In his performance lecture (and final presentation of his doctoral project), Karl Salzmann will guide the audience through his on-site sound installation. Using the turntable as a tool for artistic research, he will give an introduction and overview of his project To Start from Scratch, in which he explored themes such as the history, materiality and artistic practice of this apparatus. In addition to sculptures and videos that are part of his installation, the presentation will include sounding objects and artefacts that were part of his research process, all of which culminate in a reflective documentation that will be handed out to the critics on that day.
Artistic Research Lab – Presentations 2024 (Part 2)
As the public closing event of the Artistic Research Lab in the artistic doctoral programme, sixteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, curating, media art, film and theatre to historically informed performance practice and innovative turntablism.
The livestream can be found here: LIVESTREAM
15th June 2024, 19:00h
mdw – Future Art Lab, Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien
Presentations by: Ettore Biagi, Ginan Seidl, Ragnheiður Erla Björnsdóttir, Arne Vogelgesang, Christoph Wichert, Patrik Lechner, Athanasia Kontou and Gerhild Steinbuch.
Program:
Ettore Biagi Creative Empowerment for ensemble of river stones
Ginan Seidl tonal territories
Arne Vogelgesang Edging the Cut
Ragnheiður Erla Björnsdóttir Multispecies Vocal Weaving – Vibrational Practices
———— INTERMISSION ————
Christoph Wichert Lost in Transcription
Patrik Lechner Biconic Walk
Athanasia Kontou Eight and a half months of “getting personal” – Reflecting on shifting and expanding towards an experimental, interdisciplinary practice, in service of personal, vulnerable storytelling.
Gerhild Steinbuch Stratifying perspectives – (Per)forming dramaturgies along tectonic shifts
Artistic Research Lab – Presentations 2024 (Part 1)
As the public closing event of the Artistic Research Lab in the artistic doctoral programme, sixteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, curating, media art, film and theatre to historically informed performance practice and innovative turntablism.
The livestream can be found here: LIVESTREAM
14th June 2024, 19:00h
mdw – Future Art Lab, Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien
Presentations by: David Panzl, Tong Zhang, Jagoda Szmytka, Dustin Zorn, Chidi Obijiaku, Birgitta Flick und Karl Salzmann
Program:
David Panzl Gravity Beats
Tong Zhang Out-of-sync
Jagoda Szmytka On Music Fundamentals and Elementary Counterpoint in Extended Composition — An Overview of the Doctoral Artistic Research Project
Dustin Zorn From Stria to Metastasia – fantastic proliferations of a revived algorithm
———— INTERMISSION ————
Chidi Obijiaku from street to score
Birgitta Flick Scores as tools and transformers in collective practices: Reflections on the creative collaboration for PlanetWoman
Karl Salzmann Final Scratch
Ivar Roban Križić – guest lecture
Critical Improvisation Studies – Literature Review
The field of critical improvisation studies seeks to examine
improvisation’s effects, interrogate its discourses, interpret
narratives and histories related to it, discover implications of
those narratives and histories, and uncover its ideologies. In
this lecture, we will take a look at the development of this field
through its literary output–from edited volumes and handbooks,
through philosophical, cognitive, computer music and gender
studies perspectives, all the way to historical curiosities.
Ivar Roban Križić (*1990, Zagreb, Croatia) studied Double Bass at the Jazz Department in Graz and is currently pursuing an Artistic Research Doctorate at the University of Music and Performing Arts Vienna, focusing on the epistemology of free improvisation. His artistic practice encompasses a wide variety of international projects, spanning contemporary jazz, experimental music, and free improvisation. His research is focused on musical cognition, AI, and technical and technological extensions of the double bass.
Workshop – Hair dance of the indigenous group Tao (Taiwan)
Artistic Research Center (ARC)
In cooperation with the Department of Folk Music Research and Ethnomusicology (IVE)
Tuesday, 28 May 2024 3.30-5 pm
Franz Liszt Hall of the mdw
Lothringerstraße 18, 1030 Vienna
The Tao are one of Taiwan’s 16 recognised indigenous groups. They live on Orchid Island (蘭嶼), the Tao themselves call their island “ponso no tao”, which means “island of the people”. The most famous ceremony during the Tao harvest festival is the women’s hair dance. They gracefully swing their long hair to show their affection for their husbands and families. In the past, the dance was not allowed to be performed in daylight, so the dances often took place on the beach in the moonlight. Nowadays, however, the dance is part of the programme of during the day of the harvest festival. In this workshop, the invited Tao women will show us how to perform this dance.
The workshop will be held in German and English and is open to students of all study programmes.
