Concerto F- Dur, BR-WFB A 12 (oder F.10)
\nSobin Jo, Hyewon Woo , Cembalo<\/p>\n
Diferencias sobre El Canto llano del Caballero<\/p>\n
Mami Tsukio, Cembalo<\/p>\n
aus den Aggiunta aus\u00a0Toccate e partite d\u2019intavolatura di cimbalo\u00a0libro primo\u00a0(Rom 1637):\u2028Balletto – Corrente del Balletto \u2013 Passacagli – Balletto Secondo – Corrente del Balletto \u2013 Balletto – Corrente del Balletto \u2013 Passacagli (Altro Tuono)
\nMartin Gedeon, Cembalo<\/p>\n
aus den\u00a0Capricci armonici da Chiesa e da Camera \u00e0 Violino solo cio\u00e8 Sinfonie, Toccate, Sonate\u00a0[\u2026]\u00a0et Sonate per Tromba\u00a0(Venedig 1678):
\nToccata Prima: Affettuoso \u2013 Veloce \u2013 Adagio \u2013 Presto – Fuga
\nChristine Verdon, Barockgeige
\nMartin Gedeon, Cembalo<\/p>\n
Alamanda Bruynsmedelijn SSWV 558
\nStefanie Laimer, Cembalo<\/p>\n
aus Libro Primo „Aria passeggiate a una voce con l’intavolatura del chitarone“ (Rom, 1612):\u2028\u201cO cor sempre dolente\u201d
\nSebastian Seifert, Countertenor
\nMarco Primultini, Cembalo<\/p>\n
Franz\u00f6sische Suite no 2 in c BWV 813
\nAllemande – Courante – Sarabande – Air
\nPiibe Maria Talen, Cembalo<\/p>\n
Sonate in D-dur, Hob XVI\/ 37
\nAllegro con brio – Presto ma non troppo
\nJoseph Zaarour, Cembalo<\/p>\n
Wir bedanken uns bei unseren G\u00e4sten Sebastian Seifert und Christine Verdon f\u00fcr die Mitwirkung.<\/p>\n","protected":false},"excerpt":{"rendered":"
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