PROGRAMM:<\/p>\n
<\/p>\n
Gregor Kulla (*2000)**<\/sup><\/strong> Valentina Kosch & Theresa Wei\u00df, Blockfl\u00f6ten <\/p>\n Werkbeschreibung:<\/u> In my bed, scrolling away on Instagram. The bliss. Everything is turned off except my thumb. I’m consuming. And chatting and reacting. Fact-checking, too, I guess. Sharing posts about tech bros and how the Nordic countries will arrest Netanyahu if he enters the countries. Sent a Reel of Silvia Ilves to my friend. You have to look at her videos. She’s a classical cellist. In another group chat, planning a rehearsal with this very piece. Difficult. Back to watching Reels.<\/p>\n Is there more to social media than labelling it as addictive or as ‚brain rot‘?<\/p>\n During the piece, the audience is welcome to move around to see what the performers are doing and why. If you’re too shy or annoyed to look around, see it as physical social media interaction. Maybe it helps.<\/p>\n \u00a0<\/strong><\/p>\n Dietrich Buxtehude (1637\u20131707)\u00a0\u00a0 <\/strong> Goetz Bienert, Cembalo<\/p>\n <\/p>\n Antonio Vivaldi (1678\u20131741)<\/strong> Hannah Eberle, Violoncello solo <\/p>\n Carlo Ambrogio Lonati (um 1645\u20131715)<\/strong><\/p>\n Sonata II in g-Moll f\u00fcr Violine und B.c. Anna Pederielli, Violine <\/p>\n Antonio Vivaldi (1678\u20131741)<\/strong> Kamil Anio\u0142, Leon Ravnikar, Matej Berlot, Laute\/Theorbe<\/p>\n <\/p>\n Heinrich Ignaz Fran<\/strong>z Biber (1644\u20131704)<\/strong> Fiore Despina Streit, Ulisse Mazzon, Violinen <\/p>\n Soojin Jeon (*1994)**<\/sup><\/strong> Daniel Wolf, Traversfl\u00f6te <\/p>\n Werkbeschreibung:<\/u> <\/p>\n Joseph Bodin de Boismortier (1689\u20131755)<\/strong> Theresa Wei\u00df, Oboe \u00a0<\/strong><\/p>\n Jean-Baptiste Barri\u00e8re (1707\u20131747)\u00a0<\/strong> Julika Hasler, Violoncello solo <\/p>\n Gioachino Rossini (1792\u20131868)<\/strong> Dayeon Uhm, Klarinette <\/p>\n Guillaume Dufay (*um 1400\u20131474)<\/strong> Johannes Ciconia (um 1370\/75\u20131412)<\/strong> Tomas Duchoslav, Chia-Yu Lin, Theresa Wei\u00df, Blockfl\u00f6ten<\/p>\n <\/p>\n Finley Connor Brown (*2005)**<\/sup><\/strong> Hannah Eberle, Barockcello <\/p>\n Werkbeschreibung:<\/u> <\/p>\n **<\/sup> Zeitgen\u00f6ssische Kammermusikwerke aus dem Projekt \u201cCEMBALO PLUS\u201d, komponiert von Studierenden des Instituts f\u00fcr Kompositionsstudien, Ton- und Musikproduktion. (K\u00fcnstlerische Projektbetreuung: Prof. Julia Purgina & Sonja Leipold)<\/p>\n <\/p>\n Eintritt frei!<\/p>\n","protected":false},"excerpt":{"rendered":" PROGRAMM: Gregor Kulla (*2000)** \u201cdming\u201d (2026) UA Valentina Kosch & Theresa Wei\u00df, Blockfl\u00f6ten Rui Cai, Cembalo Werkbeschreibung: DM: a private message sent on social media to a specific […]<\/p>\n","protected":false},"author":18,"featured_media":4453,"template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"18834","_tribe_default_ticket_provider":"TEC\\Tickets\\Commerce\\Module","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_tribe_events_status":"","_tribe_events_status_reason":"","_tribe_events_is_hybrid":"","_tribe_events_is_virtual":"","_tribe_events_virtual_video_source":"","_tribe_events_virtual_embed_video":"","_tribe_events_virtual_linked_button_text":"","_tribe_events_virtual_linked_button":"","_tribe_events_virtual_show_embed_at":"","_tribe_events_virtual_show_embed_to":[],"_tribe_events_virtual_show_on_event":"","_tribe_events_virtual_show_on_views":"","_tribe_events