Please register by 26 May: dlouhy-staber@mdw.ac.at (Theresia Dlouhy-Staber)
credits: Joanna Pianka 2022
PEEK Project Arts in Philosophy – Rote Bar, Volkstheater (Vienna)
The PEEK Project Arts in Philosophy : Philosophy in the Arts. On The Significance of the *Heart* in Artistic-Research and Performance Philosophy invites you to
Rote Bar, Volkstheater (Wien)
Wednesday, 17.4. 18:30-20:00 ROTE *HERZENS*ANGELEGENHEIT: Herzkammer #1
Wednesday, 19.6. 18:30-20:00 ROTE *HERZENS*ANGELEGENHEIT: Herzkammer #2
https://www.volkstheater.at/produktion/2300382/rote-herzensangelegenheiten/2300469/
Our research project is sponsored by the Austrian Science Fund (FWF) Grant-DOI: 10.55776/AR822
Ticket reservation: please send an email to boehler@mdw.ac.at (you need a ticket, but its free / Zählkarten)
Cordially,
Arno Böhler, Evi Jägle, Christoph Müller
European Platform for Artistic Research in Music (EPARM) 2024 – Birgitta Flick/Dustin Zorn
AEC European Platform for Artistic Research in Music (EPARM) 2024
Academy of Music, University Ljubljana (Ljubljana, Slovenia) March 22 -24
March 22, 15:50, Trio Lorenz Hall Not-the-L8Nite Performance
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna
March 22, 16:30 Trio Lorenz Hall Parallel Session IV
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna
New PEEK projects at ARC
Three FWF PEEK proposals from mdw Artistic Research Center were approved by the Austrian Science Fund:
„Spirits in Complexity“, Amount: 448.840 Euros ( PI Thomas Grill)
https://www.fwf.ac.at/forschungsradar/10.55776/AR821
“Sound as Score” Amount: 435.630 Euros (PI Elisabeth Schimana)
https://www.fwf.ac.at/forschungsradar/10.55776/AR824
“PHILOSOPHY IN ARTS : ARTS IN PHILOSOPHY”, Amount: 427.885 Euros (PI Arno Böhler)
Detailed presentation here: https://www.fwf.ac.at/en/news/detail/expanding-thought-through-art
Congratulations to all applicants and teams!
aNOther festival 2023
Fr 6th Oct and Sa 7th Oct 2023
mdw – Universität für Musik und darstellende Kunst Wien
Future Art Lab –Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien
artisti(fi)c(ial) intelligence?
12. Tagung des Forschungsnetzwerkes Implizites Wissen
Freitag 29. und Samstag 30. September 2023
Veranstaltungsort: Universität für Musik und darstellende Kunst Wien, Anton-von-Webern-Pl. 1, 1030
Wien, Gebäude S (der Eingang befindet sich zwischen der Universitätsbibliothek und der Mensa), 2.
Liftstock, Spielmach(t)raum bzw. Raum-Nr. S 02 25. Der Zugang ist barrierefrei.
Programm
Freitag 29.9.2023
13:00 – 13:10: Begrüßung (Tasos Zembylas)
13:10 – 14:25: Christiane Schürkmann: „Zur-Welt-Sein zwischen Können und Nichtkönnen – Leib und Sinne im Spannungsfeld von implizitem Wissen und Nicht- wissen“
14:25 – 15:40: Stephanie Porschen-Hueck: „Leibliche und sinnliche Zugänge bei Kollaboration im virtuellen Raum? Erkenntnisse aus der Forschung zu ‚physischer Distanz‘ in der Coronapandemie“
15:40 – 16:00: Pause
16:00 – 17:15: Bernd Hackl: „Künstlerische Intelligenz. Versuch über das Menschliche im Zeitalter seiner technischen Simulierbarkeit“
17:15 – 17:30: Pause
17:30 – 18:45: Birgitta Flick: „Sinnliche Wahrnehmung und leibliche Erfahrung als Grund- lage für Praktiken des Komponierens und Improvisierens“
ab 19:00 Uhr: gemeinsames Abendessen
Samstag 30.9.2023
09:15 – 10:30: Barbara Lüneburg: „Untersuchung von Verkörperung (Embodiment) und Expressivität in der klassischen Instrumentalpraxis durch Methoden der künstlerischen Forschung“
10:30 – 10:45: Pause
10:45 – 12:00: Kai Ginkel: „Hybride Körper und intergenerationale Sozialität: Implizite Wissenspraktiken in der Performance von Exzellenz in der klassischen Musik“
12:00 – 13:30: Mittagessen
13:30 – 14:45: Wilfried Datler, Margit Datler und Bernadette Strobl: „Wenn zwischen dem Psychischen und dem Körperlichen noch gar nicht getrennt werden kann … Über die frühen Prozesse der Ausbildung von implizitem Wissen in den ersten Lebensjahren“
14:45 – 15:00: Pause
15:00 – 16:00: Resumé und Diskussion (Fritz Böhle)
Teilnahme und Anmeldung
Die Teilnahme ist kostenlos; eine formlose Anmeldung senden Sie bitte bis spätestens 10.9.2023 an:
zembylas@mdw.ac.at
Fritz Böhle, Jörg Markowitsch, Georg Hans Neuweg und Tasos Zembylas (Organisationsteam)
