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| ▼ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2104 | Buch | I-134675 | B-710-01 | Jazz, Geschichte und Persönlihckeiten der afro-amerikanischen Musik | Polillo, Arrigo | Herbig | München | 1978 | 2020-09-16 14:33:15 | |||||||||||||
| 2103 | Buch | I-78169 | B-880-06 | Viseueller Sound, Musikvideos zwischen Avantgarde und Populärkultur | Hausheer, Cecilia; Schönholzer, Annette | Zyklop Verlag | Luzern | 1994 | 2020-09-16 14:26:54 | |||||||||||||
| 2102 | Buch | I-145076 | B-227-04 | Motown, music, money, sex, and power | Posner, Gerald | Random House Trade Paperbacks | New York | 2005 | 2020-09-16 14:24:15 | |||||||||||||
| 2101 | Buch | I-143170 | B-800-36 | (Dis-)Orienting Sounds, Machtkritische Perspektiven auf Populäre Musik | von Appen, Ralf; Dunkel, Mario | Beiträge zur Popularmusikforschung | 45 | transcript | Bielefeld | 2019 | 2020-09-16 14:10:48 | |||||||||||
| 2100 | Buch | I-144567 | B-800-35 | Queer Phenomenology, orientations, objects, others | Ahmed, Sara | Duke University Press | Durham | 2006 | 2020-09-16 14:07:53 | |||||||||||||
| 2099 | Buch | I-144561 | B-203-05 | The New Blue Music; Changes in Rhythm & Blues, 1950-1999 | Ripani, Richard J. | University Press of Mississippi | Jackson | 2006 | 2020-09-16 13:32:01 | |||||||||||||
| 2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
| 2083 | Buch | I-143198 | B-215-08 | What Goes On; The Beatles, Their Music, And Their Time | Everett, Walter; Riley, Tim | Oxford University Press | Oxford | 2019 | 215 | Beat | Musikanalyse, Musicology | 2020-06-10 11:49:52 | ||||||||||
| 2082 | Buch | I-143060 | B-840-12 | Pop Music - Technology and Creativity; Trevor Horn and the Digital Revolution | Warner, Timothy | Routledge | London, New York | 2016 | 2003 | 840 | Sound | Technologie, Kreativität, Musikproduktion | 2020-06-10 11:47:07 | |||||||||
| 2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
| 2078 | Buch | I-143201 | B-800-33 | Popular Music, Stars and Stardom | Loy, Stephen; Rickwood, Julie, Bennett, Samantha (Hrsg.) | Australian National University Press | 2018 | Essays, Sammelband, Musicology | 2020-06-10 11:10:45 | |||||||||||||
| 2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
| 2076 | Buch | I-143177 | B-320-08 | The Musical Artistry of Rap | Connor, Martin E.; Adams, Kyle; Zechory, Ilan | McFarland | Jefferson | 2018 | 320 | Rap | Theorie, Kontext, Musicology | 2020-06-10 10:46:10 | ||||||||||
| 2075 | Buch | I-143343 | B-320-07 | Listening To Rap; An Introduction | Berry, Michael | Routledge | New York, London | 2018 | 320 | Rap | Historische Kontexte, Kulturelle Einflüsse, Charakteristik | 2020-06-10 10:41:41 | ||||||||||
| 2074 | Buch | II-144162/5 | B-130-06 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 5 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2073 | Buch | II-144162/4 | B-130-05 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 4 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2072 | Buch | II-144162/3 | B-130-04 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 3 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2070 | Buch | II-144162/2 | B-130-03 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 2 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2069 | Buch | II-144162/1 | B-130-02 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 1 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 |