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| ▼ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2128 | Buch | I-146210 | B-800-42 | Popular Music in Contemporary Bulgaria | Draganova, Asya | Birmingham University Press | Birmingham | 2019 | 2021-01-26 14:27:20 | |||||||||||||
| 2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
| 2126 | Buch | I-146150 | B-320-09 | Bring That Beat Back, How Sampling built Hip-Hop | Patrin, Nate | University of Minnesota Press | 2020 | 2021-01-26 14:22:01 | ||||||||||||||
| 2125 | Buch | I-146146 | B-242-06 | Heavy Metal, Gender and Sexuality | Heesch, Florian; Scott, Niall (Hrsg.) | Routledge | New York | 2016 | 2021-01-26 14:17:34 | |||||||||||||
| 2124 | Buch | I-146149 | B-800-40 | Queer Times, Black Futures | Keeling, Kara | New York University Press | New York | 2019 | 2021-01-26 14:15:48 | |||||||||||||
| 2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
| 2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
| 2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
| 2120 | Buch | I-146058 | B-400-21 | Analysis of Jazz, A comprehensive Approach | Gugny, Laurent | University Press of Mississippi | 2019 | 2020-12-10 12:09:37 | ||||||||||||||
| 2119 | Buch | I-146057 | B-227-08 | Memphis 68, The Tragedy of Northern Soul | Crossgrove, Stuart | Polygon | Edinburgh | 2018 | 2020-12-10 12:07:17 | |||||||||||||
| 2118 | Buch | I-146044 | B-400-20 | Jazz Diaspora, Music and Globalisation, Transnational Studies in Jazz | Johnson, Bruce | Routledge | New York | 2020 | 2020-12-10 12:04:15 | |||||||||||||
| 2117 | Buch | I-146046 | B-800-38 | Race/Gender/Class/Media, Considering Diversity Across Audiences, Content, and Producers | Lind, Rebecca Ann (Hrsg.) | 4 | Routledge | New York | 2019 | 2020-12-10 12:02:26 | ||||||||||||
| 2116 | Buch | I-146040 | B-100-01 | Everybody's Doin' It, Sex, Music, and Dance in New York, 1840-1917 | Cornell, Dale | Norton & Company | New York | 2019 | 2020-12-10 11:53:38 | |||||||||||||
| 2115 | Buch | I-146053 | B-200-32 | The Songs of Joni Mitchell, Gender, Performance and Agency | Karppinen, Anne | Ashgate | New York | 2016 | 2020-12-10 11:50:33 | |||||||||||||
| 2114 | Buch | I-146042 | B-227-07 | Move On Up, Chicago Soul Music and Black Cultural Power | Cohen, Aaron | Chicago, London | 2019 | 2020-12-10 11:35:55 | ||||||||||||||
| 2113 | Buch | I-146026 | B-200-31 | Beggars Banquet and the Rolling Stones' Rock and Roll Revolution, "They Call My Name Disturbance" | Russel Reising (Hrsg.) | New York | 2020 | 2020-12-10 11:26:56 | ||||||||||||||
| 2112 | Buch | I-146027 | B-300-02 | The Second Summer Of Love, How Dance Music Took Over The World | Shulman, Alon | London | 2019 | 2020-12-10 11:17:31 | ||||||||||||||
| 2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
| 2106 | Buch | I-145098 | B-227-06 | The Rise and Fall of the Motown Sound, Where Did Our Love Go? | George, Nelson | University of Illinoise Press | Urbana, Chicago | 2007 | 2020-09-16 14:40:27 | |||||||||||||
| 2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 |