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| ▼ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
| 1151 | Textbeitrag | T-870-08 | The articulation of soul: gypsy musicians and the Serbian Other | Van de Port, Mattijs | Popular Music | 18/3 | 1999 | 560 | Worldmusic | Worldmusic Europa | Ethnologie, Stil, Politik, Europa | S. 291-308 | 2009-07-02 12:14:26 | |||||||||
| 1150 | Textbeitrag | T-218-01 | On the enduring popularity of Cream's "Sunshine of Your Love": sonic synecdoche of the "psychedelic 60s" | Wolfe, Arnold S. / Miller, Chuck / O'Donnell, Heather | Popular Music | 18/2 | 1999 | 218 | Pop/Rock | Blues-Rock | Rock, Blues, USA, Werk, Analyse | S. 259-276 | 2009-07-02 12:13:25 | |||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1148 | Textbeitrag | T-221-01 | Cathy's homecoming and the other world: Kate Bush's "Wuthering Heights" | Losseff, Nicky | Popular Music | 18/2 | 1999 | 221 | Pop/Rock | Art-Rock, Prog Rock, College Rock | Tonträger, Frau, Werk, Rock, Analyse | S. 227-240 | 2009-07-02 12:12:24 | |||||||||
| 1147 | Textbeitrag | T-560-02 | Minotaurs or musonauts?: "world music" and Cretan music | Dawe, Kevin | Popular Music | 18/2 | 1999 | 560 | Worldmusic | Worldmusic, Europa, Analyse | S. 209-226 | 2009-06-25 13:47:03 | ||||||||||
| 1146 | Textbeitrag | T-850-04 | Pop and the nation state: towards a theorisation | Cloonan, Martin | Popular Music | 18/2 | 1999 | Politik, Soziologie, Theorie | S. 193-208 | 2009-07-02 12:11:48 | ||||||||||||
| 1145 | Textbeitrag | T-850-03 | The Parents´Music Resource Center: from information to censorship | Chastagner, Claude | Popular Music | 18/2 | 1999 | Politik, Soziologie, Pädagogik | S. 179-192 | 2009-07-02 12:11:37 | ||||||||||||
| 1144 | Textbeitrag | T-242-01 | Death metal tonality and the act of listening | Berger, Harris M. | Popular Music | 18/2 | 1999 | Pop/Rock | Metal | Metal, Analyse, Hören | S. 161-178 | 2009-06-25 13:54:33 | ||||||||||
| 1143 | Textbeitrag | T-800-15 | An analysis of Neil Young's "Powderfinger" based on Mark Johnson's image schemata | Echard, William | Popular Music | 18/1 | 1999 | Pop/Rock | Country-Rock | Musiker, Stil, Spieltechnik, Analyse, Rock | S. 133-144 | 2009-06-25 13:40:36 | ||||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1140 | Textbeitrag | T-540-01 | His Master's Voice? Exploring Qawwali and "Grammophone Culture" in South Asia | Burckhardt Qureshi, Regula | Popular Music | 18/1 | 1999 | Worldmusic | Worldmusic Asien | Worldmusic, Asien, Stil | S. 63-98 | 2009-06-25 13:49:12 | ||||||||||
| 1139 | Textbeitrag | T-560-01 | Ethics and aesthetics: the social theory of barbershop harmony | Garnett, Liz | Popular Music | 18/1 | 1999 | Worldmusic | Barbershop | Worldmusic, Großbritannien, Stil, Singen | S. 43-62 | 2009-06-25 13:45:12 | ||||||||||
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1136 | Textbeitrag | T-222-03 | Rock musicians in Germany and ideas for their promotion | Niketta, Reiner | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Musiker, Deutschrock | S. 311-326 | 2009-06-25 13:44:39 | |||||||||
| 1135 | Textbeitrag | T-120-01 | "Was ist ause uns geworden ... - Ein Häufchen Sand am Meer ": emotions of post-war Germany as extracted from examples of popular song | Ritzel, Fred | Popular Music | 17/3 | 1998 | 120 | Unterhaltungsmu | Dt. Schlager seit 1900 | Deutschland, Schlager, Text, 1950er, Soziologie | S. 293-310 | 2009-06-04 12:04:10 | |||||||||
| 1134 | Textbeitrag | T-222-02 | New German "folk-like" song and its hidden political messages | Schoenebeck, Mechthild von | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Folk, Politik | S. 279-292 | 2009-06-04 11:56:30 | |||||||||
| 1132 | Textbeitrag | T-222-01 | "Whatever happened to ...?": The decline and renaissance of rock in the former GDR | Maas, Georg / Reszel, Hartmut | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Entwicklung | S. 267-278 | 2009-06-04 11:35:36 |