As the public closing event of the Artistic Research Lab in the artistic doctoral programme, sixteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, curating, media art, film and theatre to historically informed performance practice and innovative turntablism.

The livestream can be found here: LIVESTREAM

14th June 2024, 19:00h

mdw – Future Art Lab, Klangtheater, Anton-von-Webern-Platz 1, 1030 Wien

Presentations by: David Panzl, Tong Zhang, Jagoda Szmytka, Dustin Zorn, Chidi Obijiaku, Birgitta Flick und Karl Salzmann

Program:

David Panzl                        Gravity Beats

Tong Zhang                        Out-of-sync

Jagoda Szmytka                 On Music Fundamentals and Elementary Counterpoint in Extended Composition — An Overview of the Doctoral Artistic Research Project

Dustin Zorn                        From Stria to Metastasia – fantastic proliferations of a revived algorithm

———— INTERMISSION ————

Chidi Obijiaku                    from street to score

Birgitta Flick                       Scores as tools and transformers in collective practices: Reflections on the creative collaboration for PlanetWoman

Karl Salzmann                    Final Scratch

Artistic Research Center (ARC)

In cooperation with the Department of Folk Music Research and Ethnomusicology (IVE)

Tuesday, 28 May 2024 3.30-5 pm

Franz Liszt Hall of the mdw

Lothringerstraße 18, 1030 Vienna

The Tao are one of Taiwan’s 16 recognised indigenous groups. They live on Orchid Island (蘭嶼), the Tao themselves call their island “ponso no tao”, which means “island of the people”. The most famous ceremony during the Tao harvest festival is the women’s hair dance. They gracefully swing their long hair to show their affection for their husbands and families. In the past, the dance was not allowed to be performed in daylight, so the dances often took place on the beach in the moonlight. Nowadays, however, the dance is part of the programme of during the day of the harvest festival. In this workshop, the invited Tao women will show us how to perform this dance.

The workshop will be held in German and English and is open to students of all study programmes.

Please register by 26 May: dlouhy-staber@mdw.ac.at (Theresia Dlouhy-Staber)

credits: Joanna Pianka 2022

The PEEK Project Arts in Philosophy : Philosophy in the Arts. On The Significance of the *Heart* in Artistic-Research and Performance Philosophy invites you to

Rote Bar, Volkstheater (Wien)

Wednesday, 17.4. 18:30-20:00 ROTE *HERZENS*ANGELEGENHEIT: Herzkammer #1

Wednesday, 19.6. 18:30-20:00 ROTE *HERZENS*ANGELEGENHEIT: Herzkammer #2

https://www.volkstheater.at/produktion/2300382/rote-herzensangelegenheiten/2300469/

Our research project is sponsored by the Austrian Science Fund (FWF) Grant-DOI: 10.55776/AR822

Ticket reservation: please send an email to boehler@mdw.ac.at (you need a ticket, but its free / Zählkarten)

Cordially,

Arno Böhler, Evi Jägle, Christoph Müller

AEC European Platform for Artistic Research in Music (EPARM) 2024

Academy of Music, University Ljubljana (Ljubljana, Slovenia) March 22 -24

March 22, 15:50, Trio Lorenz Hall Not-the-L8Nite Performance

DUSTIN ZORN – From Stria to Metastasia – fantastic proliferations of a revived algorithm Destruction and creation of algorithms as a creative dichotomy and artistic research procedure to explore interpretative space within computer music repertoire

Artistic research doctoral candidate at the University of Music and Performing Arts Vienna

March 22, 16:30 Trio Lorenz Hall Parallel Session IV

Freitag 29. und Samstag 30. September 2023

Veranstaltungsort: Universität für Musik und darstellende Kunst Wien, Anton-von-Webern-Pl. 1, 1030
Wien, Gebäude S (der Eingang befindet sich zwischen der Universitätsbibliothek und der Mensa), 2.
Liftstock, Spielmach(t)raum bzw. Raum-Nr. S 02 25. Der Zugang ist barrierefrei.

Programm

Freitag 29.9.2023
13:00 – 13:10: Begrüßung (Tasos Zembylas)
13:10 – 14:25: Christiane Schürkmann: „Zur-Welt-Sein zwischen Können und Nichtkönnen – Leib und Sinne im Spannungsfeld von implizitem Wissen und Nicht- wissen“
14:25 – 15:40: Stephanie Porschen-Hueck: „Leibliche und sinnliche Zugänge bei Kollaboration im virtuellen Raum? Erkenntnisse aus der Forschung zu ‚physischer Distanz‘ in der Coronapandemie“
15:40 – 16:00: Pause
16:00 – 17:15: Bernd Hackl: „Künstlerische Intelligenz. Versuch über das Menschliche im Zeitalter seiner technischen Simulierbarkeit“
17:15 – 17:30: Pause
17:30 – 18:45: Birgitta Flick: „Sinnliche Wahrnehmung und leibliche Erfahrung als Grund- lage für Praktiken des Komponierens und Improvisierens“
ab 19:00 Uhr: gemeinsames Abendessen

Samstag 30.9.2023
09:15 – 10:30: Barbara Lüneburg: „Untersuchung von Verkörperung (Embodiment) und Expressivität in der klassischen Instrumentalpraxis durch Methoden der künstlerischen Forschung“
10:30 – 10:45: Pause
10:45 – 12:00: Kai Ginkel: „Hybride Körper und intergenerationale Sozialität: Implizite Wissenspraktiken in der Performance von Exzellenz in der klassischen Musik“
12:00 – 13:30: Mittagessen
13:30 – 14:45: Wilfried Datler, Margit Datler und Bernadette Strobl: „Wenn zwischen dem Psychischen und dem Körperlichen noch gar nicht getrennt werden kann … Über die frühen Prozesse der Ausbildung von implizitem Wissen in den ersten Lebensjahren“
14:45 – 15:00: Pause
15:00 – 16:00: Resumé und Diskussion (Fritz Böhle)

Teilnahme und Anmeldung

Die Teilnahme ist kostenlos; eine formlose Anmeldung senden Sie bitte bis spätestens 10.9.2023 an:
zembylas@mdw.ac.at

Fritz Böhle, Jörg Markowitsch, Georg Hans Neuweg und Tasos Zembylas (Organisationsteam)

Friday, 2nd June 2023, 18h-21:30

Saturday, 3rd June 2023, 18h-21:30

mdw – Future Art Lab – Klangtheater
Anton-von-Webern-Platz 1
1030 Wien

“As closing presentations of the Artistic Research Lab in the artistic doctoral program, fifteen mdw students will present audiovisual contributions from their current artistic research projects. The spectrum ranges from new and sometimes transcultural forms of composition and interpretation to experimental approaches to creation, media art, film sound, theater and choreography to historically informed performance practice as well as innovative turntablism”.