• Artistic Research
• Applied Ethnomusicology
• Postcolonial Studies and Strategies toward Decolonization
• Auditive Ontologies
• Musics of Indigenous Peoples
• Music and Minorities
• Bi-Musicality

Monograph

2021                 Lieder, Geister und Tabus: zum soziokulturellen Wandel der Musiktradition bei den Tao in Taiwan [Songs, Spirits and Taboos: On the Socio-Cultural Change in the Musical Tradition of the Tao in Taiwan]. Bielefeld: transcript Verlag

2015                 Die Musik im Leben der Tao (taiwanesische indigene Volksgruppe): Tradition und Innovation [Music in the Life of the Tao Taiwanese Indigenous Ethnic Group): Tradition and Innovation]. Dissertation at the Department of Folk Music Research and Ethnomusicology, University of Music and Performing Arts Vienna.

Editorship

2017                 Sieben Blätter und ein Stein: das Märchen von Märchen  [Seven Leaves and One Stone: the Tale of Fairy Tales] with 2CDs. Weitra: Verlag Bibliothek der Provinz

Reviewed by Malmberg, Isolde (2017). Review: Seven Leaves and one Stone, MDW-(WEB)MAGAZINE and by Kellermann, Kerstin in online magazine SKUG

In Press            Dialogues in Applied Ethnomusicology: Practices, Policies and Challenges (HerausgeberInnen: Huib Schippers, Wei-Ya Lin und Boyu Zhang). Beijing: Central Conservatory of Music Press.

Report of Research Projects

2017                 Final Report of Sparkling Science Project Music without Borders. University of Music and Performing Arts Vienna, Franz Schubert Department and Department of Folk Musik Research and Ethnomusicology. Quelle

2017                 Final Report of Research Project Bi-/Multimusicality. University of Music and Performing Arts Vienna, Franz Schubert Department and Department of Folk Musik Research and Ethnomusicology. Quelle

Peer-Reviewed Articles

2021     Practising Theories by Listening to Songs Related to the Tao (an indigenous ethnic group of Taiwan). In Terada Yoshitaka und Ursula Hemetek (editors): Music and Minorities (tent. Title). National Museum of Ethnology in Osaka, Japan.

2021     Creative (Mis)understandings: A Methodology of Inspiration. In Therese Kaufmann, Doris Ingrisch, Tasos Zembylas, Annegret Huber, Johannes Kretz (editors): Knowing in Performing. Artistic Research in Music and the Performing Arts. Bielederfeld: transcript, 111–129 (Co-Autor: Kretz, Johannes).

2019     „Raus aus dem Elfenbeinturm!“ – Projekte in angewandter Ethnomusikologie mit der indigenen Gruppe Tao (Taiwan). Die Musikforschung 4/2019, 332–344.

2017     Representing Musical Identities of Children with Migrant Background – An Example from the Research Project Music without Borders. Journal Musicologist Vol.1, 32–51.

2016     Maataw – the Floating Island: Performing Social and Ecological Change among Tao People. Musicological Annual L2/II, Ljubljana University Press, 85-101.

2016     達悟族中的音樂與其禁忌文化的關聯性 (The Relationship between Music und Taboos in the Society of the Tao). 台灣原住民研究論叢第十九期 (Taiwan Indigenous Studies Review), 43–68.

2015     The Relationship between the Practices of Traditional Singing and Church Hymns in the Society of the Tao (an indigenous ethnic group of Taiwan). In Pal Richter und Lujza Tari (editors): Multipart Music: Individuals and Educated People in Traditional Multipart Music Practices. Budapest: Research Centre for the Humanities HAS, 416–434.

2013     The Relationship between Music and Taboos in the Society of the Tao (An Indigenous Ethnic Group of Taiwan). Journal of Creative Communications 8(1), 45–64.

Coming Publications

Music without Borders: conducting music education through ethnomusicology in Austria. In Huib Schippers, Wei-Ya Lin und Boyu Zhang (editors): Dialogues in Applied Ethnomusicology: Practices, Policies and Challenges. Beijing: Central Conservatory of Music Press.

Academic Publications

2019     Performing Artistic Research – Decolonizing Academia. In Chinthaka Prageeth Meddegoda (ed.): Symposium Proceedings Colombo, 179–190 (Co-Autor: Kretz, Johannes). Quelle

2018     ’Bei uns gibt es keine sogenannte Musik, wir mianoanood (singen)!’ – Eine Studie zur Erforschung des auditiven Wissens der Tao. In Bernd Brabec de Mori und Martin Winter (ed.): Auditive Wissenskulturen. Wiesbaden: Springer SV Verlag für Sozialwissenschaften, 343–360.

2018     Bi-/Multimusikalität: Potenziale der musikalischen Vielfalt an der Universität für Musik und darstellende Kunst Wien. In: Cornelia Szabo-Knotik, Anita Mayer-Hirzberger (ed.): ANKLAENGE 2017. Be/Spiegelungen. Die Universität für Musik und darstellende Kunst Wien als kulturvermittelnde bzw. -schaffende Institution im Kontext der Sozial- und Kulturgeschichte. (Anklaenge – Wiener Jahrbuch für Musikwissenschaft). Wien: Hollitzer 2018, 143–159.

2016     探討如何保護原住民傳統智慧: 以加拿大與澳大利亞的經驗為例 (Discussion about the Protection of Traditional Indigenous Knowledge: Examples from Canada and Australia). Taiwan Journal of Indigenous Studies Vol. 8, 21–47.

2015     Sound Articulation – from Ethnomusicology about Taiwanese Aborigines to Contemporary Composition. In Folclor Si Postfolclor In Contemporaneitate, Materiale Conferintei internationale 11-12 decembrie 2014. Academia de Muzica, Teatru si Arte Plastice, Chisinau, 38–45 (Co-Autor: Kretz, Johannes).

2013     Mikarayag – Clapping and Singing Gathering of the Tao: Individual Creativity within the Collective Act. In Ardian Ahmedaja (ed.): Local and Global Understandings of Creativities. Multipart music making and the construction of ideas, contexts and contents. CD and DVD with audiovisual examples included. Newcastle u.T.: Cambridge Scholars Publishing, 232–249.

2012     Digital Archive of the Taiwan Music Institute (國立傳統藝術中心台灣音樂館), Website Review in Yearbook for Traditional Music 44, 230–231.

2011     序－默默傳承達悟傳統社會文化的蘭嶼樹人 (Preface). In Chou Tsung-Ching (ed.): 雅美族歌謠：情歌與拍手歌／古謠 (Yami Songs: Love Songs and Mikarayag/ Old Songs), 2 Books., Hsin-Chu: Chiaotung University Press, 9–11.

2011     Mehrspur-Aufnahmen in der Feldforschung – Obvious Engineering? Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 2, 91–127 (Co-Autor: Schöpf, Jürgen)

2011     Mikarayag – Mehrstimmiger Gesang der Tao. Feldforschungsbericht von der Orchideeninsel, Taiwan 2010. Jahrbuch des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften 2, 272–287.

2008     Gedanken zu Kunst, Gesellschaft und Vermischung. Ein Beitrag für das Programmheft des Festivals Wien Modern 2008, 151.

2006     Die Musik und das Leben der taiwanesischen Ureinwohner-Volksgruppe Tao (Yami). Master Thesis at the University of Music and Performing Arts Vienna.