstradition im 18. Jahrhundert und auch im 19. Jahrhundert, in der grossbesetzte Werke auf eine minimal Besetzung „heruntergebrochen“ wurden. Einer der wohl prominentesten Vertreter war der Englische Verleger John Walsh, der unter anderem die weit verbreiteten und beliebten Concerti grossi op. 6 von Arcangelo Corelli f\u00fcr die Besetzung mit zwei Blockfl\u00f6ten und B. c. bearbeitet hat, um sie somit auch der grossen Blockfl\u00f6tengemeinde in London zug\u00e4nglich zu machen. Etwas sp\u00e4ter beschritt der englische Organist und Komponist Charles Avison (\u00e4hnlich wie Francesco Geminiani mit Corellis op. 5) den umgekehrten Weg und bearbeitete die 30 Essercizi<\/i> und einige Sonaten f\u00fcr Klavier von Domenico Scarlatti zu Concerti grossi f\u00fcr ein grossbesetztes Orchester. Diese sehr anspruchsvollen Werke sollen nun in einer Fassung erklingen, die die Bearbeitungstradition von John Walsh aufnimmt: Triosonaten f\u00fcr zwei Blockfl\u00f6ten und Basso continuo, zum Teil mit obligatem Violoncello. Diesen concertierenden Triosonaten sollen einige der originalen Cembalowerke Domenico Scarlattis, die in den Concerti bearbeitet wurden, gegen\u00fcbergestellt werden.<\/p>\n","protected":false},"excerpt":{"rendered":"

Scarlatti and beyond – or pocket concertos for enthusiasts RECORDER UNLIMITED AT MDW   Domenico Scarlatti (1685-1757) aus \u201eEssercizi per Gravicembalo\u201c; London 1738 Essercizo 1 d-Moll, K1 _Allegro Tzu-Yu Yang […]<\/p>\n","protected":false},"author":1,"featured_media":17426,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[166],"class_list":["post-17332","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-offentlich","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17332\/revisions"}],"predecessor-version":[{"id":17433,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17332\/revisions\/17433"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/17426"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=17332"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=17332"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=17332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}