{"id":17390,"date":"2025-10-10T10:50:43","date_gmt":"2025-10-10T08:50:43","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&p=17390"},"modified":"2026-01-13T11:59:07","modified_gmt":"2026-01-13T10:59:07","slug":"studienkonzert-blockfloete-10","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/studienkonzert-blockfloete-10\/","title":{"rendered":"STUDIENKONZERT | Blockfl\u00f6te"},"content":{"rendered":"

\u201eDer l\u00e4cherliche Prinz Jodelet\u201c <\/span><\/strong><\/p>\n

Konzert der Blockfl\u00f6tenklasse von Carsten Eckert<\/p>\n

 <\/p>\n

Reinhard Keiser (1674-1739)<\/strong><\/p>\n

aus \u201eDer l\u00e4cherliche Prinz Jodelet. Scherzhaftes Sing-Spiel in f\u00fcnf Akten\u201c, Hamburg 1726:
\nOuvert\u00fcre \u201eDer l\u00e4cherliche Prinz<\/p>\n

Chia-Yu Lin, Blockfl\u00f6te
\nGell\u00e9rt Jass\u00f3, Blockfl\u00f6te
\nKamil Krystian Aniol, Barockgitarre
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

Giovanni Bassano (1558-1617)<\/strong><\/p>\n

aus \u201eRicercate Passaggi et Cadentie, Per potersi essercitar nel diminuir terminatamente con ogni sorte d\u2019<\/span>Instrumento\u201c Venezia, 1585:
\nRicercata terza<\/p>\n

Constanze Wei\u00dfenstein, Ganassiblockfl\u00f6te in G<\/p>\n

 <\/p>\n

Pierre Sandrin (ca. 1490-1561)<\/strong><\/p>\n

Chanson „Doulce M\u00e9moire\u201c – Diminutionen von Giovanni Bassano<\/p>\n

Chia-Yu Lin, Ganassi-Blockfl\u00f6te in G
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

Roderik de Man (*1941)<\/strong><\/p>\n

Plainte for sopranino and electronics (CD) (2011)<\/p>\n

Chia-Yu Lin, Blockfl\u00f6te
\nNN, Sound<\/p>\n

 <\/p>\n

Georg Phillip Telemann (1681-1767)<\/strong><\/p>\n

Fantasie Nr. 3 d-Moll (orig. h-Moll) f\u00fcr Fl\u00f6te solo, TWV 40:4
\nLargo – Vivace – Largo – Vivace –\u00a0Allegro<\/em><\/p>\n

Lisa Felderer, Blockfl\u00f6te<\/p>\n

 <\/p>\n

Francesco Mancini (1672- 1737)<\/strong><\/p>\n

aus \u201e12 Solos for a flute with a thorough bass for the harpsichord or bass violin\u201c<\/span>, London 1724:
\nSonata X en si minore per flauto e basso
\nLargo – Allegro – Largo – Allegro<\/em><\/p>\n

Teresa Traxelmayr, Blockfl\u00f6te
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

Gilad Hochman (*1982)<\/strong><\/p>\n

By These Rivers for solo recorder (2022)<\/p>\n

Ohad Battat, Tenorblockfl\u00f6te<\/p>\n

 <\/p>\n

Franz Benda (1709-1786)<\/strong><\/p>\n

aus Concerto e-Moll f\u00fcr Fl\u00f6te, Streicher und Basso continuo, LeeB 2.4:
\nAllegro con brio<\/em><\/p>\n

Gell\u00e9rt Jass\u00f3, Voiceflute
\nMaria Shabashova, Cembalo
\nTaeri Lee, Cembalo<\/p>\n

 <\/p>\n

Jo Kondo (*1945)<\/strong><\/p>\n

Standing for three instruments of different families (1973)<\/p>\n

Chia-Yu Lin, Blockfl\u00f6te
\nJiaqi Xu, Violine
\nArthur Jeszenszky, Synthesizer<\/p>\n

 <\/p>\n

Georg Phillip Telemann (1681-1767)<\/strong><\/p>\n

Fantasie Nr. 8 g-Moll (orig. e-Moll) f\u00fcr Fl\u00f6te solo, TWV 40:9
\nLargo – Spirituoso – Allegro<\/em><\/p>\n

Teresa Traxelmayr, Blockfl\u00f6te<\/p>\n

 <\/p>\n

Guiseppe Antonio Brescianello (1690-1758)<\/strong><\/p>\n

Concerto en la minore Nr. 2, op. 1 f\u00fcr Sixth-Flute und Cembalo (orig. f\u00fcr Violine, Streicher und B.c.)
\nAllegro – Adagio ed \u00e0 tempo gi\u00fasto (Verzierungen von Britta K\u00e4hny) – Allegro<\/em><\/p>\n

Britta K\u00e4hny, Sixth-Flute
\nMaria Shabashova, Cembalo<\/p>\n

 <\/p>\n

Johan Helmich Roman (1694-1758)<\/strong><\/p>\n

aus \u201eAssaggi \u00e0 Violino Solo\u201c:
\nAssagio 2 in B-Dur, BeRI 302 in einer Bearbeitung f\u00fcr Blockfl\u00f6te solo von Tom\u00e1\u0161 Duchoslav<\/p>\n

Tom\u00e1\u0161 Duchoslav, Blockfl\u00f6te<\/p>\n

 <\/p>\n

Antonio Vivaldi (1678-1741)<\/strong><\/p>\n

aus \u201eL\u2019<\/span>estro armonico\u201c<\/span>:
\nConcerto d-Moll RV 522 f\u00fcr Blockfl\u00f6te, obligates Cembalo und B.c. (orig. f\u00fcr 2 Violinen und Streichern in a-Moll, arr. von Chun-Shih Lin f\u00fcr Blockfl\u00f6te und Cembalo in d-Moll)
\nAllegro – Larghetto e spirituoso – Allegro<\/em><\/p>\n

Britta K\u00e4hny, Blockfl\u00f6te
\nChun-Shih Lin, Cembalo<\/p>\n

Eintritt frei!<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201eDer l\u00e4cherliche Prinz Jodelet\u201c Konzert der Blockfl\u00f6tenklasse von Carsten Eckert   Reinhard Keiser (1674-1739) aus \u201eDer l\u00e4cherliche Prinz Jodelet. Scherzhaftes Sing-Spiel in f\u00fcnf Akten\u201c, Hamburg 1726: Ouvert\u00fcre \u201eDer l\u00e4cherliche Prinz […]<\/p>\n","protected":false},"author":18,"featured_media":1011,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[166],"class_list":["post-17390","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-offentlich","cat_offentlich"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17390","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/18"}],"version-history":[{"count":4,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17390\/revisions"}],"predecessor-version":[{"id":18100,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/17390\/revisions\/18100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/1011"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=17390"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=17390"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=17390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}