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| ▲ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1114 | Textbeitrag | T-233-01 | Patti Smith's Gloria: intertextual play in a vocal performance | Daley, Mike | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Musiker, Stil, Frau, Singen, Vermittlung, Analyse | S. 235-254 | 2009-04-30 12:35:35 | ||||||||||
| 1115 | Textbeitrag | T-233-02 | Post-Punk's attempt to democratise the music industry: the success and failure of rough trade | Hesmondhalgh, David | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Stil, 1980er, Kulturindustrie, Tonträger, Politik, Institution | S. 255-274 | 2009-04-30 12:34:25 | ||||||||||
| 1116 | Textbeitrag | T-239-01 | His name was Prince: a study of Diamonds and Pearls | Danielsen, Anne | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop, Funk | Musiker, Stil, Werk, Tonträger, Analyse | S. 275-292 | 2009-04-30 12:37:43 | ||||||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1118 | Textbeitrag | T-870-06 | Music, blackness and national identity: three moments in Colombian history. | Wade, Peter | Popular Music | 17/1 | 1998 | World music | Lateinamerika, Politik, Ethnologie | S. 1-20 | 2009-05-07 11:42:46 | |||||||||||
| 1119 | Textbeitrag | T-870-07 | Chutney and Indo-Trinidadian cultural identity | Manuel, Peter | Popular Music | 17/1 | 1998 | World music | Lateinamerika, Stil, Politik, Ethnologie | S. 21-44 | 2009-05-07 11:44:36 | |||||||||||
| 1120 | Textbeitrag | T-500-02 | Sitars and bossas: World music influences | Van der Lee, Pedro | Popular Music | 17/1 | 1998 | 500 | World music | World music | S. 45-70 | 2009-05-07 11:48:33 | ||||||||||
| 1121 | Textbeitrag | T-203-01 | Robert Johnson's rhythms | Ford, Charles | Popular Music | 17/1 | 1998 | 203 | Pop/Rock | Blues | Musiker, Rhytmus, Werk, Analyse | S. 71-94 | 2009-05-07 11:51:40 | |||||||||
| 1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
| 1123 | Textbeitrag | T-850-02 | Power relations in the Israeli popular music system | Perelson, Inbal | Popular Music | 17/1 | 1998 | Pop/Rock | Politik, Kulturindustrie | S. 113-128 | 2009-05-07 11:57:41 | |||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1125 | Textbeitrag | T-840-06 | The aesthetics of music video: an analysis of Madonna's "Cherish" | Vernallis, Carol | Popular Music | 17/2 | 1998 | Pop/Rock | Video, Aesthetik, Musiker, Frau, 1980er | S. 153-186 | 2009-05-07 13:11:26 | |||||||||||
| 1126 | Textbeitrag | T-239-02 | Songs from the bell jar: autonomy and resistance in the music of The Bangles | Mercer-Taylor, Peter | Popular Music | 17/2 | 1998 | 239 | Pop/Rock | Musiker, Frau, 1980er, Werk | S. 187-204 | 2009-05-07 13:11:00 | ||||||||||
| 1127 | Textbeitrag | T-140-03 | Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical | Burston, Jonathan | Popular Music | 17/2 | 1998 | 140 | Unterhaltungsmu | Musical | Musical, Aufführung, Bühnenwerke, Technologie, Singen | S. 205-218 | 2009-06-04 11:15:30 | |||||||||
| 1128 | Buch | B-870-04 | Music in Motion. Diversity and Dialogue in Europe | Clausen, Bernd u.a. (Hg.) | transcript | 978-3-8376-1074-1 | Bielefeld | 2009 | 500 | World Music | Bestandaufnahme, Stil, Europa, 2000er | 2009-10-15 13:22:35 | ||||||||||
| 1129 | Diplomarbeit | D-460-03 | Zbigniew Seifert. Biographie und Stilistik des polnischen Jazzgeigers | Danzer, Barbara | ipop Wien | 2008 | 460 | Jazz | New Jazz | Biographie, Musiker, Analyse, Jazz, Europa | 2009-05-14 13:22:58 | |||||||||||
| 1130 | Textbeitrag | T-830-01 | The Göteborg connection: lessons in the history and politics of popular music education and research | Tagg, Philip | Popular Music | 17/2 | 1998 | 200 | Pop/Rock | Paedagogik, Forschung, Europa, Entwicklung, Politik | S. 219-242 | 2009-07-02 12:18:41 | ||||||||||
| 1131 | Textbeitrag | T-320-01 | Some aspects of Hip-Hop history in Germany | Elflein, Dietmar | Popular Music | 17/3 | 1998 | 320 | Dance | HipHop | HipHop, Geschichte, Deutschland | S. 255-266 | 2009-06-25 13:44:25 | |||||||||
| 1132 | Textbeitrag | T-222-01 | "Whatever happened to ...?": The decline and renaissance of rock in the former GDR | Maas, Georg / Reszel, Hartmut | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Entwicklung | S. 267-278 | 2009-06-04 11:35:36 | |||||||||
| 1134 | Textbeitrag | T-222-02 | New German "folk-like" song and its hidden political messages | Schoenebeck, Mechthild von | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Folk, Politik | S. 279-292 | 2009-06-04 11:56:30 |