Roth
In Roth, Bernhard Gál, Austrian composer and PI of AUDIO GHOSTS, focuses on the existing acoustic properties of the SP·CE listening gallery: small, often unheard sound events that unconsciously define the auditory space of the sound lab and thus serve as the sonic framework of any listening experience on site. […]
AUDIO GHOSTS
One part of the AUDIO GHOSTS project invites eight guest artists to engage in individual artistic research, building upon our established models to generate new, tacit knowledge about space-related psychoacoustic phenomena in sound installations. By combining artistic, psychoacoustic, sociological, and technological expertise, this case study explores how auditory illusions can inspire and structure compositional approaches, particularly within non-narrative time structures, to better adapt to the individualized nature of spatial listening. […]
