{"id":19118,"date":"2026-04-09T10:17:50","date_gmt":"2026-04-09T08:17:50","guid":{"rendered":"https:\/\/mdw.ac.at\/altemusik\/?post_type=tribe_events&#038;p=19118"},"modified":"2026-04-29T12:47:01","modified_gmt":"2026-04-29T10:47:01","slug":"maimusik-liebe-am-wienerhof","status":"publish","type":"tribe_events","link":"https:\/\/mdw.ac.at\/altemusik\/event\/maimusik-liebe-am-wienerhof\/","title":{"rendered":"MAIMUSIK  | Liebe am Wiener Hof"},"content":{"rendered":"<h2>Eine geistreiche Form des Zeitvertreibs<\/h2>\n<p>Sogenannte Akademien, literarische wie musikalische, waren am Wiener Kaiserhof sehr beliebt. <em>L\u2019ore postmeridiane di Parnasso<\/em> aus dem Juni 1676 mit der Musik von Antonio Draghi, nach dem Libretto von Niccol\u00f2 Minato, wurde wohl im Rahmen einer rein musikalischen Akademie an zwei aufeinanderfolgenden Tagen aufgef\u00fchrt.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programm:<\/strong><\/p>\n<p>ANTONIO DRAGHI (*1634 in Rimini; \u2020 1700 in Wien)<br \/>\naus <strong>La chioma di Berenice<\/strong><br \/>\n<strong>Sinfonia<\/strong><\/p>\n<p>aus <strong>L\u2019ore postmeridiane di Parnasso: Servizio di camera<\/strong><br \/>\nLibretto: Niccol\u00f2 Minato<br \/>\n<strong>Introduzione<\/strong><br \/>\n<strong>Monologo No. 1: <em>Il Guerini<\/em> (Giovanni Battista Guarini)<\/strong><br \/>\n<strong>Monologo No. 2: <em>Il Marini<\/em> (Giambattista Marino)<\/strong><br \/>\n<strong>Intermezzo<\/strong><br \/>\n<strong>Monologo No. 3: <em>Il Tasso<\/em> (Torquato Tasso)<\/strong><br \/>\n<strong>Monologo No. 4: <em>Il Testi<\/em> (Fulvio Testi)<\/strong><br \/>\n<strong>Conclusione<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mitwirkende<\/strong><\/p>\n<p>Yuki Hino, <em>Euterpe<\/em><br \/>\nNuri Park, <em>Clio<\/em><br \/>\nLucy Honor Whiteley, <em>Il Tasso<\/em><br \/>\nZachary Dominguez, <em>Il Marini<br \/>\n<\/em>Shoji Nagatomi, <em>Il Guerini<br \/>\n<\/em>Jonathan Nichtenberger, <em>Il Testi<\/em><\/p>\n<p>Jelena Jovovic, Naomi Abia Kertonugroho, <em>Violine<\/em><br \/>\nMarius Malanetchi, <em>Viola da Gamba<\/em><br \/>\nKri\u0161tof Bal\u00e1sz, <em>G-Violone<\/em><br \/>\nMatej Berlot, <em>Laute<br \/>\n<\/em>Marcin Kranz, <em>Gitarre<\/em><\/p>\n<p>Eug\u00e8ne Michelangeli, <em>Cembalo &amp; Leitung<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Es spielen und singen Studierende des Instituts f\u00fcr Alte Musik und G\u00e4ste, mit freundlicher Unterst\u00fctzung aus der Universit\u00e4t der K\u00fcnste Berlin und der Kunstuniversit\u00e4t Graz.<\/p>\n<p>&nbsp;<\/p>\n<p>Konzert ohne Pause.<\/p>\n<p>Der Eintritt zu diesem Konzert ist frei! \u00dcber eine freiwillige Spende zur Deckung der Unkosten w\u00fcrden wir uns sehr freuen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Eine geistreiche Form des Zeitvertreibs Sogenannte Akademien, literarische wie musikalische, waren am Wiener Kaiserhof sehr beliebt. 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