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| ▼ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1136 | Textbeitrag | T-222-03 | Rock musicians in Germany and ideas for their promotion | Niketta, Reiner | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Musiker, Deutschrock | S. 311-326 | 2009-06-25 13:44:39 | |||||||||
| 1134 | Textbeitrag | T-222-02 | New German "folk-like" song and its hidden political messages | Schoenebeck, Mechthild von | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Folk, Politik | S. 279-292 | 2009-06-04 11:56:30 | |||||||||
| 1132 | Textbeitrag | T-222-01 | "Whatever happened to ...?": The decline and renaissance of rock in the former GDR | Maas, Georg / Reszel, Hartmut | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Entwicklung | S. 267-278 | 2009-06-04 11:35:36 | |||||||||
| 1126 | Textbeitrag | T-239-02 | Songs from the bell jar: autonomy and resistance in the music of The Bangles | Mercer-Taylor, Peter | Popular Music | 17/2 | 1998 | 239 | Pop/Rock | Musiker, Frau, 1980er, Werk | S. 187-204 | 2009-05-07 13:11:00 | ||||||||||
| 1125 | Textbeitrag | T-840-06 | The aesthetics of music video: an analysis of Madonna's "Cherish" | Vernallis, Carol | Popular Music | 17/2 | 1998 | Pop/Rock | Video, Aesthetik, Musiker, Frau, 1980er | S. 153-186 | 2009-05-07 13:11:26 | |||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1123 | Textbeitrag | T-850-02 | Power relations in the Israeli popular music system | Perelson, Inbal | Popular Music | 17/1 | 1998 | Pop/Rock | Politik, Kulturindustrie | S. 113-128 | 2009-05-07 11:57:41 | |||||||||||
| 1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
| 1121 | Textbeitrag | T-203-01 | Robert Johnson's rhythms | Ford, Charles | Popular Music | 17/1 | 1998 | 203 | Pop/Rock | Blues | Musiker, Rhytmus, Werk, Analyse | S. 71-94 | 2009-05-07 11:51:40 | |||||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1116 | Textbeitrag | T-239-01 | His name was Prince: a study of Diamonds and Pearls | Danielsen, Anne | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop, Funk | Musiker, Stil, Werk, Tonträger, Analyse | S. 275-292 | 2009-04-30 12:37:43 | ||||||||||
| 1115 | Textbeitrag | T-233-02 | Post-Punk's attempt to democratise the music industry: the success and failure of rough trade | Hesmondhalgh, David | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Stil, 1980er, Kulturindustrie, Tonträger, Politik, Institution | S. 255-274 | 2009-04-30 12:34:25 | ||||||||||
| 1114 | Textbeitrag | T-233-01 | Patti Smith's Gloria: intertextual play in a vocal performance | Daley, Mike | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Musiker, Stil, Frau, Singen, Vermittlung, Analyse | S. 235-254 | 2009-04-30 12:35:35 | ||||||||||
| 1108 | Textbeitrag | T-800-12 | "Going down the pub!": The pub rock scene as a resource for the consumption of popular music | Bennet, Andrew | Popular Music | 16/1 | 1997 | Pop/Rock | Pub Rock | Stil, Großbritannien, Soziologie | S. 97-108 | 2009-04-30 12:42:04 | ||||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 | |||||||||||
| 1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 | ||||||||||
| 1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 |