_virtual_url":"","footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"tags":[],"tribe_events_cat":[364,166,357],"class_list":["post-18817","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-alte-musik","tribe_events_cat-offentlich","tribe_events_cat-studienkonzert","cat_alte-musik","cat_offentlich","cat_studienkonzert"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/18817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/users\/18"}],"version-history":[{"count":6,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/18817\/revisions"}],"predecessor-version":[{"id":19831,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events\/18817\/revisions\/19831"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media\/4453"}],"wp:attachment":[{"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/media?parent=18817"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tags?post=18817"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/mdw.ac.at\/altemusik\/wp-json\/wp\/v2\/tribe_events_cat?post=18817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u201cdming\u201d (2026) UA<\/p>\n
\nRui Cai, Cembalo<\/p>\n
\nDM: a private message sent on social media to a specific individual or group.<\/p>\n
\nPr\u00e4ludium in g-Moll, BuxW 163<\/p>\n
\nConcerto per Violoncello in c-moll, RV 401
\nAllegro non molto \u2013 Adagio \u2013 Allegro non molto<\/em><\/p>\n
\nFerdinand Slez\u00e1k, Fiore Despina Streit, Violinen
\nJiaqi Xu, Viola
\nClemens Maria Fera, Violoncello
\nBenedikt Holter, Cembalo<\/p>\n
\naus \u201cXII Sonate a violino solo e basso\u201d<\/em>
\n(Mailand 1701)
\nAdagio.Presto.Largo.Presto.Largo \u2013 Spiritoso \u2013 Sostenuto \u2013 Presto \u2013 Giga:Vivace<\/em><\/p>\n
\nHannah Eberle, Violoncello
\nTade Theuretzbacher, Cembalo<\/p>\n
\nConcerto in Re maggiore per liuto, due violini e basso continuo, RV 93 (arrangiert f\u00fcr 3 Lauten)
\nAllegro giusto \u2013 Largo \u2013 Allegro<\/em><\/p>\n
\nSonata Nr. VII in C-Dur
\naus \u201cSonatae tam aris quam aulis servientes\u201d<\/em> (1676)<\/p>\n
\nNicholas Campbell, Daniel Nemeth, Naturtrompeten
\nFilip Igrec, Violoncello
\nFrancesco Condello, Cembalo<\/p>\n
\n\u201cEine elegante H\u00f6lle\u201d (2026) UA<\/p>\n
\nTade Theuretzbacher, Cembalo<\/p>\n
\nDieses Werk stellt einen prachtvollen Hof gepr\u00e4gt von gl\u00e4nzender Macht und gro\u00dfer Unterdr\u00fcckung dar, im Hintergrund herrscht tiefe Einsamkeit.<\/p>\n
\nAusz\u00fcge aus \u201cDivertissemens de Campagne\u201d, Op. 49
\nRigaudon \u2013 Sarabande \u2013 Tambourin\u00a0<\/em><\/p>\n
\nAmirah Pranzl, Laute<\/p>\n
\nSonata I in h-Moll
\naus \u201cSonates pour le Violoncelle, avec la Basse Contin\u00fce, Premiere Livre\u201d<\/em> (Paris 1733)
\nAdagio \u2013 Allegro \u2013 Adagio.Andante \u2013\u00a0Allegro\u00a0\u00a0<\/em><\/p>\n
\nHannah Eberle, Violoncello
\nJohannes Weiss, Cembalo<\/p>\n
\nFantasia per clarinetto e pianoforte (Mailand 1829)<\/p>\n
\nMegumi Inomata, Hammerklavier<\/p>\n
\nVergene bella, che di sol vestita
\n(Text: Francesco Petrarca)
\naus dem \u201cManuskript Q 15\u201d <\/em>(Bologna)<\/p>\n
\nUna Panthera
\naus dem \u201cManuskript Mus. Ms. 3065\u201d<\/em> (Padua)<\/p>\n
\n\u201cPerpetual Agony\u201d (2026) UA<\/p>\n
\nBenedikt Holter, Cembalo<\/p>\n
\n\u201cAnd the night of my sadness came, and the sun of my happiness set: there was no light left in my eyes, no sense left in my brain.\u201d \u2013 Miguel de Cervantes Saavedra<\/p>\n